Tag Archives: season

Autumn Brush and Trees, Eastern Sierra

Autumn Brush and Trees, Eastern Sierra
Brush and trees begin to take on autumn colors along the base of the eastern Sierra Nevada.

Autumn Brush and Trees, Eastern Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

Brush and trees begin to take on autumn colors along the base of the eastern Sierra Nevada.

My first memories of Sierra Nevada aspen trees could not be more different than what we see in this photograph. Those early experiences came on backpacking trips when trails briefly traversed small groves. I’m thinking of several of them as I write this — a small section along a trail to Cathedral Lakes, arriving at such groves when descending from the crest on the east side, various other backcountry locations. I always associated them with the “High Sierra,” the high elevation, forested wilderness that lies below the exposed high peaks.

It was much later that my perception evolved and encompassed the recognition that these trees can be part of what is essentially a high desert terrain just as easily. I recall a drive east of US 395 into such an area a few decades ago on which I was surprised to find groves of aspens surrounded by rangeland and no other trees. I soon became aware of what had always been there but which I had not noticed — small groups of such trees all along and near the base of the eastern Sierra. This small grove, along with a bunch of shorter brush, grows in a small creek bed passing through an area that is otherwise profoundly dry and seemingly barren.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Conifers and Autumn Aspens, Snow-Dusted Peaks

Conifers and Autumn Aspens, Snow-Dusted Peaks
An early season dusting of snow above colorful aspen groves surrounding conifers.

Conifers and Autumn Aspens, Snow-Dusted Peaks. © Copyright 2021 G Dan Mitchell – all rights reserved.

An early season dusting of snow above colorful aspen groves surrounding conifers.

Some of you may be starting to feel a sense of loss as summer comes to an end, a nostalgia for those slow days of the warm season. I, on the other hand, am happy to see summer go. My two favorite seasons are coming! I love autumn with its sense of continuous change and the remarkable shows of fall color. And while winter may not be the most comfortable season, in many ways it is the most interesting, a time when we are reminded that sometimes the climate is a challenge.

This photograph comes from a few years back on a day that features one of my favorite sorts of early autumn days in the Eastern Sierra. This would be a day when the aspens are changing color and when an early winter-like weather front passes through and drops a dusting of snow on the highest peaks. (My other favorite type of Sierra autumn day is entirely different — the kind of sunny day when the sun retains some warmth, the light is soft, the colors are golden, and the backcountry is nearly deserted.) This photograph looks across a large grove of (mostly) aspen trees that leads up the eastern slopes toward high peaks with some of the newly fallen snow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Color and Sierra Crest Peaks

Autumn Color and Sierra Crest Peaks
Early autumn color in a landscape of rock and forest below peaks on the east side of the Sierra Nevada crest.

Autumn Color and Sierra Crest Peaks. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early autumn color in a landscape of rock and forest below peaks on the east side of the Sierra Nevada crest.

This is, as some of you may notice, a portrait-orientation photograph of a scene that I recently shared using the landscape orientation. Why two different approaches, you may ask? That could be a bit of a complicated question, as there are multiple possible reasons. Heck, you might just wonder if I was able to make up my mind! In fact, this scene “works both ways,” I think. The landscape orientation goes with the long horizontal stretch of the distant ridge and the band of colorful aspens at the bottom, and it also reveals some additional color that lies outside of the vertical image to the right. On the other hand, I think that the vertical interpretation may do a better job of presenting the scale of the vertical rise from the foreground to those towering, distant peaks. I could go on, but I’ll end by pointing out that sometimes both orientations prove useful, so I don’t shy away from doing both.

The scene is a long canyon in the Eastern Sierra that rises from the hot, dry terrain of Owens valley, ascends a long river drainage that twists and splits and gradually transitions to subalpine forest, and finally culminates well into the alpine zone with its rocky terrain and high peaks. Canyons like this one can be good places to look for aspen color in the fall — for one thing, because they cover such a large elevation range there is likely to be color somewhere within them over a relatively long period of time.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mono Lake Moonrise

Mono Lake Moonrise
Early autumn full moon rising over Mono Lake, California.

Mono Lake Moonrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Early autumn full moon rising over Mono Lake, California.

This is a photograph of that magical moment when an early-autumn full moon rises above the mountains to the east of Mono Lake while there is still a bit of sunset or early twilight light in the sky. I’ve experienced this here quite a few times, and I often time my arrival at this point for this hour when it is full moon time. On this evening it all worked out perfectly: intense color in the sky as the moon appeared, plus sky color reflected on the surface of the lake, interspersed with blue areas where surface turbulence broke up the reflection.

Photographing a full moon is a bit trickier than it might appear at first glance, especially if you want to include the landscape in the scene, too. Once it is dark or close to it, the difference between the light on the landscape and light of the moon is huge — the moon is essentially a daylight exposure, while that landscape is much darker. Even with a camera that had enough dynamic range to capture both of those extremes, you would either end up with a well-exposed moon and a nearly invisible landscape or a nicely exposed landscape and featureless white disk of a moon. One approach is to time the photograph so that the moon in in the sky before it is fully dark. Ideally, this means photographing the moon a bit before it is truly “full” — or photographing at a time of year when there is still light on the landscape when a truly full moon rises.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.