Tag Archives: set

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Crescent City Sunset

Image June 20, 2021 G Dan Mitchell 2 Comments

The sun sets beyond evening clouds and sea stacks along the Pacific Coast at Crescent City, California.

Earlier this month we got away for a few days of photography in far Northern California — the redwood country, but also the never-far-away coast. We stayed in Crescent City the first couple of nights, just below the Oregon border, since this place provides good access to several of the redwood parks. The days are very long in far Northern California at this time of year, and even with several hours of morning photography and several hours of work in the evening, there is a lot of “in between time.” On this day we decided to enjoy an early dinner in town before heading out for evening photography. Eventually we worked our way to this spot along a bluff at the edge of town.

I had a particular subject in mind when we arrived, but the conditions were evolving in a somewhat unexpected way. A weak weather front was approaching from the northwest, and it was clear that its cloud shield was going to block the sun as it descended toward the horizon. I made a few quick exposures in pseudo-evening light, and then the light went gray. It was difficult to say for sure, but it looked like there might be a gap between the bottom of the clouds and the ocean, and in anticipation of the sun’s light coming through that gap right at sunset I quickly moved to a different location that placed this sea stack with its small tree in line with some more distant rocks and the likely position of the setting sun.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Birds, Brush, and Setting Sun

February 2, 2012 G Dan Mitchell 4 Comments

Sun sets over Merced National Wildlife Refuge, silhouetting brush and birds.

I’m not usually one to shoot straight into the rising or setting sun, but here you are… straight into the setting sun! While photographing birds and landscape at the Merced National Wildlife Refuge during the last weekend of January, we ended at a bend in the gravel road that loops around the main area of the refuge. We were trying to get close enough to some very big flocks of birds that were settling in on the nearby fields along the ponds, but they were mostly too far away. From time to time flocks would pass overhead, so we were able to photograph them in small groups, but the shots of the larger group – containing thousands of birds – eluded us on this visit.

But when the birds are more difficult to photograph, I end up looking around more at other things. And even in what might seem like a flat and almost featureless landscape, there are elements that contribute to the sense of quiet and space that comes on in the evening in the parts of the Central Valley… and before you know it, I’m shooting landscapes again! We had seen this little clump of trees or brush earlier and used it as an element in some other photographs. We had also noticed that one solitary bird perched motionless on a single tall branch extending above the surrounding thicker brush. Then it occurred to me that if I moved just a few feet to my left that the sun might pass right behind the bird shortly before it set – and a few frames later this photograph resulted.

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Night Photography, Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects

Lunar Eclipse, Golden Gate Bridge

December 10, 2011 G Dan Mitchell 6 Comments

Moon, in full lunar eclipse, drops behind the Golden Bridge South Tower, San Francisco, California.

Very (very!) early this morning I joined the surprisingly large throng of photographers out to shoot the lunar eclipse in the San Francisco area. I was up and out the door shortly after 4:00 a.m. and heading toward San Francisco. My first thought was to see if I could get an interesting composition with the moon over the San Francisco skyline by shooting from Treasure Island, in the bay between the City and Oakland. I arrived there while it was still very dark and found that lots of other photographers (and a motorcycle club!) were already on the scene. The photographers included to semi-astronomy types with the really, really big lenses and plenty of others.

The problem was immediately apparent. Even though the moon was still fairly high in the sky, it was apparent that it was going to set far to the right of San Francisco. I might have been able to find a workable spot on the island, but I still wasn’t sure the moon would be in a good spot once it got close to setting. At this point I decided to try a “plan B,” and I felt that there was a pretty good idea that I could make something work in the Crissy Field area. So I hopped back in the car, passed through downtown San Francisco, and arrived at the Crissy Field area…

… only to find out that I was most certainly not the only photographer thinking of using this location! There were hundreds of tripod-lugging photographers lined up a long the shoreline! My main idea at this point was to find a location from which the setting moon would pass above and then behind the bridge. So I headed off quickly towards the area where I thought this juxtaposition might be available. Soon I found it, and just as the sky was beginning to lighten up a bit and shedding a bit of natural light on the bridge. It was still quite challenging to get even a workable shot. The wind was blowing stiffly, making the necessary long exposures a bit tricky. In the end I think I got one or two that are interesting.

A vertical format version of this scene is posted here – I still haven’t decided which I prefer!

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Sunset and Moonrise, Kuna Crest

August 15, 2011 G Dan Mitchell Leave a comment

The nearly- full moon rises above the sunset light on Kuna Crest, Yosemite National Park.

Kuna Crest runs up Lyell Canyon between the Lyell and Dana forks of the Tuolumne River with the Sierra crest at one end and Mammoth Peak at the other. (Mammoth Peak is the large peak straight in front of you as you top Tioga Pass entering Yosemite National Park.) This ridge can catch great sunset light during the summer, and as I came down from the pass, heading back toward my camp at Porcupine Flat, and saw the almost full moon appearing over the shoulder of the ridge I decided to quickly stop and make a few exposures as the last light was about to leave the forest and soon after the peaks.

If you have tried photographing a scene that includes the moon in the early evening you know that the exposure is a tricky thing. The moon is lit by daylight, so it isn’t too surprising that the “correct” exposure for the moon is close to a normal daytime exposure. But that is not the right exposure for the rest of the scene, which turns out to be quite a bit darker than daylight at this time of day. In this scene things were even more complicates as the very saturated red colors on the ridge were quite “hot,” while the foreground meadow and forest was in shade and both darker and cooler in color. Basically, the dynamic range between the moon and the foreground was too large for a single exposure… so I made several.

At the time of exposure I thought that I might need as many as three component images in the final photograph – they would be one exposed for the bright ridge and sky, one exposed for the rather dark and shadowed foreground, and possibly a third that correctly exposed the moon. To be on the safe side I bracketed four exposures. When I began to work on the image I figured out that in this case I could construct a final “believable” image from two exposures if I was careful and could make some additional adjustments during post.

This is an example of a shot in which the use of a graduated neutral density filter could have been problematic, but where exposure blending could work very well. (“Exposure blending” is one term for the process of manually combining two component exposures using masked layers in Photoshop. No, it is not the same thing as HDR photography.) One of the things that would have been quite tricking using graduated neutral density filters is that the division between the brighter upper half and the darker lower half is not linear. Instead, the roughly follows the curved boundary between the lower meadow and dark trees and the still sunlit trees and the peak and sky.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.