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Photographs: People In Landscape, Photographs: Sierra Nevada

Hot Shower $5.00

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Hot Shower $5.00
An inviting sign on a door at a trailhead packstation in the Eastern Sierra Nevada.

Hot Shower $5.00. © Copyright 2021 G Dan Mitchell – all rights reserved.

An inviting sign on a door at a trailhead packstation in the Eastern Sierra Nevada.

I have been a Sierra backpacker for a long time. How long, you ask? A significant number of decades. My first backpacking trip, something I had dreamed about for a few years, was the summer I turned 16. Two buddies and I headed off into the Desolation Wilderness for something like five days. Unsupervised. (I still cannot believe that my parents allowed this.) Both friends had at least some backcountry experience, one with his family and one in the Boy Scouts. But this was all entirely new to me.

Often we think of the peak moments in the backcountry, the astonishing sunrises, climbing to the summit of a peak, and encounter with wildlife, visiting a place to which few others have been. Or perhaps we tell “hero stories” — the time I took a five day pack trip with a broken toe, my first solo (two weeks long), bad weather, getting lost. But the truth is that a lot of the experience is based on some pretty simple pleasures: sitting on a comfortable rock as the day ends, eating that freeze-dried food out of the pot, traveling for days with friends… and that shower at the trailhead when you return from a week or more in the backcountry.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: Northern California, Photographs: Ocean & Coast

Launch For Hire Building

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Launch For Hire Building
Launch For Hire Building

Launch For Hire Building. Tomales Bay, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I was in this area back in early February, attempting to make it out to Point Reyes by dawn – but various things delayed me, including distractions along the way, and I ended up along the shoreline of Tomales Bay at sunrise. The bay is long and thin and seems quite peaceful, but Californians often remember that it is there because it is the junction between the continental plate and the Pacific plate, otherwise known as the San Andreas earthquake fault. The land I stood on to make this photograph is gradually heading northward and out to sea relative to the more distant land across the bay in the upper part of the frame. Periodically, this must briefly be a distinctly non-peaceful place when that fault lets go!

But on this morning it was quiet. The winter season and cold (literally freezing) temperatures ensured that few other people were there yet, though visitors to Point Reyes National Seashore come all year long and would begin to arrive a bit later in the morning. The light was a study in contrasts. To my right from the camera position was the morning sun, barely rising above the Marin hills and shining from behind some thin and clearing fog. I also made some photographs in that direction and you would hardly guess they were shot from the same place at the same time, since the backlit atmosphere was so bright and luminous than only silhouettes appear. But in this direction only a bit of that fog is seen, in a thin layer just above the water near the far hills, and the foreground is completely clear. There is a group of these piers here, and they extend a good distance into the shallow waters of the bay. I cannot tell what, if anything, the building whose full sign reads “Launch for Hire” is used for today, though its form and the reflections underneath seemed like a good subject for a photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: Ocean & Coast

Launch For Hire Building

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Launch For Hire Building
Launch For Hire Building

Launch For Hire Building. Tomales Bay, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I shared a color version of this photograph back in March, not too long after I made the photograph. The building is an old wooden structure that sits on pilings above the waters of Tomales Bay, and is probably familiar (especially with its “LAUNCH FOR HIRE” sign) to almost anyone who passes by on the way to Point Reyes. In fact, that is precisely where I was headed. I had gone up there quite early, hoping to arrive early enough to be at Drakes Bay for sunrise. However, other sites along the way distracted me, and after I finished photographing them I found myself delayed, and the sun was rising over the Marin County hills as I drove around the bay. This photograph was made a few minutes later, after the very first light had already come and gone.

The “black and white or color?” question is a new one for those of us who started out photographing on film “back in the day.” Some of you reading this no doubt think that this context is obvious, but in a world in which some actually don’t understand, for example, how a rotary dial telephone worked, this context will likely soon become as unfamiliar as using a horse and buggy. Whether to shoot color or black and white was, only a bit more than a decade ago, a decision what was made well before clicking the shutter. Put black and white film in the camera and shoot black and white, or put color media in the camera and shoot color. (In most cases – with sheet film it was possible to choose, though that didn’t tend to be the work process of such photographers.) Now we have the odd advantage – or, sometimes, the burden – of having to decide based on the nature of the subject and how we see it. Quite a few photographers using digital media will tell you that they don’t always know for sure whether a shot will work best in black and white or color at the time of exposure. (Sometimes you do, but not always.) So we “capture” the scene in color and put off the final decision until the post-processing stage. Even there it can occasionally be hard to decide. This was one of those cases – and both the color and black and white versions live on for now.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Pacific Northwest, Photographs: Wildlife

Snow Geese and Farm Buildings

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Snow Geese and Farm Buildings - Snow geese fly low past a Skagit Valley farm, Washington.
Snow geese fly low past a Skagit Valley farm, Washington.

Snow Geese and Farm Buildings. Skagit Valley, Washington. February 19, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Snow geese fly low past a Skagit Valley farm, Washington.

Back in February I was fortunate to be able to spend a day photographing migratory (and other) birds in the lower Skagit Valley area in the state of Washington. For me the primary draw was the snow geese, since I had just spent several days photographing Ross’s geese in California’s Central Valley, along with the beautiful trumpeter swans that hang out in the fields in this part of Washington. I had also been alerted to the presence of bald eagles in the area.

I drove up very early in the day from the Seattle area, arriving at just about the time that would have been sunrise… if it had not been a typical gray Washington day. I passed through a small town by the highway and then headed out into this farm country, immediately spotting scattered groups of trumpeter swans, whose large white bodies stand out clearly against the intense green of the new growth in the fields. However, all of these birds were too far from the roads, so I moved on, soon passing what looked like a country produce stand in front of a fallow field that where there were some geese. I stopped – and immediately heard that striking sound of the huge flocks of geese – and got out my camera gear to see what I could do. At this point I looked around a bit more and saw flock after flock of birds high in the sky to the west and heading this direction. Very soon all of these flocks began land on this very field where I had fortuitously stopped and in minutes there were tens of thousands of geese on the ground and many more flying routes above and around the field.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.