Early evening light on boulders, trees, and cliffs along the edge of Upper Young Lake, Yosemite National Park, California.
Seeing that this feels like about the 100th photograph in this series from Upper Young Lake, I’m half tempted to title it “Yet Another Upper Young Lake Photograph.” I won’t, but I will keep the commentary short on this one. Shot on the same mid-September evening along the shore near the lower end of the lake, I used a longer focal length for this one and composed it to include a slightly darker and steeper section of the cliffs that rise from one side of the lake.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Morning sunlight shines through the edge of the forest along the rocky shoreline of Lower Young Lake, Yosemite National Park, California.
When I got up on this late-summer morning at Lower Young Lake, my first goal was to walk around the end of the lake and into the forested area shown along the shoreline in this photograph – but as I reached the lake near my camp I decided to first photograph the shoreline forest and trees from a bit further back. There are, as is probably apparent, several layers to this scene: the reflecting surface of the water with logs and other things below the surface and seen through the reflections, the rocks along the shoreline, behind that the edge of the forest interspersed with a few more boulders and bits of sunlit meadow, and far beyond the rocky face of the ridge that rises behind the lake.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A small tree growing on rocks near the shoreline of Lower Young Lake, Yosemite National Park, California.
I first saw this small tree growing in the cracks of rocks near the shore of the lake the morning before I made this photograph. At that time the tree looked interesting but the light was not so great. So visiting this tree again was on my agenda for the following morning and I got there a bit earlier. I made a number of exposures of this scene, and I’m still not certain which one(s) I think work the best – so there is a chance that one or more additional photographs of this subject may appear before too long.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Morning light on the shoreline forest at Lower Young Lake.
After finally managing to convince myself to get out of my warm sleeping bag and bivy sack oh-so -early on this cold, late-summer morning, I grabbed my tripod, camera, and lenses and headed down to the shoreline of this lake. (That’s right – no breakfast. My routine is generally to simply get up and start shooting. I might work for as long as a few hours before the light is no longer what I want, at which point I make my way back to my camp to fix coffee and breakfast.) Although I know this lake pretty well at this point, there are always new things to discover when I look closely, and the conditions are never the same twice. Although I’ve walked past this little bit of shoreline forest many times – the trail goes right through here – this is probably the first time I’ve photographed this spot. I’m often intrigued by backlit trees – for the long shadows, the color of light coming through leaves and branches, and the darker and mysterious quality of the trunks – and several other things also caught my attention here. There was still a bit of late-season green in the small plants down close to the ground, and I liked the obstructed view of the lake surface, the far shore, and the rocky slopes above.
This type of scene and lighting poses some challenges, the most obvious being the wide dynamic range. There are very bright specular highlights reflecting from the needles of the trees and the bright areas of the tree trunks can also be very bright. In this scene there was an additional source of “bright” where the rocks above the far shoreline were directly lit by sunlight. The trick is to not blow out all of those highlights – though a bit of “blow out” on tiny specular highlights can be OK – while still retaining some detail on the shaded side of the trees. Often I resort to exposure bracketing (making two or three different exposures to be blended in post) and, in fact, I did approach this scene that way. However, by shooting RAW and working carefully in post I was able to control the highlights and bring back some of the subtle shadow details.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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