A small tree growing on rocks near the shoreline of Lower Young Lake, Yosemite National Park, California.
I first saw this small tree growing in the cracks of rocks near the shore of the lake the morning before I made this photograph. At that time the tree looked interesting but the light was not so great. So visiting this tree again was on my agenda for the following morning and I got there a bit earlier. I made a number of exposures of this scene, and I’m still not certain which one(s) I think work the best – so there is a chance that one or more additional photographs of this subject may appear before too long.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Morning light on the shoreline forest at Lower Young Lake.
After finally managing to convince myself to get out of my warm sleeping bag and bivy sack oh-so -early on this cold, late-summer morning, I grabbed my tripod, camera, and lenses and headed down to the shoreline of this lake. (That’s right – no breakfast. My routine is generally to simply get up and start shooting. I might work for as long as a few hours before the light is no longer what I want, at which point I make my way back to my camp to fix coffee and breakfast.) Although I know this lake pretty well at this point, there are always new things to discover when I look closely, and the conditions are never the same twice. Although I’ve walked past this little bit of shoreline forest many times – the trail goes right through here – this is probably the first time I’ve photographed this spot. I’m often intrigued by backlit trees – for the long shadows, the color of light coming through leaves and branches, and the darker and mysterious quality of the trunks – and several other things also caught my attention here. There was still a bit of late-season green in the small plants down close to the ground, and I liked the obstructed view of the lake surface, the far shore, and the rocky slopes above.
This type of scene and lighting poses some challenges, the most obvious being the wide dynamic range. There are very bright specular highlights reflecting from the needles of the trees and the bright areas of the tree trunks can also be very bright. In this scene there was an additional source of “bright” where the rocks above the far shoreline were directly lit by sunlight. The trick is to not blow out all of those highlights – though a bit of “blow out” on tiny specular highlights can be OK – while still retaining some detail on the shaded side of the trees. Often I resort to exposure bracketing (making two or three different exposures to be blended in post) and, in fact, I did approach this scene that way. However, by shooting RAW and working carefully in post I was able to control the highlights and bring back some of the subtle shadow details.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Brick walls and a building under construction above the High Line Elevated Park, New York City.
Another bit of architecture photographed from the High Line Elevated Park in Chelsea on a summer evening in August. The most interesting features of this evening included the “mackerel sky” clouds to the west, which are reflected in the windows of the upper building, and the warm light of early evening. The juxtapositions of angles and textures (especially the bricks and the glass windows) got my attention as we walked along the High Line. I cannot identify the building, but it appears to be under construction.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Diffused light from a cloudy sky casts a soft shadow across a wall with a faint stain.
This is perhaps a subtle photograph. Originally it was in color, but the colors were so subdued – almost invisible, actually – that I decided to go with this black and white rendition. This wall is in a New York museum and is located next to a window. It was overcast, so the light coming through the window was particularly soft and diffused. It wasn’t until I looked at this photograph in post that I realized that there is a “flaw” in the scene – the slightly darker stained area on the upper wall.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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