Brightly colored yellow and blue wall with red and white sign and restaurant window with food photographs, The Mission, San Francisco, California.
Another photograph of the subject I posted earlier – some very colorfully painted walls in the Mission District of San Francisco. While the previous one was a tighter crop in “landscape” orientation, I composed this one to show more of the vertical lines and to include the window-posted menu on the right side. Kind of makes me hungry just to look at it!
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Horsetail Fall in the final sunset light on a mid-February evening, Yosemite Valley, California.
I was in Yosemite Valley for a couple of days during the middle of February. My main reason for going was not to photograph the seasonal and iconic sunset light on Horsetail Fall, but it turned out that I did just that – twice. Since I have photographed the phenomenon in the past and already have a photograph that I consider a success, shooting it again isn’t at the top of my to-do list. However, I’ll shoot an icon if I think that the conditions might be special. In the afternoon I had been up high enough to get a clear view to the west, and it had looked almost completely clear. This is pretty much a necessary condition for good light on Horsetail, since the very late and low-angle light has to come in from across the Central Valley unobstructed. And, as everyone knows by now, the fall is an intermittent and seasonal event that depends on the right combination of prior snow (or rain) and warm weather to get the creek feeding the fall running in the middle of winter. It turned out that this had also happened, and the fall was running pretty strongly.
So, with all of those pieces apparently in play I decided to head on over to the picnic area beneath El Cap and then wander east until I found a suitable viewpoint. Still a bit ambivalent about shooting Horsetail, one reason I chose this spot is that it allowed me to shoot other subjects in the late afternoon and then arrive more or less at the last moment (around 5:00 p.m.) and still find parking and a spot to shoot. The parking, especially, can be more problematic at the other popular location, located along Southside Drive.
In the end, it was an odd evening for Horsetail. As the sunset continued the fall began to glow, and it looked like it might possibly turn out to be a really special night to shoot this subject. But then a few minutes before the peak of color would have occurred… it was as if someone switched the lights off. Very quickly the color dimmed to much more muted shades and remained so as the light faded. This was my last shot before that turn of events occurred, and this color corrected version (compensating for the otherwise very blue light on the rock face not struck by the sunlight) picked up some nice light and some of the most delicate and beautiful spray I’ve seen on the fall.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Night photography of brick and concrete buildings under artificial lighting with star trails at the Mare Island Naval Shipyard, Vallejo, California.
The Mare Island night photography well has still not quite run dry – so here is one more from my February 6 shoot there with The Nocturnes. I spent a fair amount of time poking around the spaces near this brilliantly lit concrete building and the darker brick building beyond, photographing the two buildings from various angles and directions. The contrast between the artificially lit plain concrete walls of the foreground building and the darker and more textured brick walls of the further building was striking, and I’ve been intrigued for some time by the reflections and glow of the windows up high on the roof. This exposure was long enough that the high clouds moved and created the linear blurred shapes you see in the sky, interspersed with subtle but numerous star trails.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white photograph of a night scene on Railroad Avenue at Mare Island Naval Ship Yard with cyclone fence, brick wall, pipes and tank, window, and speed limit sign.
I was thinking about the Panocturnists group when I made this photograph at the Mare Island Naval Ship Yard during the first weekend of February. The location is in many ways pretty mundane – one of the first areas that most first-time Mare Island night photographers shoot near the entrance to the so-called “historic core” of the site, and nothing that would warrant a second look during daylight hours. Not surprisingly, most photographers here are initially attracted to a nearby turnstile or to the massive steel structures overhead. I’ve shot here enough now that, while I’ll still shoot those subjects, I usually look for less-obvious subjects that I may not have tried previously. So while some new folks photographed right behind me I decided to see what I could do with the street light-illuminated fence, wall, and collection of pipes in this corner. (And, as the long exposure was underway I was able to help out the first-timers… :-)
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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