Tag Archives: shadows

Evening Shadows, Sierra Crest

Evening Shadows, Sierra Crest
Mountain shadows on the Sierra Crest at sunset, Yosemite National Park

Evening Shadows, Sierra Crest. Yosemite National Park, California. July 14, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Mountain shadows on the Sierra Crest at sunset, Yosemite National Park

Earlier I had photographed in the large meadows along the Dana Fork of the Tuolumne, just below Tioga Pass, continuing to work until the sun dropped behind the long and tall ridge to the west. As I walked back toward my vehicle through the soft light of the shadows, the surrounding peaks were still in full sun. I started thinking about putting a very long lens on the camera and photographing the last light when if finally got to these peaks and ridges.

It took a while! This meadow area loses the light early, so even though I lingered there after the direct sun was gone, I still had quite a while to wait before sunset. The intense coloration of the arctic zone peaks comes from two sources. This section of the Sierra is topped by much older rocks — not granite but very reddish-brownish rocks. By the time I made this photograph the sun was very close to the horizon and the color of the light had warmed considerable, adding even more intense color to the rocks. (Inspecting the image file very closely I learned something new — there is a faint trail traversing the upper slopes of the ridge at the left!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Shadow and Line Study

Shadow and Line Study
Patterns of lines, curves, concrete and shadows

Shadow and Line Study. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Patterns of lines, curves, concrete and shadows

I have always been intrigued by and occasionally obsessed with patterns and juxtapositions and form. When I go back and look at my earliest photography from when I was in middle school or high school I can now see that even then I wasn’t just looking at things for what they “are,” but for the other things that they might also be — the aspects of them that are not immediately visible. This is simple (or so it seems) study of some lines and curves and perspective lines, made quickly while walking along the Embarcadero on San Francisco’s waterfront one morning.

Recently the discussion about realism and honesty and manipulation in photographs has crescendoed a bit, as it does from time to time. On one side are those who think that anything goes — not exactly my point of view, though I might be more “permissive” that you would expect. On the other side are members the “no manipulation” faction, who want to apply the supposed standards of photojournalism to all photographs — their job is to show truth and be completely objective and no “manipulation” is permitted. The problem with the extremes of the first position are obvious. The problems with the extremes of the second deserve a lot more thoughtful scrutiny then they have generally been receiving. All photographs lie, even those that tell truths. Some might imagine that a photograph like this one represents an objective truth, a straightforward (and straight photography) look at the true nature of a thing. But if you saw this subject, you would not likely see anything like this, and my choices (to make it black and white, to use a particular lens, to render the image in black and white, to look at this particular subset of the whole, and much more) are entirely subjective. In the end, this is still truth — but it is my very subjective truth about this subject and it most certainly is not an objective “record” of a thing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Chairs and Dappled Sunlight

Chairs and Dappled Sunlight
A small brick-paved urban square in dappled sunlight

Chairs and Dappled Sunlight. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A small brick-paved urban square in dappled sunlight

I have my reasons for photographing in urban environments, even though that might seem like an odd passion for someone who photographs nature and landscapes. The same attractions of form and light and texture and juxtaposition are found in both places, though the urban environment encourages me to photograph in a different way. Here I don’t use a tripod, and I often make photographs very quickly and instinctively, since the subjects are so transitory and it is a matter of photograph it now or never. Even a seemingly static and quiet scene like this one only lasts a moment before people again walk through the scene. If nothing else, it is an intense exercise in seeing.

The area of where I made this photograph is, despite the appearance, a very busy and noise place along San Francisco’s Market Street, a place where there are throngs of people and where traffic noise can be oppressive. Yet at times the crowds part and the scene can be almost empty. And there is often quite beautiful light — it comes from all angles as it reflects back and forth among the glassy surfaces of tall buildings, and at street level in some places the light can fill the scene from almost all possible directions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes and Mountains, Morning

Dunes and Mountains, Morning
Morning light on sand dunes and rugged mountains, Death Valley National Park

Dunes and Mountains, Morning. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light on sand dunes and rugged mountains, Death Valley National Park

On our final morning in Death Valley this past March I got up before dawn one more time, loaded some gear in the car, and drove a short distance to a place from which I had decided I wanted to access sand dunes. I had been in the same area a few days earlier, and on that visit I spotted a likely looking area not far away — and that was my target this time as I walked alone across the quiet playa in pre-dawn light.

Out here the light arrives with surprising suddenness, despite the hints that it is coming, seen in light on peaks to the west and far up the valley. Silently the first light skims across dune tops, and within seconds the soft light is replaced by brighter highlights and darker shadows. Here I looked east across low dunes toward mountains along the eastern side of the valley at the base of the Amargosa Range. The morning haze and shadows on the mountains muted the their details. I photographed here for a few more minutes before packing and walking back to my vehicle, and within an hour we were on our way out of the park.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.