Blue and green waste receptacles next to a glass wall at Yerba Buena Gardens, San Francisco.
I’m tempted to not say much about this photograph, beyond the basics of where and when and what. The “where” is along the wall of the performing arts center at San Francisco’s Yerba Buena Center. The when is on a morning with high fog that produced some nice, diffused light. The “what” is, well, a couple of trash cans in front of a large window, behind which there are a couple of other trash cans in the same color scheme, a drinking fountain, and some yellow walls. Profound, no? :-)
A person walks past the bottom of a stairway along Stockton Street, San Francisco.
On this mid-July morning I was walking through sections of downtown San Francisco, on my way from Market Street up through parts of Chinatown and heading toward North Beach. It was early enough that the bulk of the tourist crowd was still sleeping in or having breakfast, though people were out and about. My plan was to walk up the first block of the main tourist section of Chinatown to grab some storefront photographs, and then to head a bit west to Stockton Street or thereabouts, where things are oriented (much) less towards the tourist trade.
There is a place where there are essentially two layers of streets. Busy Stockton ducks into a tunnel and the street that is right above it ends on a short spur that is mostly parking. I walked to the middle of the sidewalk at the end of this little street, from which I could photograph straight up Stockton. Finishing that I looked for the stairs down to Stockton and happened to pick the one to my left. As I entered the stair well I looked for photographs since I like the angles and the lighting in some of these areas. One landing up I could look down to where the sidewalk coming up through the tunnel met up with the stairs and then emerged into the light beyond. I made an exposure or two of this “urban landscape,” and then as a person walked across the scene I had a moment to channel my “inner HCB” and photograph her blurred form.
Speaking of channeling HCB, there is also a BW version of this image that probably has more of the classic “street” look. At the moment, thinking that I’m in danger of trying to look old school if I go the other way and also enjoying the brown and tan and similar tones in the color version, I’m going with this one.
Freeway overpass crosses the train tracks along Townsend Street near the Caltrain station, San Francisco.
In the middle of a long string of landscape photographs from the Sierra Nevada, today I present a photograph of… what appears to be a trashed and abandoned area beneath a freeway overpass. I’m guess that at least a few people reading this might be perplexed.
While I absolutely love going to and photographing wild and scenic areas – and as a resident of northern California I’m fortunate to live close to some pretty amazing such places – those are not the only photographic subjects that I find interesting. The explanation is complicated and would require me to discuss a whole range of things including from the nature of beauty (e.g. – “beautiful” and “pretty” are not the same thing), the relationship between the concepts of “natural” and “civilized, the belief that part of what a photograph might do is show a thing in a way that the viewer might not otherwise consider, and even the practical effect on all of my photography from photographing more than one thing. Heck, I also just like to visit San Francisco and other urban areas and wander around!
This time of year I make regular trips to San Francisco, usually taking the train into The City fairly early in the morning and then wandering on foot wherever my interest leads me. On this morning I was up before 5:00 a.m., out the door to catch a bus at about 5:25, on the train a bit before 6:00, and walking out of the San Francisco Caltrain station a couple minutes after 7:00 a.m. As the train approached the station I noticed a number of freeway overpasses – the same sort of structures that were used so effectively in San Francisco Opera’s recent production of Wagner’s “Ring” cycle, which affected me visually as well as in the other expected ways. So as soon as I got off the train I headed back along Townsend to this little space beneath the 6th Street exit ramp from highway 280 and photographed in the very same “golden hour” light that I would look for if I were in the Sierra.
Man sitting on a bench in front of a San Francisco building and talking on his cell phone.
The first time I worked on this photograph, I made a decision to work it up as a black and white image. However, when I returned to it a month or so ago, I felt like it might be interesting as a color photograph as well.
There is nothing all that special about the location itself – it is on a small street in an area that might be thought of as along the edges of downtown San Francisco. It is not too far to typical large downtown buildings, but here it seems that many might residences and rental units, and many on this street are connected with the Academy of Arts College (or is it “university” now?) facilities that are spread all around the city. I’m intrigued by the interesting shapes and colors and textures of these San Francisco buildings, that often embody some strange combination of a great deal of order (carefully painted rectangular white window frames), utility (the fire escape being almost the most prominent thing on the front of the building), and little oddities (the benches on a slanting sidewalk and guy talking obliviously on his cell phone).
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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