Tag Archives: sky

Photographs: Mono Lake Basin, Photographs: Nature

First Light — Tufa, Clouds, Mountains

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First Light — Tufa, Clouds, Mountains
“First Light — Tufa, Clouds, Mountains” — The first dawn light on Mono Lake tufa towers, with desert mountains and morning ing clouds in the distance.

The landscape of Mono Lake and Mono Basin seems reduced to essentials: rocks, mountains, water, sky, light. And all of this is in a place of uncommon quiet and immense space — it is difficult to truly comprehend the scale of the basin. These qualities seem especially strong if you come down from the peaks and intimate landscapes of the nearby Sierra Nevada.

I was out there early on this July morning — having literally “come down” from those peaks near the Sierra crest in predawn darkness. Rather than getting close to the famous tufa formations, my goal was to photograph the lake and its surroundings from a distance, using long lenses to bring together some of the close features and distant elements of the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Europe, Photographs: Portugal, Photographs: Travel

Mosteiro da Serra do Pilar, Night

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Mosteiro da Serra do Pilar, Night
“Mosteiro da Serra do Pilar, Night” — Dusk photograph of the tower of the Mosteiro da Serra do Pilar, Porto.

On this May evening in Porto we decided to cross to the south side of the Douro River to watch the sunset over the city. There are lots of locations from which the view of Porto is available, but we had our eyes on the high point near the end of the Dom Luis I bridge, the square around the Mosteiro da Serra do Pilar. After sunset I turned my camera to this round building, the old church.

I was surprised that this site doesn’t seem to be better known, giving its striking appearance and its prominent location. (Perhaps people don’t like the uphill walk?) It is hard to imagine a better location for viewing the Porto waterfront, and the facility itself is historic.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Europe, Photographs: Portugal, Photographs: Travel

La Ribeira at Dusk, Porto

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La Ribeira at Dusk, Porto
“La Ribeira at Dusk, Porto” — The Douro River winds past the La Ribeira district of Porto at dusk, Portugal.

On this evening we had crossed the Douro River via the famous Dom Luis I bridge to join the throngs watching the sunset from its south side. People staked out viewing locations almost everywhere, though the Garden of the Moors area seemed to be the most popular — with musicians and food carts ad more. We took a different approach and climbed up to the Mosteiro da Serra do Pilar.

After sunset we started our walk back to the north side of the bridge and our lodgings along the edge of the Ribeira district. Dusk was arriving as we re-crossed the bridge, so I paused to photograph the scene — the lively waterfront area, the buildings rising up from the river, the water’s winding path toward the sea, and some evening clouds overhead.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Architecture, Photographs: Europe, Photographs: Portugal, Photographs: Travel, Photographs: Urban/Street

Lisbon Rooflines

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Lisbon Rooflines
“Lisbon Rooflines” — A succession of rising rooftops against a cloudy sky, Lisbon.

On one level this photograph is about the forms and colors of the buildings in this Lisbon neighborhood. The color palette is more typical of Southern Europe — from here to Italy and beyond — with the earth tones and the red tile roofs. The angle relationships are compressed, in part because the buildings are so close to one another.

It is also about the “atmosphere” of the place — the light of this region seems to me to have a particular quality. On one hand it can be sharp edged, I suppose due to the southern location and the high position of the sun. But there can also be a softness to the atmosphere that isn’t like the harsh quality often seen in, for example, the American Southwest.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.