Tag Archives: slopes

Solitary Tree, Morning

Solitary Tree, Morning
A solitary tree stands in morning light against a background of rugged, rocky Sierra slopes.

Solitary Tree, Morning. © Copyright 2022 G Dan Mitchell.

A solitary tree stands in morning light against a background of rugged, rocky Sierra slopes.

One of my favorite places to wander on our recent Sierra backcountry visit — with a group of photographer friends back in August — was an area of creeks and boulder-strewn meadows and small trees that led from near our camp toward the alpine country below barren ridges. Once the nearby creek’s flow diminished following some heavy rainfall, I spent a couple of mornings wandering through this terrain and photographing.

I timed my visits so that the sun would rise after I had gotten a little ways into this area, at about the time that the first sun would strike the trees. On this morning I paused in a meadow that was open to the east, and as the first sun arrived it produced lovely backlight on this tree, set against high and rugged country running up toward a much higher ridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Three Trees, Rocky Slopes

Three Trees, Rocky Slopes
The conifer trees, illuminated by morning backlight, against a background of rocky terrain slopes.

Three Trees, Rocky Slopes. © Copyright 2022 G Dan Mitchell.

Three conifer trees, illuminated by morning backlight, against a background of rocky terrain slopes.

Our August backcountry sojourn with a group of fellow photographers began with the absolute heaviest downpour I have experienced during decades the Sierras. It began within seconds after we got our tent (mostly) up and continued for hours, on into the evening. We all crawled inside our tents and tried to stay dry and warm as hail and rain poured down, lightning flashed, thunder rumbled, and the roar of the rising waters on the nearby creek started to get our attention. The weather remained “interesting” on into the second day, only beginning to finally clear a bit on the second evening. But the next morning came with a beautiful sunrise and plentiful sun — and that is when I made this photograph.

This group of three trees stood on rocky ground, and because of that they were not blocked by other trees. As the morning sun rose it finally topped a ridge to the east and the light began to strike the trees. This kind of backlight, especially when it falls on trees, is one of my favorite things in the Sierra. So it should be no surprise that I made a series of photographs of this group, some in landscape orientation and some in portrait orientation. In this one I chose to let the glowing trees fill as much of the frame as possible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees in Morning Light

Trees in Morning Light
Trees in monring light, backed by rocky slopes, Ansel Adams Wilderness.

Trees in Morning Light. © Copyright 2022 G Dan Mitchell.

Trees in morning light, backed by rocky slopes, Ansel Adams Wilderness.

Have I mentioned that I like backlight and that I especially like trees in morning backlight? Well, yes, I think I have. Even more, I like this subject when the background is filled by distant, rocky mountain slopes in shadow. This little group of trees was nestled against a rocky promontory not far from our camp.

After nearly two days of rain, this was the first morning when we had sun. All of us were more than ready for this development, and soon everyone was out and about, enjoying the dry weather and warm light. (We also continued to be impressed by the unusually high creek levels and the nearby lake that was now completely full of sediment washed down from the peaks.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dune Summit

Dune Summit
Sand slopes leading to the summit of tall sand dunes.

Dune Summit. © Copyright 2022 G Dan Mitchell.

Sand slopes leading to the summit of tall sand dunes.

After sharing a lot of color photographs from Death Valley (along with one or two in monochrome), this one seemed to work best in black and white. It might seem counterintuitive to those who associate black and white with old-school “realism,” but monochrome often allows and even demands greater levels of “manipulation” than color and is even further removed from that illusive concept of realism. (Hint: The world is not monochromatic!)

Working in monochrome allowed me to produce a high key version of the subject, a layering of dune lines and curves leading toward the highest peak. Overall the image is rather light, but I was able to emphasize some of the darker textures, too. (Because the image is light, gray can almost imply black.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.