Tag Archives: slopes

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Death Valley, Evening

May 19, 2015 G Dan Mitchell Leave a comment

Evening light on the playa of Death Valley, with lower slopes of the Panamint Mountains rising beyond

Since I’ve been traveling to and around Death Valley National Park for more than 15 years now, I’ve seen a lot of the park — but I most certainly have not see all of it, nor have I completely learned how to see everything in it. This is a huge place, varying greatly by location, terrain, season, weather and more. Frankly, the experience of coming to know such a place over time is one of the things I value most about such locations. While I love to “discover” a place that is completely new to me (and Death Valley was that place in the late 1990s for me), the longer process of learning the place and its rhythms more deeply is also, I think, more rewarding. It is wonderful to see a desert gully in evening light for the first time, but it may be even more beautiful to come back to it and recognize an old and familiar friend.

Along these lines, a few years ago, as I continued to push out my own boundaries of experience and knowledge in Death Valley, I began to think more about how to make photographs of things that I might have not thought worthy of a photograph before. I realized that many of these things that don’t scream “photograph me!” are otherwise a core part of the experience of this place: a vast and quiet “empty” landscape, midday sun, haze obscuring great distances, the edge between the last vegetation and a barren playa, a beam of light slanting across an alluvial fan. And if they are central to the sense of the place, it seems that there must be a way to photograph them. And that is a new challenge for me in my Death Valley photography.

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Photographs: Nature, Photographs: Northern California

Winter Fog, Ridges

February 3, 2013 G Dan Mitchell Leave a comment

Winter fog wraps around the lower slopes of Marin County mountains along the Pacific coast north of San Francisco

This was the sort of day of photography that I have learned to accept as something that comes with the territory. I was up hours before dawn, and on the road shortly after that, with an idea of photographing in the redwoods of Marin County north of the Golden Gate, or perhaps of photographing along the coast where high surf was predicted. As I got on the road I noticed that there was some fog about, which is fine as I often like photographing in such conditions. Nearly an hour later as the time of sunrise approached, I noticed that the day was not becoming light very fast and, in fact, things were looking quite gray. I crossed the Golden Gate in fog, stopped briefly on the north side of the bridge, and wasn’t able to see much of anything. I continued on to the Muir Woods area and parked. As I sat in the car, it became clear that there wasn’t going to be much in the way of compelling light here, either. (I’m not one to insist on incredible light, so when I say that the light wasn’t promising… I mean it!) I soon decided to leave and go up the coast a ways. As I drove I figured out that the murky light was the result of a combination of thick coastal fog, generally hazy conditions where it wasn’t foggy, and above it all the high clouds of a passing weather front.

While finding myself in conditions like these doesn’t exactly make me happy – who wouldn’t prefer beautiful light and easy subjects!? – I don’t get upset about it any more. In order to find really special subjects and light one must simply go “out there” a lot to increase the odds. Special things are special at least partially because they are not ordinary, and we cannot expect stupendous conditions on every outing. I shoot enough to have had the good fortune to almost regularly encounter truly wonderful conditions and to have some idea how to work with conditions that are merely good. But along with this good, I also have to accept the possibility – certainty, actually – that there will be some days when it seems like nothing happens. This was one of those days. I enjoyed being out and about, and I explored a few places that I had not visited before. I gave up on some ideas, tried others, and when the light was clearly not going to be good in the forest, I headed for the coast. When that didn’t work, I headed into the hills. It was what it was! Eventually, I ended up at the Mount Tamalpais State Park high in the Marin hills, and around one bend in the road the view opened to the west and I could see the ocean of fog bumping up against ridges below me and stretching on out over the ocean – so I stopped and made the only photographs of the day that worked. It wasn’t a great day… but it was still a good day!

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Lodgepole Forest and Lower Slopes of Mount Gibbs

October 19, 2012 G Dan Mitchell Leave a comment

Lodgepole forest trees and the lower slopes of Mount Gibbs are bathed in sunset light, Yosemite National Park.

This was an evening of “interesting” (e.g. – tricky!) light that changed from moment to moment. The issue was that there were high clouds to the west of my position not too far from Tioga Pass. These clouds can cut both ways – on one hand they can be lit up in quite astonishing ways by the light at the end of the day and just after sunset, but they can also quite simply block the light from the west. When I see this situation in the Sierra, I often make a point of being where I can take advantage of the potential for a wild show of sky color, but I’m also aware that as often as not nothing will happen and the sun will simply slide behind the clouds. On this evening things were complicated. Earlier there was a wonderful atmospheric haze that became luminous in the back-light. However, as the sun dropped toward the horizon, at times it did pass right behind clouds that were thick enough to block its light and turn the world quite gray.

Eventually I figured out that light was going to be transitory and unpredictable on this evening, so I more or less settled into “opportunist” mode, ready to move quickly when a bit of light showed up in one place or another. With a somewhat long lens on the camera, I would wander around or just stand and watch. Then, almost without warning, something would light up – a tree over there, a ridge behind me, some clouds – and provide a momentary opportunity to make a photograph. At the point that I made this photograph, in subtle, rose-colored light, I had almost given up since the trees around me had fallen into shade. But a brief bit of sun came through a break in the clouds near the horizon and lit the nearby grove as the slopes of Mount Gibbs became pink in the end-of-day light.

Photographs: Nature, Photographs: Northern California, Photographs: Owens Valley, Photographs: Sierra Nevada

Desert Pond and Sierra Nevada Dawn

October 15, 2011 G Dan Mitchell 3 Comments

Morning mist rises above a high desert pond reflecting the lower slopes of the eastern Sierra Nevada near McGee Creek.

On the second morning of my first fall color to the eastern Sierra this autumn, having been less than astonished by this year’s color so far, I decided to head instead out into Owens Valley to shoot back toward the mountains and to shoot some subject in Owens Valley itself. I started at this little lake a few miles east of highway 395, where great reflections of the range lit by morning sun area often seen. This photograph looks across the small lake towards McGee Creek Canyon. (McGee Creek isn’t a bad place to look for aspen color…)

I arrived here before sunrise and was set up and ready to go before the first light hit the peaks in the area of Mt. McGee and Mt. Morgan. As I stood (freezing!) by the shore of this small lake, waiting for the light that I knew was coming, a truck came up the lonely road to this place, passed the pond, made a u-turn, and slowed down by my vehicle, which was parked along the main road. My first thoughts were “this is either another photographer or someone who is checking out my car… for purposes I don’t want to think about.” However the vehicle kept going. A few moments later I discovered that this was a photographer, and he and his dog took up a position along the far shoreline. A few days later I was looking through an online landscape photography forum and I came across a photograph that looked like it had been shot from about that photographer’s position, and in which the conditions looked darn near identical to what I saw that morning. I contacted the photographer and found out that, indeed, he was the person I had seen that morning. (If you wonder why we didn’t touch base on the scene… a) we were both busy shooting the entire time, b) we were on opposites sides of the lake, and c) even though I yelled a greeting he didn’t hear.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Tag Archives: slopes

Death Valley, Evening

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Winter Fog, Ridges

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Lodgepole Forest and Lower Slopes of Mount Gibbs

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Desert Pond and Sierra Nevada Dawn

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.