Tag Archives: snow

Receding Ridges, Afternoon Rain

Receding Ridges, Afternoon Rain
Receding Ridges, Afternoon Rain

Receding Ridges, Afternoon Rain. Olympic National Park, Washington. August 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A passing afternoon rain shower mutes the details of Olympic Mountain ridges, Olympic National Park

I made this photograph on the same afternoon and evening as several of the other Olympic National Park photographs that I have posted recently. We went up to Hurricane Ridge in the late afternoon in hopes of photographing evening light across the valleys and mountains visible from that overlook, and we were partially rewarded. The conditions varied from moment to moment – occasional sun broke through clouds, atmospheric haze thickened and thinned, there were brief rain shows and a rainbow.

When we arrived the conditions were such that we imagined that they could evolve in any of several directions. We hoped for the possibility that the clouds to the west might break and allow light through. We worried that these clouds might thicken and cut off the late light entirely. When rain showers moved across the scene in front of us and dripped a few showers our way we thought that rain might develop. (We did get our light, but only briefly, and not for this photograph.) I made this photograph during that time when rain seemed like a distinct possibility. A semi-transparent curtain of showers gradually appeared over the valleys and range to our south, obscuring the details of the scene.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ridges, Evening Light

Ridges, Evening Light
“Ridges, Evening Light” — Evening light shines on forested ridges and high peaks, Olympic National Park

I have not had a lot of luck trying to photograph the Hurricane Ridge area in the past. You’ve probably seen the beautiful and iconic photographs by other photographers – lavish displays of wildflowers, striking alpine ridges holding snow fields and glaciers, spectacular cloud-filled skies. However, on the few occasions when I have tried to shoot there I have contended with wind, fog that held visibility down to mere yards, and poor seasonal timing. Since we were in the Seattle area (for something non-photographic) with a free day, I figured I might try one more time. Initially I had thought of the run up to Artist Point in North Cascades, but the weather forecast there was not at all promising, with rain expected. Initially I thought that there might be similar weather out on the Peninsula, but as we started out I got a call from my brother, who is a Seattle area photographer much more familiar with the patterns of the area, saying “go to the Olympic Peninsula. I’m looking at a web cam and it seems clear!”

In fact, by the time our ferry crossed to the west side of Puget Sound, it was looking quite clear. After some midday, lowland shooting, we figured that we would try Hurricane Ridge at the end of the day. With this in mind, it was a bit after 5:00 when we arrived there. The first look around was not too encouraging – the wildflowers were mostly spent and it was cloudy, though sun was breaking through the clouds from time to time. I decided to give it a try since I know that conditions can change quickly and because it was likely too late to get to any other interesting points in the remaining daylight. Setting up and watching the scene, I noticed that while it was cloudy and even a bit rainy, breaks in the clouds to the west were sending occasional beams of light chasing across the landscape, especially the large forest-covered ridge in the foreground of this photograph.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Trees and Grass, Die Eiskapelle

Trees and Grass, Die Eiskapelle
Trees and Grass, Die Eiskapelle

Trees and Grass, Die Eiskapelle. Near Königssee, Germany. July 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Momentary sunshine illuminates a grass-covered hill and small trees in front of Die Eiskapelle at the base of Der Watzmann, near Königssee, Germany

We hiked to this spot on one of the first days of our stay in the Schönau am Königssee area of Bavaria in Germany, where we stayed in an old, rambling farm-house for a week. Aside from the general charm of the area – conforming to many of the expectations of American visitors – there are a lot of special features around here: Berchtesgaden National Park and the Königssee itself, along with the views of the Bavarian Alps, including the classic peak of Der Watzmann, the second highest peak in Germany. We took the tourist boats up the length of the beautiful Königssee lake – which I think of as what Yosemite Valley might look like if it were filled with water – and disembarked at the start of the trail to Die Eiskapelle. This trail begins at the very civilized landing, with its outdoor cafe, beach, and lawns, and starts up the hill very gently. It soon enters the hardwood forest, narrows, steepens, and begins to feel more like the sorts of trails I’m familiar with from the American mountain west.

Die Eiskapelle is in a small, rocky valley at the base of a huge cliff dropping down from the eastern face of Der Watzmann. As I understand it, the permanent ice field seen at its base in this photograph is formed by repeated avalanches that come down this face. The July time frame of our visit usually is when I spend a lot of my time in the Sierra, and as wonderful as our trip to the UK and Europe was, at times I longed a bit for “my Sierra.” In the upper reaches of this trail, as the path disappeared and I was left to find my own route across bits of grassy meadow and rocky terrain to the base of the snow field, I felt as close to the Sierra as at any time on this trip – the feeling reminded me a bit of early season in my favorite terrain among the granite peaks right at timberline. And, momentarily returning to landscape photographer mode (despite using a small, handheld camera!), I paused here for some minutes, looking for a composition that would combine these small foreground trees with the ice field and then waiting for a bit of light from the broken clouds to move across this small grassy rise.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Snow Geese, Sunset

Snow Geese, Sunset
Snow Geese, Sunset

Snow Geese, Sunset. Central Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Snow geese in flight at sunset, Sacramento Valley

I made this in the last moments of an early March visit to the California Central Valley to photograph migratory birds. (As I write this in late March, I’m pretty certain that this was the final “goose chase” of this winter season.) I had come across a very large flock of snow geese in a field alongside a road south of Sacramento near the end of the day – somewhat to my surprise – so I pulled over on the barely adequate shoulder of the road and photographed over a fence and some roadside weeds as the birds began to fly off in small groups.

This little episode illustrates, for me, some of the unpredictability and luck involved in photographing such birds. I don’t mean to diminish the importance of having appropriate equipment and knowing how to use it, nor of having some idea of where to find the birds. But there is a lot about this that is not in the photographer’s control. I had started the day many miles south of here before dawn at a very different wildlife site. My plans were a bit vague beyond starting there, and when the opportunities seemed a bit less than idea after the morning shoot, I decided that I would use the “blah light” midday hours to travel up the valley a good distance to another area where I had not photographed since last season. (This added bit of driving also allowed me to investigate a few highways and side roads that I had been wanting to check out.) After a long drive of nearly two hours I arrived at this location in the Sacramento area and found… not at all what I had hoped for. I was hoping for more large flocks of birds, preferably geese and/or cranes, but at the first place I stopped it seemed that formerly flooded fields had now been drained and tilled. I moved to another area, but still couldn’t see what I had in mind to shoot. I drove around a bit trying to get the lay of the land and discover if perhaps the birds were somewhere other than where I expected to find them, but aside from a few small groups I didn’t find much. I took a nap. I started the usual contemplation about how not every shoot is successful and reminded myself that it was a good day even if nothing turned up here. As sunset approached I decided to make one last loop around the area, stopping to briefly photograph a few Canadian geese. As I watched the, I caught a glimpse of the tell-tale white birds off to the north and since I wasn’t finding anything all the compelling where I was I drove off in that direction. I soon was surprised to find a field filled with many thousands of geese – and a bit more surprised to find that they (or at least many of them) were snow geese rather than the Ross’s geese I often photograph. I stood along the road, separated from them by a low fence and tall weeds and watched. Before long small groups began to take of and fly low angle paths across the field toward the setting sun. The light was beautiful but often they were in front of farmland buildings, trees, and wires. I kept shooting and occasionally a group would rise high enough and quickly enough to appear against early evening sky. One of the important factors, or at least it seems to me, is to capture the group when the birds are in a pleasing and interesting configuration. Too often they overlap, or may not have wings raised or lowered, or there distances may vary enough to create focus problems – so it is no surprise that a good percentage of the shots aren’t keepers. (I have a sense of when this is more likely to work, but only a sense.) But this group managed to cooperate nicely, not only flying against background of clear sky, heading into the golden hour sunset light, but also managing to maintain enough separation that none of them overlap at all.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.