Yosemite Valley, New Snow, Morning - Classic winter view of snow-covered Yosemite Valley scene photographed from Wawona Tunnel View after a late-winter storm.
It has been a bit of a tradition to post a photograph of Yosemite Valley in snow on Christmas Day – it seems like the Sierra way to send seasons greetings! I hope that you and yours are having a wonderful holiday!
(The photograph was made on the morning after a late-winter snow storm in The Valley back in 2006.)
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Meadow plants bend beneath the weight of an early October snowfall, eastern Sierra Nevada, California.
I made this photograph on a very cold early October morning high in the eastern Sierra after a series of early season snow storms had passed over the Sierra. The gravel road to North Lake had apparently just opened again on the morning I arrived, and few other people were there. I was there to photograph autumn aspen color, but the opportunity to photograph snow scenes so early in the season distracted me.
As I walked the road skirting the edge of North Lake, I passed by meadows that were completely covered by new, untouched snow. Here and there a few small plants managed to poke up from beneath the white blanket.
Merry Christmas and Happy New Year!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Early evening light slants across the rocky shoreline of a sub-alpine back-country lake, Yosemite National Park.
Late in the afternoon on this mid-September day, when the calendar says summer but the surroundings say autumn, we walked cross-country from the lake where we were camped up to the next higher lake in the drainage, following the stream through forest and then sub-alpine meadows to arrive at the outlet of the higher lake in the early evening light. This has been a somewhat unusual year in the Sierra, with late and heavier than normal snowfall, and cool temperatures that maintained the snowpack late into the season, and there were still patches of snow all the way down to the lake’s rocky shoreline. (For scale, if you look really close near the lower right “corner” of the large snow field, you might be able to make out a small spot that is one of my fellow photographers. Hi, Mike!)
I worked this little shoreline clump of rocks to death – I started here shortly after we arrived, and I continued to shoot in more or less this spot until the light faded to the point that we had to start our return hike in order to get back to camp before it was completely dark. This specific spot had a lot to offer, not all of which is visible in this photograph. Along the near shore at my feet there was a little bit of shoreline meadow with grasses, heather, and a few blooming plants and interrupted by these light-colored granite rocks and slabs set at odd angles. Beyond was the water of the lake, transparent and shallow enough that some underwater rocks were visible, and also reflecting the snow, talus fields, and ridges on the far side. I especially like the quality of light at this subtle interval between the “normal” daytime light and the very warm-colored light that comes a bit later. Here the light begins to soften a bit and the color warms slightly, but not so much that the colors are obvious.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The first morning light touches hills at Zabriskie Point with ridges of the Panamint Range visible in the distance, Death Valley National Park, California.
When I visit Death Valley – typically, at least once each year – I usually try to seek out some of the less iconic scenes. However, I still do visit the icons, too. And Zabriskie Point at dawn may be the best known and perhaps the most photographed “icon” in the park. When I do go to Zabriskie it is usually for one of two reasons. First, if the light or conditions are truly special, I’ll be there with everyone else when the sun comes up! Second, I have a vague project to try to photograph aspects of Zabriskie that are different from the icon views across Gower Gulch or of Manley Beacon. This photographs sort of fits into that second category.
Those who have photographed here more than once become acquainted with the way that the morning light typically unfolds at Zabriskie. The pre-dawn light begins to softly light the entire scene, and before long the very first dawn light strikes the highest ridges of the Panamint Range on the opposite side of the Valley to the west. This light works its way down the face of that range, gradually illuminating the ridges and valleys of the range and spreading horizontally. It then begins to hit the Valley floor and works its way east and closer to Zabriskie and the rest of the ranges along the east side of the Valley. Although the closest hills are in shadow, one can almost sense the beams of light over head that are reaching into the Valley and sense that the angle of this light is gradually working down toward the closest ridges. Then the first light appears on the higher features around Zabriskie Point, at first soft but quickly increasing in intensity.
This photograph was made at this moment when that firs light arrives. The subject is a darker and rugged ridge that rises between the usual vantage points and the backdrop of the distant Panamint range, which in this photograph is somewhat obscured by the hazy atmosphere on a day when giant dust storms were just beginning to develop further north in the Valley.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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