Tag Archives: south

Hillside Aspen Grove

Hillside Aspen Grove
Colorful autumn aspen trees ascend a hillside in Bishop Canyon, California

Hillside Aspen Grove. Sierra Nevada, California. October 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Colorful autumn aspen trees ascend a hillside in Bishop Canyon, California

I love to photograph aspens in soft light, either very early in the morning or in the evening, when the trees are in shadow. This light enhances the colors of the trees and it fills in the shadows, creating an appearance that does not have the stark quality sometimes seen in midday sunlight aspen groves. I waited until the last hour or so of daylight to photograph this area, at which time the sun has already dropped behind the summits of the surrounding peaks.

This photograph takes in a small section of a much larger grove of colorful trees, at every stage from fully green to complete bare. I sometimes like to simply stand for a bit in front of such a grove, staring at the colors and patterns and trying to find small sections that might make a composition. Here I think I was first attracted to the bright leaves on the small trees near the top, but soon I saw the diagonal arrangement of the rows of trees. Each row has its own character. That primary row near the upper part of the frame is at its color peak, but in front of it there is another row of trees that seems to be going more quickly from green to bare. In the background there is a line of much larger trees, with their tall and straight white trunks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Way (To San Jose)

The Way (To San Jose)
San Francisco freeway entrance

The Way (To San Jose). San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

San Francisco freeway entrance

OK. How to explain this photograph, especially to people who think of me as a “landscape” photographer? Let me start with the basic facts. I made the photograph on one of my regular walks in The City, which almost always start at the Caltrain station and the head off in various directions. On this morning I headed straight north towards Market Street. But “straight” doesn’t mean fast, and I mostly walked slowly and looked a lot — at things that I might not otherwise see. The light was beautiful, with the early morning sun beginning to break up the San Francisco fog and cast soft light on the urban landscape. At one point I passed this freeway on-ramp, with its obvious potential for puns based on an old popular song

Yes. I’m putting off trying to explain this photograph. I’ll just drop a few hints. First, think in terms of landscape, but “urban landscape.” There is no clear line between the landscapes of people and the landscapes of what we call the natural world, and this is just a bit closer to one end of the spectrum. Then, there is that beautiful light and the lovely Bay Area summer morning sky — the same sky that might appear in a natural landscape not more than a few miles away. And I think if you look closer you might possibly find a few little surprises in the photograph that demonstrate that perhaps there is more there than you might first think. Isn’t that a beautiful curve from lower right and up toward the sky? And how in the world is it that the street and the freeway are empty of cars on a weekday morning in downtown San Francisco. Beyond that, I’ll leave you to figure the rest of it on your own…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dawn, Eastern Sierra, Mono Lake

Dawn, Eastern Sierra, Mono Lake
Dawn light comes to the eastern escarpment of the Sierra Nevada and Mono Lake.

Dawn, Eastern Sierra, Mono Lake. Sierra Nevada, California. July 3, 2007.© Copyright 2007 G Dan Mitchell – all rights reserved.

Dawn light comes to the eastern escarpment of the Sierra Nevada and Mono Lake.

Some years back I visited Mono Lake very early one morning with my brother, Richard, who is also a dedicated landscape photographer. My recollection is that we had arrived separately in the eastern Sierra and somehow ended up meeting here near the town of Lee Vining and heading out to this familiar spot before dawn to make photographs.

I never know exactly what will turn up here. Yes, I can always photograph those tufa towers, but I’m usually often interested in special atmospheric effects: haze, clouds, broken dawn light, the glow on the peaks of the eastern Sierra, reflections in the morning-smooth water. We began by photographing fairly conventional photographs of the tufa towers before the light arrived. It was a cloudy morning, though the deck of clouds was broken, allowing some light to make it through the gaps and a momentary band of light to strike the mountains as the sun came up beneath the far edge of the clouds in the east. I must have made this photograph fairly close to that moment. Most of the scene is in shadow, but bands of light appear on the peaks, and a bit of softer light illuminates the foreground tufa.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell or others where indicated. Any use requires advance permission from G Dan Mitchell.

Sea Stacks, Big Sur Coastline

Sea Stacks, Big Sur Coastline
Sea Stacks, Big Sur Coastline

Sea Stacks, Big Sur Coastline. Pacific Coast Highway, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The receding ridges of the Big Sur coastline arc southward into winter haze beyond a pair of large sea stacks.

On the final day of January we did the “down and back” drive through the Big Sur area of California’s Pacific Coast Highway. This is my favorite time of year in this part of California. At one point along the drive I made a comment (as I often do while passing through here at this time of year) about how this weather felt more like a “typical summer day” than like a “typical winter day” – and then I quickly caught myself and recalled that “typical summer days” here often feature thick fog, wind, and cold. On the other hand, between Pacific storms – or during a dry year like this one – a typical winter day may feature brilliant sunshine and long vistas and temperatures that are as warm as those of summer here.

As the day developed I shifted from looking for the effects of first and early light coming over ridges and into canyons, or the thinning offshore clouds. Instead I started to think about the long coastal vistas, the intense reflection of the ocean seen from high places (which always makes me think of molten metal), and the way that the backlit atmosphere highlights receding ridges as they disappear into the distance. As we came over one of the high points and around the corner the road began to drop and this view appeared in front of us, with two sea stacks in the foreground (one of which contains a natural arch) and the rugged coastline curving toward the south.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.