Beach and shoreline bluffs above the blue water of Mendocino Bay, California.
This photograph was made on the beach along the shoreline of Mendocino Bay, beneath the tall bluffs that line the area. The land extends to the west and curves a bit to the south, allowing me to photograph back along the curving beach, toward the inlet of the river that drains into the bay and the forested hills beyond. The light was interesting – fog was coming in along the coast and was overhead at my camera position, but clear just inland of me. This created soft and somewhat gray light on the foreground water, but allowed the further hills and forest to be in the light. It also made the interesting reflection on the calm water more visible.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
As seen from Aguereberry Point, first dawn light spills across the lower end of Death Valley.
I have previously photographed from this location high in the Panamint Range and overlooking a vast portion of Death Valley National Park and its surroundings. The view stretches east to 11,000+’ peaks in Nevada and west to the crest of the Sierra Nevada, and great distances north and south to places and features that I cannot identify. My previous visits had all been late in the day, and I had often wondered what the location might be like at the start of the day. So, on this visit to Death Valley, a trip to Aguereberry Point before dawn was on my agenda.
As usual, I awoke well before dawn at my camp site back at Stovepipe Wells. (You can often tell if there are other photographers about – in the dark period an hour or more before sunrise you hear people quietly get up, quickly start their engines, and drive away.) I headed up into the Panamints and turned off at the start of the six-mile gravel road that goes to this point, and arrived just before the first colorful light began to light up the sky – and I was pleased to see that there were some interesting clouds. I have been fascinated by this view over the shoulder of a ridge dropping down toward the Valley above Trail Canyon, so I composed a photograph that juxtaposed this diagonal with the end of the Black Mountains across the valley and the light-filled atmosphere beyond where the very first sun was coming across lower Death Valley.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The moon, in full lunar eclipse, passes behind the south tower of the Golden Gate Bridge.
This is the second of two photographs of this week’s full lunar eclipse that I will share. The earlier one was a horizontal format version of roughly the same subject. Here the fully eclipsed setting moon passed behind the upper portion of the south tower of the Golden Gate Bridge, as seen from the San Francisco Bay shoreline in the Crissy Field area. There was just a bit of pre-dawn light in the sky at this point, and within a few minutes of making this photograph the combination of increasing ambient light, the generally hazy atmosphere, and the moon dropping into high, off-shore clouds brought the show to a fairly quick conclusion.
I was stunned by the number of other photographers out at this very early hour, even considering that it was within the city of San Francisco. I had originally tried Treasure Island, in the bay between San Francisco and Oakland. There were quite a few photographers lined up there at 5:00 a.m., but I did not like the potential positioning of the moon relative to likely foreground features near the horizon, so I didn’t stick around. Instead, I made a guess based on my knowledge of the area that there was a good chance that the moon might line up with the Golden Gate Bridge from vantage points in the Fort Mason, Crissy Field, and Fort Point areas. I drove over there quickly and was surprised to find the parking lots were nearly full and tripod-laden photographers walking about or already set up. I grabbed the first decent parking space, loaded up my gear, and started walking west, figuring that I could get to the likely spot on foot quite quickly.
A second surprise was that the ideal location, which wasn’t hard to find at all, was far less crowded than the areas closer to the parking lot. I was even able to find a spot or two where I could set up apart from other photographers and wait – for only a few moments by this time – for the moon to intersect with the bridge.
Another view of this subject in landscape orientation is posted here.
An interesting side note: Photographer Florian Kainz later shared his eclipse shot with me and asked if I might be the photographer standing in front of the bridge. Yes. That’s me! With Florian’s permission I have included a small version of his photo here – follow the links back to see his full-sized post at Flickr. He has given me permission to share his photograph here. Thanks, Florian!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Moon, in full lunar eclipse, drops behind the Golden Bridge South Tower, San Francisco, California.
Very (very!) early this morning I joined the surprisingly large throng of photographers out to shoot the lunar eclipse in the San Francisco area. I was up and out the door shortly after 4:00 a.m. and heading toward San Francisco. My first thought was to see if I could get an interesting composition with the moon over the San Francisco skyline by shooting from Treasure Island, in the bay between the City and Oakland. I arrived there while it was still very dark and found that lots of other photographers (and a motorcycle club!) were already on the scene. The photographers included to semi-astronomy types with the really, really big lenses and plenty of others.
The problem was immediately apparent. Even though the moon was still fairly high in the sky, it was apparent that it was going to set far to the right of San Francisco. I might have been able to find a workable spot on the island, but I still wasn’t sure the moon would be in a good spot once it got close to setting. At this point I decided to try a “plan B,” and I felt that there was a pretty good idea that I could make something work in the Crissy Field area. So I hopped back in the car, passed through downtown San Francisco, and arrived at the Crissy Field area…
… only to find out that I was most certainly not the only photographer thinking of using this location! There were hundreds of tripod-lugging photographers lined up a long the shoreline! My main idea at this point was to find a location from which the setting moon would pass above and then behind the bridge. So I headed off quickly towards the area where I thought this juxtaposition might be available. Soon I found it, and just as the sky was beginning to lighten up a bit and shedding a bit of natural light on the bridge. It was still quite challenging to get even a workable shot. The wind was blowing stiffly, making the necessary long exposures a bit tricky. In the end I think I got one or two that are interesting.
A vertical format version of this scene is posted here – I still haven’t decided which I prefer!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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