During virtually every visit to the Point Lobos State Reserve I end up shooting at Weston Beach (named after photographer Edward Weston) at least once. Perhaps the Weston name is part of what attracts me… though the easy parking might have something to do with it, too. ;-) But seriously, this beach is a special place that I have visited for decades, starting when my family went to Point Lobos so that I can my siblings could wander about and inspect the tide pools.
Weston Beach has always seemed to me to barely qualify as what I think of when I hear the word “beach.” That word, to me, suggests a strand of fine sand that runs along the edge of the ocean. But this beach is more of a cove, and the its shore is emphatically not that kind of “sand.” Instead, it is mostly rocky with broken ledges full of channels that run down and into the water. It is separated from the open ocean by another wall of rocks that almost closes it off from the rougher water, though wave spill in through the gap. Instead of fine sand, there is gravel, consisting mostly of smooth rocks that are almost golf ball sized. During much of the year, but especially in winter when Pacific storms bring the highest surf, all sorts of interesting stuff washes up on this beach – shells, drift wood, seaweed – and I love to walk here slowly, looking for seemingly random juxtapositions and forms that might make a photograph.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra, (Heyday Books) is available directly from him.
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