Tag Archives: stock

Colorado River, Dead Horse Point

Colorado River, Dead Horse Point
Colorado River, Dead Horse Point

Colorado River, Dead Horse Point. Deadhorse Point State Park, Utah. October 10, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

The canyon of the Colorado River, from Dead Horse Point State Park, Utah

The light was a bit tricky when we drove out to Dead Horse Point to look at the famous view of the Colorado River as it loops below huge cliffs at the edge of Canyonlands National Park in Utah. It was nearing the middle of the day, so the soft morning and evening light was nowhere to be found. It was also hazy, with the slightly opaque air taking on distinctly blue colors. For all of these reasons, and also perhaps as a nod to old school landscape photography, I went with a black and white rendition of this photograph.

This is a truly remarkable bit of terrain. First, in the bottom of the canyon the Colorado River negotiates and abrupt horseshoe bend here beneath the tall cliffs leading up to the “Island in the Sky” portion of Canyonlands National Park. Above the river are a series of huge terraces form as the river eroded its way though the deep and old layers of sedimentary rock that characterize this area. Shooting with a slightly long focal length, I was able to eliminate most extraneous subjects and crop tightly around this area of massive cliffs and terraces.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

The Cranes Return, Evening

The Cranes Return, Evening
The Cranes Return, Evening

The Cranes Return, Evening. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The sandhill cranes return to the marshes of the San Joaquin Valley at dusk on a mid-winter evening.

For reasons I can’t quite put my finger on, the evening return of the sandhill cranes is one of the magical things among a host of magical things about central California’s winter migratory bird population. I think I was primed to regard these birds this way by reading about them many years ago, though I never quite new what sandhill cranes actually were and I presumed that they were only found in far-off places. Then when I first began to photograph birds seriously – which was only a few years ago – one of my first encounters with the winter bird popular involved finding sandhill cranes in fields south of Sacramento. Then, perhaps last winter, there was an evening at a wildlife refuge in the Central Valley when I was photographing geese with a small group of friends. There had been many, many Ross’s geese around that evening and as dusk approached the goose photography gradually came to an end as the geese departed. After the intense focus of shooting those birds, once they were gone we sort of looked up and realized that the sun was gone and that the world was quieting down. It seemed like the show was over. And then I heard a sound from over the trees to the southeast, a sound I now immediately recognize as the distinctive call of the cranes, and within moments huge flocks of these birds began to coast overhead and look for landing spots.

That is now how I expect to see them – at some point during the dusk period when most everything else has started to quiet down, the cranes appear. Their sound is a distinct contrast with the wild and raucous cackling of the geese, an altogether calmer and quieter call. And their mode of flight is also different. While the geese often launch loudly into the sky in huge, flapping clouds, the cranes coast in slowly and rather quietly, often in long lines, and their motion is slower and smoother. On this evening, at a point when there was barely enough light left to make photographs, they appeared to my left and crossed in front of me with the western dusk sky as a backdrop.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Two Trumpeter Swans in Flight

Two Trumpeter Swans in Flight
Two Trumpeter Swans in Flight

Two Trumpeter Swans in Flight. Skagit Valley, Washington. December 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A pair of trumpeter swans in flight above Skagit Valley farmland on a cloudy and rainy day, Washington

I had about four or five hours in the Skagit Valley area of Washington in the beginning of December, after the tasks I had gone to Washington for were completed early. I drove up from the Seattle area in the rain, and it was still cloudy, windy, and rainy when I arrived – just what one might expect in December in the Pacific Northwest! The last time I had been there, a year ago, I had encountered amazing flocks of snow geese in a field near the road not far from where it rises to cross the river, and my first thought was that I’d see if this was a regular event or if I had just been lucky the previous year. I must have been lucky! This time there was not a goose to be seen, at least at first, at this location.

Given this development, I decided to poke around on some back roads in the area and see if I could get close enough to trumpeter swans to photograph them with my meager little 200mm focal length lens – about half the length of what I would usually use for this sort of subject. By moving carefully, using my car as a blind, and sitting quietly and waiting, I was able to get a few close shots of the swans in a field. I soon figured out that they would occasionally lift off and fly to another nearby field where there were other swans, so I positioned myself (in the car) between the two flocks and settled in to see what would happen. Sure enough, before long groups of two or more swans started to fly my direction and pass close to the car, usually rising a bit as they passed over. This pair made a bit of a turn around me, so I photographed them against the cloud-filled sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Winter Fog, Ridges

Winter Fog, Ridges
Winter Fog, Ridges

Winter Fog, Ridges. Marin County, California. February 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Winter fog wraps around the lower slopes of Marin County mountains along the Pacific coast north of San Francisco

This was the sort of day of photography that I have learned to accept as something that comes with the territory. I was up hours before dawn, and on the road shortly after that, with an idea of photographing in the redwoods of Marin County north of the Golden Gate, or perhaps of photographing along the coast where high surf was predicted. As I got on the road I noticed that there was some fog about, which is fine as I often like photographing in such conditions. Nearly an hour later as the time of sunrise approached, I noticed that the day was not becoming light very fast and, in fact, things were looking quite gray. I crossed the Golden Gate in fog, stopped briefly on the north side of the bridge, and wasn’t able to see much of anything. I continued on to the Muir Woods area and parked. As I sat in the car, it became clear that there wasn’t going to be much in the way of compelling light here, either. (I’m not one to insist on incredible light, so when I say that the light wasn’t promising… I mean it!) I soon decided to leave and go up the coast a ways. As I drove I figured out that the murky light was the result of a combination of thick coastal fog, generally hazy conditions where it wasn’t foggy, and above it all the high clouds of a passing weather front.

While finding myself in conditions like these doesn’t exactly make me happy – who wouldn’t prefer beautiful light and easy subjects!? – I don’t get upset about it any more. In order to find really special subjects and light one must simply go “out there” a lot to increase the odds. Special things are special at least partially because they are not ordinary, and we cannot expect stupendous conditions on every outing. I shoot enough to have had the good fortune to almost regularly encounter truly wonderful conditions and to have some idea how to work with conditions that are merely good. But along with this good, I also have to accept the possibility – certainty, actually – that there will be some days when it seems like nothing happens. This was one of those days. I enjoyed being out and about, and I explored a few places that I had not visited before. I gave up on some ideas, tried others, and when the light was clearly not going to be good in the forest, I headed for the coast. When that didn’t work, I headed into the hills. It was what it was! Eventually, I ended up at the Mount Tamalpais State Park high in the Marin hills, and around one bend in the road the view opened to the west and I could see the ocean of fog bumping up against ridges below me and stretching on out over the ocean – so I stopped and made the only photographs of the day that worked. It wasn’t a great day… but it was still a good day!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.