Tag Archives: sunrise

First Light, Mono Lake

First Light, Mono Lake
“First Light, Mono Lake” — Colorful dawn light over Mono Lake just before the rising sun clears the mountains.

Arising for dawn is a challenge for many people. I understand, but I think the rewards earned by getting up early are worth it — though I do have to remind myself or this sometimes as I contemplate my alarm going off a few hours before sunrise. But once I’m up and on my way, I actually enjoy the entire experience — the pre-dawn travel in darkness, the first glow in the eastern sky, the anticipation as the light builds, the first direct light on peaks, and eventually the sun itself. If you can’t imagine getting up that early, just try it a few times. I suspect you might get hooked.

I was in the Eastern Sierra to photograph fall colors, camped up some high valley on the east side of the range near the entrance to Yosemite National Park. On this morning I ended up at Mono Lake, where I set up and watched as the sky filled with intense color and the first rays of the sun peeked over the distant desert mountains beyond the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mono Shoreline, Dawn

Mono  Shoreline, Dawn
“Mono Shoreline, Dawn” — Dawn at Mono Lake near Black Point.

At some point on virtually every visit to the Eastern Sierra I end up photographing at Mono Lake… again. I’ve photographed the place for decades, but I still find new ways to see it on almost every visit. This time I headed to the northwest ‘corner” of the lake to watch the sun rise, and I got lucky with the beautiful sky colors and their reflection on the water.

I like photographing this subject early in the day when, with few exceptions, it is quiet and the air is often still. Sunrise light here is often special. Because the Mono Basin is vast and open to the east, there’s plenty of atmosphere (and haze!) to pick up the sunrise colors, and the sky can be very impressive. On top of that, these colors reflect on the surface of the lake. Because the large-scale scenic elements are backlit and so far away, details are usually muted, and the landscape can easily lean towards a kind abstraction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Wetland Reflections, Winter Morning

Wetland Reflections, Winter Morning
“Wetland Reflections, Winter Morning” — Fog envelops a wetland marsh reflecing the soft light of sunrise on a quiet winter morning.

Am I alone in always looking forward (or sometimes backwards) to the season that is not the current one? In summer I anticipate fall. In winter I look forward to spring. For some reason today I got to thinking about last winter, and I dug into some photographs I made back in January when regular trips to photograph this cold, foggy landscape and migratory birds were part of my routine.

The photograph reminds me of the other sensations of this place at that time of year. It was cold and the air was still and damp with tule fog. The opaque fog muted the landscape more than a few hundred feet away, except that the tule fog was shallow enough to barely reveal the sunrise and high clouds. You might think it was silent, but the sounds of winter birds filled the air.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Winter Sunrise, Central Valley

Winter Sunrise, Central Valley
“Winter Sunrise, Central Valley” — Winter sun rises beyond the Sierra Nevada as thin fog drifts among trees.

This photograph is one of the final remaining photographs from this past winter in California’s Central Valley. (Who am I kidding? There are probably more that I’ll uncover when I eventually revisit the archive.) I made it on my final visit of the season to photograph migratory birds. This photograph is the result of an unfortunate situation that ultimately turned out OK. I arrived before dawn to find that the gate was locked. As I listened to thousands of birds begin their fly-out beyond that gate, I decided that it made more sense to head off to find other opportunities, and I found this sunrise view a few miles away.

These Central Valley locations fascinate me for a variety of reasons — the migratory birds, the fog, the long views of the Sierra Nevada (as in this photo), the open vistas. Years ago I would never have imagined that such agricultural areas could provide so many photographic opportunities, but then I “discovered” the winter birds. I was hooked, and I’ve gone back every year since then.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.