Tag Archives: sunset

Hill Near Mesquite Flat, Dusk

Hill Near Mesquite Flat, Dusk
Hill Near Mesquite Flat, Dusk

Hill Near Mesquite Flat, Dusk. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dusk light above a hill near Mesquite Flat in Death Valley, backed by a large alluvial fan from Tucki Mountain.

At the end of this day I was shooting from the top of a low hill in the Valley east of Stovepipe Wells, and there were interesting subjects throughout almost the entire 360 degree panorama around this elevated position. With this in mind, I had chosen to use the long 100-400mm zoom so that I could have some flexibility in composing elements of this huge scene.

I was mainly working with things that were in the large arc to my west (dunes and Cottonwood mountains and base of Tucki Mountain), north (the main Valley and transverse dunes), and east (the mountains running along that edge of the Valley) since the further subjects of the lower Valley were more or less out of sight beyond the alluvial fan that appears in the photograph. But I kept being intrigued by the low, dark hill on the flats below the similar hill on which I was standing. There is a row of them stretching from near the Devils Cornfield area up and across this alluvial fan. As the evening light transitioned towards post-sunset light I saw that the glow from clouds (a bit of which is visible in the distance above the Black Mountains) was lighting this hill and the surrounding flats in an interesting and colorful way.

But I had a little problem. I was still working a number of subjects and once and I really needed to keep shooting that 100-400. 100mm was still too long for this scene, but I didn’t have time to remove it and put on a shorter lens. I figured that I could simply change the camera to vertical orientation, very carefully level the tripod, and include the whole scene in four panning vertical frames that I could stitch together later. People often do this so that they can produce extremely high-resolution image, but that wasn’t my goal at all. In any case, it worked, and not only did I manage to get the shot that needed a wider lens, but as a bonus it is a very high-resolution shot.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Wash at Base of Tucki Mountain, Dusk

Desert Wash at Base of Tucki Mountain, Dusk
Desert Wash at Base of Tucki Mountain, Dusk

Desert Wash at Base of Tucki Mountain, Dusk. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Soft rose-colored dusk light illuminates an alluvial fan below a canyon at the base of Tucki Mountain, Death Valley National Park.

This is one of several photographs from the recent Death Valley trip that beg the question, “Is that color real?!”*

Yes, this really is the color of the light from this scene.

I learned quite a while ago that the interesting light most definitely does not end at sunset – often the best and most interesting light comes after the sun has set. Sunset on this evening had been quite interesting, but a few minutes after the sun set the last brilliant red light struck high clouds overhead and lit up the entire scene with this lurid and intense wash of color.

The scene is a large desert gravel wash where a drainage canyon spills out into Death Valley at the base of Tucki Mountain and forms a huge alluvial fan. I had climbed to the top of a low hill to shoot late afternoon and sunset light, so I had a good vantage point to view this wash beyond intervening hills. Tucki Mountain itself is a massive lump of a mountain that rises above Stovepipe Wells – what it lacks in terms of an impressive and jagged summit peak in makes up for by means of its sheer bulk. It constitutes a large spur off of the Panamint Range and almost seems like a small sub-range all by itself.

*After I originally wrote the text to this post I made a 12″ x 16″ test print of this photograph. As I often do, I put the print out on a table in our living room so that I can see it in a context other than that of my small studio. My wife, who is a very perceptive viewer and who has seen the results of, uh, printer errors (for real fun, print on the back side of your paper by accident some time…) looked at these colors and said, “Is something wrong with your printer?” Ah, I love critics! ;-)

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Last Light on Desert Plants, Death Valley

Last Light on Desert Plants, Death Valley
Last Light on Desert Plants, Death Valley

Last Light on Desert Plants, Death Valley. Death Valley National Park, California. February 20, 2011. © Copyright G Dan Mitchell – all rights reserved.

The last light of a winter day lights the plants at the edge of a wash in Death Valley National Park, California.

On this afternoon I drove a bit up the east side of the Valley past the turnoff to Beatty looking for subjects to shoot along the hills that parallel the valley. I did not initially have a specific shot in mind, since this isn’t an area that I know very well – I’ve mostly driven past it on my way to some other place. I was generally thinking of a couple of possibilities. One was an early evening photograph looking up into one of the very large canyons, probably include the massive washes that spill out of them and aiming for a very rugged looking image. I looked for a few such places and played around a bit with the idea of shooting one or two, but it wasn’t quite working for me.

I have included some low hills along this area called, I believe, the Kit Fox Hills, in some photographs that I have made of this area from way over near Mesquite Dunes. These hills which sit just above the road toward Scotty’s Castle have intrigued me, so I had also looked at them. As I passed them earlier in the afternoon I made a mental note to come back and check out one particular spot in better light, and when the canyon idea didn’t seem to work out I decided to head back there. I was probably a bit late in settling on this subject, but I arrived while the sun was still (just barely) above the tops of the ridges on the opposite side of the Valley. I grabbed equipment and went to a spot where I thought I could use a particular mesquite plant as foreground to a shot of these low hills, but then this backlit expanse of the floor of the Valley filled with these small, rugged plants caught my attention. I decide to photograph them before turning my attention back to the mesquite and hills. As I shot a few frames the sun began to drop behind the far hills much sooner than I expected, and this was close to the last photograph I made before I was in shadow.

All seriousness aside, someone just suggested that an alternate title for this photograph might be “Sea of Tribbles!” ;-)

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Two Sandhill Cranes, Winter Sky

Two Sandhill Cranes, Winter Sky
Two Sandhill Cranes, Winter Sky

Two Sandhill Cranes, Winter Sky. Merced National Wildlife Reserve, California. February 21, 2011.© Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of two sandhill cranes taking to the air against a cloud-filled winter sky above the Merced National Wildlife Reserve.

This is another photograph from my detour to the Merced National Wildlife Reserve as I returned from my February trip to Death Valley. I arrived late in the day as a winter storm was just beginning to clear, and at times the migratory birds flew in front of a cloud-filled sky that ranged from dark and ominous to being colorfully lit by sunset light.

I chose to render this photograph in black and white for several reasons. First, to be quite honest, I wasn’t very fond of the particular coloration of the clouds behind these birds! However, in black and white the shapes and glowing quality of the sky seem to work better in this case. And from this distance the sandhill cranes’ coloration is subtle enough that I don’t feel that much is lost by going to monochrome.

I think I have mentioned earlier that when I photograph birds like these in flight I try to keep my eye not only on the birds but also on the background. I don’t have any control at all over what appears behind them, but I do have control over when I press the shutter – and as they pass in front of clouds and other background elements I try to time shots to place the birds in interesting compositions relative to these subjects. Every so often I like to think that I actually succeed! :-)

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.