Tag Archives: surf

Big Sur Morning Surf

Big Sur Morning Surf
Pacific Ocean surf crashes ashore on a foggy autumn morning along the Big Sur coast.

Big Sur Morning Surf. © Copyright 2021 G Dan Mitchell – all rights reserved.

Pacific Ocean surf crashes ashore on a foggy autumn morning along the Big Sur coast.

This photograph comes from my early November visit to the upper portions of California’s rugged Big Sur Coast, an area I can visit on short notice. On this visit I left home before dawn, photographed there a few hours, and returned home for a late lunch. Yeah, I’m trying to rub it in… These visits usually feature a combination of stops at familiar locations, where I look for new or different conditions, and the ongoing search for new locations and perspectives that I have not previously photographed.

This photograph mostly fits the first of those two categories. I made the photograph at a location where I frequently stop. The spot features a long view of a beautiful subject beyond rugged rocks and a small bay that is often full of agitated water. On this morning the surf was so wild that I decided to focus on it instead of the larger view. Every few moments a huge wave would crash against this outcropping sending water and spray up into the line of sunlight coming over the tops of the mountains to my left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Fog, Surf, and Rocks Near Rocky Creek

Fog, Surf, and Rocks Near Rocky Creek
Morning light on fog and mist over the Big Sur coast near Rocky Creek.

Fog, Surf, and Rocks Near Rocky Creek. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on fog and mist over the Big Sur coast near Rocky Creek.

This post begins with a confession. I have probably photographed this particular scene too many times. I first photographed it quite a few years ago, on a morning when I happened to stop along the Big Sur coastline and notice this particular juxtaposition of features. On that first visit I came up with images that I still regard as quite good, perhaps even among my best from this area. At that point I figured that I was more or less done with the subject, though I continued to pause there and look. Which of course meant that eventually a day came when something new and different appeared there… and I made different sort of photograph of the location that also seems pretty good.

At about this point I started to consider the dangers of going back and re-photographing the same familiar subject. (Among other things, it can distract a photographer from finding new subjects since re-shooting the familiar thing can be easier.) I continued to stop and occasionally make a casual photograph, but mostly did nothing with those images, preferring to work on new subjects in the area. But when I visited on this early November morning the scene seemed particularly spectacular, with a combination of high surf, thin fog, and intense backlight… and I could not resist. So, here it is… yet another take on this scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Rocks, Spray, and Light Beams

Rocks, Spray, and Light Beams
Beams of morning light slant through spray thrown up by waves crashing on rocks along the Big Sur coast.

Rocks, Spray, and Light Beams. © Copyright 2021 G Dan Mitchell – all rights reserved.

Beams of morning light slant through spray thrown up by waves crashing on rocks along the Big Sur coast.

California’s Big Sur Coast is easily accessible to me, close enough that I can drive down there early in the morning, photograph for a few hours, and be home for a late lunch. (Yeah, I’m spoiled.) Some of my very earliest photography memories come from this part of the world, when I carried a simple camera on family trips to Point Lobos. At this point, decades later, you’d think that I’d know everything there is to know about the regions. But you’d be wrong. Virtually every time I go there I discover something new — a view I had not seen before, a new kind of atmosphere or light, a different way of looking at a familiar subject.

This photograph fits that last category. The location is a spot that I’ve stopped at for years, mostly to photograph a particular larger scene that includes a natural bridge, some sea stacks, and a bridge. (No, not _that_ bridge — I know which one you are thinking of!) On this early November visit I was a bit surprised by the size of the surf. Big surf is common in autumn through winter here, but I had not seen that it was in the forecast. To make this photograph I decided to leave out the thing that is usually my primary subject here and to include some things that I usually try to leave out! The photograph is, as a result, an example of letting some small, isolated element represent and perhaps evoke the experience of the larger landscape in which it is found.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Black Sands Beach, Coastal Cliffs

Black Sands Beach, Coastal Cliffs
Black Sands Beach and the Lost Coast, Shelter Cove, California.

Black Sands Beach, Coastal Cliffs. © Copyright 2021 G Dan Mitchell – all rights reserved.

Black Sands Beach and the Lost Coast, Shelter Cove, California.

Previously I have shared my dark secret: for decades I barely visited the portions of California north of the San Francisco Bay Area, Sacramento, and Tahoe line. Sure, I visited Lassen National Park with my family when I was young, and I’ve been on Mt. Lassen a few times, and — of course — I have driven north out of the state on Interstate 5. But the Northern California coast remaining mostly off my radar for decades. A decade or two ago this began to change — slowly — as we visited areas in Mendocino County and along the path to and from there, and when we pushed a bit further north from that base on some day trips.

Finally, during the last decade or so, I began to get more serious about this wonderful region and, among other things, I began photographing in the redwoods. (I have photographed closer redwoods for decades.) And then I pushed out toward the coast. On this year’s visit we finally made it to the edges of the Lost Coast area below Eureka, a portion of the coast so rugged that even “the coast highway” takes an inland jog. In the middle of this region lies the isolated (but surprisingly large) community of Shelter Cove. Black Sands Beach extends from this local toward the northern section of the Lost Coast, and no roads touch the coast again for many miles.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.