Tag Archives: talus

Sunset and Moonrise, Kuna Crest

Sunset and Moonrise, Kuna Crest
Sunset and Moonrise, Kuna Crest

Sunset and Moonrise, Kuna Crest. Yosemite National Park, California. August 10, 2010. © Copyright 2011 G Dan Mitchell – all rights reserved.

The nearly- full moon rises above the sunset light on Kuna Crest, Yosemite National Park.

Kuna Crest runs up Lyell Canyon between the Lyell and Dana forks of the Tuolumne River with the Sierra crest at one end and Mammoth Peak at the other. (Mammoth Peak is the large peak straight in front of you as you top Tioga Pass entering Yosemite National Park.) This ridge can catch great sunset light during the summer, and as I came down from the pass, heading back toward my camp at Porcupine Flat, and saw the almost full moon appearing over the shoulder of the ridge I decided to quickly stop and make a few exposures as the last light was about to leave the forest and soon after the peaks.

If you have tried photographing a scene that includes the moon in the early evening you know that the exposure is a tricky thing. The moon is lit by daylight, so it isn’t too surprising that the “correct” exposure for the moon is close to a normal daytime exposure. But that is not the right exposure for the rest of the scene, which turns out to be quite a bit darker than daylight at this time of day. In this scene things were even more complicates as the very saturated red colors on the ridge were quite “hot,” while the foreground meadow and forest was in shade and both darker and cooler in color. Basically, the dynamic range between the moon and the foreground was too large for a single exposure… so I made several.

At the time of exposure I thought that I might need as many as three component images in the final photograph – they would be one exposed for the bright ridge and sky, one exposed for the rather dark and shadowed foreground, and possibly a third that correctly exposed the moon. To be on the safe side I bracketed four exposures. When I began to work on the image I figured out that in this case I could construct a final “believable” image from two exposures if I was careful and could make some additional adjustments during post.

This is an example of a shot in which the use of a graduated neutral density filter could have been problematic, but where exposure blending could work very well. (“Exposure blending” is one term for the process of manually combining two component exposures using masked layers in Photoshop. No, it is not the same thing as HDR photography.) One of the things that would have been quite tricking using graduated neutral density filters is that the division between the brighter upper half and the darker lower half is not linear. Instead, the roughly follows the curved boundary between the lower meadow and dark trees and the still sunlit trees and the peak and sky.

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Alpenglow, Trees, and Granite

Alpenglow, Trees, and Granite
“Alpenglow, Trees, and Granite” — Alpenglow light on trees among granite boulders below glacially-carved Yosemite cliffs..

This is one of my favorite locations in the Yosemite back-country and, in fact, in the entire Sierra Nevada range. This beautiful sub-alpine basis contains three lovely lakes and is surrounded by varied terrain that includes distant views, peaks and ridges towering above, lodgepole pine forests, meadows small and large, and an open view to the west that often provides stunning light late in the day.

As is usually the case, I was camped at the of the three lakes – this time for several days of photography – and I had headed to the upper lake late in the day to do some evening photography. I have photographed there quite a few times, but I still haven’t come close to exhausting the photographic potential of the place. On this evening I knew that I wanted to be ready to photograph the golden hour light, but I was also interested in the smaller groups of trees that grow among the granite boulders and I wanted to see what might develop as alpenglow struck the glacial slopes above the lake.

There is a small, fun twist to the story of this visit. I took a semi-cross-country route to the upper lake from my camp at the lower lake, and because I knew that I’d be returning alone in deep twilight or after dark, on the hike up I was concentrating intensely on fixing a series of landmarks in my mind for the return hike. I was so single-minded about this that I made it all the way to the lake and my first intended subject (a small shoreline tree) without looking around much. It was only a moment after arriving that I got out of focus-on-the-route mode and looked around. I had walked right past the campsite of a couple of photographers without even seeing them, much less saying “hi.” Turns out that the photographers were John Sexton and Anne Larsen. After exchanging greetings and conversation, I went about my business of shooting along the edge of the lake. (If I recall correctly, John was shooting nearby as I made this exposure.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Ellery Lake

Ellery Lake
Ellery Lake

Ellery Lake. Sierra Nevada near Yosemite, California. June 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Early season morning light on Ellery Lake near Tioga Pass.

I made this photograph on the same early-season morning on which I made the vertical format photograph of the same scene that I recently posted. Ellery Lake is alongside highway 120, the “Tioga Pass Road,” just beyond the eastern boundary of the park and the Sierra crest. To be completely forthcoming, I made this photograph from the side of the road! (The many individuals who know this area well, and who have probably stopped to look at the same scene, already knew that…)

To briefly recap, the road here curves around the upper end of the lake above this small bay. Looking across the bay, the rocky edges of the lake are visible along with the steep talus slopes ascending to the peaks around Mt. Dana beyond. The spot has a natural beauty in terms of the forms of the landscape, but I think it is difficult to photograph as a whole – the light is the tricky thing. The earliest morning light is block by high peaks to the east and the late afternoon light goes quickly from sun to shade as the sun drops below ridges behind the camera position, and this light can be fairly flat since it comes from directly behind. This photograph was made in the morning, but not close to sunrise at all – it was two or three hours later. Even here the scene isn’t without technical challenges, especially from the dynamic range that spans from the shadows behind backlit rocks and trees to the very bright snow fields at upper right.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Morning, Ellery Lake

Morning, Ellery Lake
Morning, Ellery Lake

Morning, Ellery Lake. Eastern Sierra Nevada near Yosemite. June 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Morning light on Ellery Lake and surrounding mountains near Tioga Pass.

Yosemite National Park visitors who enter or leave the park via the Tioga Pass Road route are familiar with the sub-alpine lakes just east of the pass including Tioga Lake, Ellery Lake, and many smaller ponds. Ellery Lake – which is made a bit higher by a dam on its outlet stream – is the last lake before the drop-off into Lee Vining Canyon, and a place that people often stop during the summer months. Even during the very early and late season it is a popular place – in the early season right after the road opens you can often see back-country skiers on the steep slopes above the lake.

I rarely pass this particular cove near the upper end of the lake without stopping. However, I have also found it a tricky photographic subject! Very early light is blocked by the very tall ridge whose lower slopes are seen in the distance in this photograph. It is often quite windy. Late in the day the color of the light can be special, but it also tends to be almost directly behind the photographer and to leave some deep foreground shadows. There are other places like this – they seem like they should be photographic “slam dunks,” but they turn out to be more difficult than they appear. Or maybe it is just me! :-)

In any case, on this late June morning I had earlier finished photographing in the Mono Lake area and was heading back up towards Tuolumne Meadows. And, as always, as I drove around the curve above this cove I caught a view of the lake out of the corner of my eye and couldn’t resist stopping.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.