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Window Formation, Desert Mountains

Window Formation, Desert Mountains
“Window Formation, Desert Mountains” — Desert mountains beyond a teardrop-shaped window in a rock wall, Death Valley.

Death Valley National Park is full of popular and famous attractions that are quite accessible — Mesquite Dunes, Badwater, Zabriskie Point, to name a few. But there’s far more to this immense park than the popular spots. There are equally worthy things to see everywhere, including in some rather remote locations. This is one of those sights, and the odds are that you would be alone here if you were to visit.

The feature is an impressive tear-drop shaped “window” in a wall of rock that stands on the inside of a sharp bend in the canyon. Beyond, further canyon walls rise above the wash, and in the far distance we see the highest peaks of the Panamint Range, including 11,000’+ Telescope Peak.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Bean People

Bean People
“Bean People” — Visitors in front of and reflected in the surface of “Cloud Gate” (aka “The Bean”) in Chicago.

The “Cloud Gate” sculpture is an icon in Chicago. Located in Millennium Park, it attracts hoards of visitors. I’ve been there more than once, and I encountered crowds each time — including on this rather cold November day. It seems that no one can resist interacting with their distorted reflection!

We had wandered through less crowded parts of the park — and those were easy to find in the cold weather. We saw beautiful rows of trees, some shedding autumn leaves, and then walked out to the Lake Michigan shoreline. We headed back into the more popular areas of the park looking for something warm to drink and paused for a few minutes at “Cloud Gate” to see the object and, perhaps even more, watch the people.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Sandstone Formations, First Light

Sandstone Formations, First Light
“Sandstone Formations, First Light” — Sandstone towers and walls in first light, Arches National Park.

I made this photograph from an “official” viewpoint…. that is named for an entirely different view that lies behind my camera position. There is something interesting in that other direction, but this tableau of sandstone towers and walls, near and far, seems more compelling to me, especially very early in the morning when the rising sun illuminates them. I made this photograph just before actual sunrise, when the earth’s shadow is visible in the distant sky.

My feelings about Arches National Park are complicated. When we drove into the park in the morning on my very first visit, I really had little idea of what I would see. I was dumbfounded by the wild formations — huge sandstone walls, tall towers, rocks perched in improbable places, long views. It is definitely worth a visit or two, but be aware that it is a heavily impacted place. Its beauty is part of the reason, but it also lies just outside the town of Moab, Utah, making it (perhaps too) accessible.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

The Manifold, Detail

The Manifold, Detail, Death Valley
“The Manifold, Detail” — Close photograph of a section of the Manifold formation, Death Valley National Park.

Even though this photograph only shows a very small area of a much larger formation, there’s a good chance that those of you familiar with Death Valley will recognize it. The feature is called “The Manifold,” and it features ribs of soft, light-colored material stretching out from beneath a layer of darker material. For this photograph I narrowed the angle of view to only include a very small part of the larger feature.

The geology of these “badlands” features some very soft material that is easily eroded. The different colors were laid down as layers a very long time ago, and since then they have been tilted and distorted. It is hard to imagine a better place to visualize the effect that flowing water has on this desert landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.