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The Perch

The Perch
A hawk perches on the topmost branch of a wetland copse beneath Central Valley autumn sky.

The Perch. © Copyright 2020 G Dan Mitchell – all rights reserved.

A hawk perches on the topmost branch of a wetland copse beneath Central Valley autumn sky.

This little clump of wetland trees is very familiar to me at this point, since I’ve photographed in this area for several years, typically during late autumn and winter months. I like to claim I go to photograph birds (yes, it is true) — but I also go to see and photograph the atmosphere and landscape of this corner of California’s Great Central Valley. One near constant with this copse is that there is virtually always at least one raptor perched on the highest branches.

This past week I understood a bit more another reason to go to such places. During the pandemic and its attendant travel restrictions, we’re all spending a lot more time in a very localized area around our homes, and for most of us that means that we are not seeing the expansive views that place like this offer. I’ve missed the wide-open sky and the big landscapes — and even short visits are therapeutic. For many of us it isn’t necessary to travel to a faraway location and a day or even an afternoon may be enough.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Ridgetop Trees, Cloudy Sky

Ridgetop Trees, Cloudy Sky
A momentary break in a September storm lights ridgetop trees against a cloudy sky

Ridgetop Trees, Cloudy Sky. Yosemite National Park, California. September 15, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A momentary break in a September storm lights ridgetop trees against a cloudy sky

In a way, I sneaked up on this stand of trees over a period of several days. A small group of us camped at a backcountry Sierra lake for about a week back in September. The experience of photographing in one limited area for this long is quite different from photographing while actively backpacking or while moving around by vehicle. Each morning one wakes up in the same place, and each morning one heads out into the same landscape, looking for new views of it or for subjects and locations that were not immediately apparent. We also have the opportunity to return to subjects more than once as the conditions change — different times of day, different atmospheric conditions, and so forth.

These trees stand atop a glacially carved ridge above “out” lake and between it and another similar lake below. The rocky terrain limits the growth of trees and they tend to stand apart from one another, often revealing more clearly the shapes of individual trees. I first saw this area and it trees very early on during our visit, and I climbed the low ridge a number of times. Near the end of our stay a storm swept in and we had on and off rain for a couple of day. I went out on this somewhat soggy day, alternately walking around the landscape and using that very landscape to hide from the intermittent showers that passed through. I hiked up the hill in the rain, using a thicker bit of forest for cover, and I emerged into the open as the clouds thinned a bit and the rain momentarily diminished, and the landscape lightened as weak sunlight shone. This clump of trees stands resolutely near the very top of the ridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Calero Oaks, Fog

Calero Oaks, Fog
Calero Oaks, Fog

Calero Oaks, Fog. Santa Clara Valley, California. January 67, 2007.© Copyright 2007 G Dan Mitchell – all rights reserved.

Winter morning fog drifts among ridgetop oak trees, Calero County Park, California

This is an older photograph that I sort of “rediscovered” while going through older files recently. It was due for a bit of additional work, reformatting to fit my current preferred 4:3 print ratio, and the updated web border and text that you see in the online versions of my photographs. (And, to answer the question that comes up from time to time, my fine art prints do not include the text found in the online photographs!)

Although I no longer visit there quite as often, this area became a favorite location of mine a few years ago, especially during the winter months when morning fog frequently burns off and reveals the newly-green winter landscape of the California grassland and oak forests. The photograph was made on one of these very mornings, as I had hiked the familiar trail along the top of this ridge, to find myself on the border between fog in the valleys and clearing on the ridge, with the edge of the fog drifting through these trees and the sun backlighting this misty atmosphere.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove, Evening

Aspen Grove, Evening - A ridgetop aspen grove in full autumn color, Dixie National Forest, Utah
A ridgetop aspen grove in full autumn color, Dixie National Forest, Utah

Aspen Grove, Evening. Dixie National Forest, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A ridgetop aspen grove in full autumn color, Dixie National Forest, Utah

This is another photograph that resulted from a more or less chance drive up a back road that I happened to spot while out looking for color, and the particular location of the photograph is anything but iconic – in fact, I’m betting that this grove of aspens is rarely photographed, given its someone “off the beaten track” location in a place without even a recognizable name. Essentially, we had turned off onto an interesting side road and started driving up into the mountains. A bit earlier we had stopped to photograph incredibly colorful aspens and other trees before moving on.

As we continued on up this climb, we became aware of time issues – mainly because I had an idea about photographing another specific location at sunset, and that location was still a good drive away from here. So when we came to an intersection along the gravel road, it seemed like a fine place to stop, look around, and consider heading back the in the direction from which we had come. As we pulled over we began to see several interesting things here. First, nearby there was a little old track leading into the aspen forest. (A photograph of that subject will appear here later.) Then another side road nearby started to look interesting, so we drove a short distance along it until we had a panoramic view of the mountains leading toward Cedar Breaks. Here we turned around, and drove the short distance back to that intersection, and I though that this row of colorful aspens, set along the edge of the ridge and fronted by a bit of meadow, looked interesting enough to photograph – and when I saw the faint clouds line up in the low spot between the trees I had to photograph the scene in this soft, overcast light.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.