Tag Archives: travel

Moving On: Fujifilm XPro2 to XT5

The XPro is dead! Long live the XPro! That’s not the main subject of this essay, but based on tea-leaf reading and my own experience with the XT5 I think that’s where we are headed. I’ll get to why I think so near the end of this article.

This article is primarily aimed at Fujifilm users (and potential users) considering the retro XPro design versus the recently released (DSLR-style) mirrorless XT5. It is partly about techie camera stuff, but it is also a story about letting go of preconceptions and adapting to something new.

Since some readers may be unfamiliar with the cameras, here’s a quick summary.

XPro2 — The XPro2 is one of three Fujifilm “XPro” bodies — originally the XPro1 , the subsequent XPro2, and the most recent XPro3. These are rangefinder-style cameras with retro appeal due to their similarity to classic rangefinder film cameras and the inclusion of full manual controls. A key feature is the hybrid viewfinder system combining an old-school optical viewfinder (OVF) and a modern electronic viewfinder (EVF). The XPro2 has a 24MP APS-C sensor, while the newer XPro3 has a 26MP sensor.

XT5 — The XT5 is the most recent (as of this writing) in Fujifilm’s series of XT cameras that combine a small DSLR-like mirrorless body with a full set of manual controls, similar to what is found on the XPro bodies. This new camera uses an updated 40MP sensor — previous models (XT1-4) used 16MP, 24MP, and most recently 26MP sensors.

Fujifilm XT5 (l) and XPro2 (r) with Fujifilm 27mm f/2.8 lenses.
Fujifilm XT5 (l) and XPro2 (r) with Fujifilm 27mm f/2.8 lenses.

Because virtually all models in a generation of Fujifilm cameras use the same sensor, Fujfilm owners are more attentive to other functional differences between them. That is why I’ll focus on those things and say little about the sensor.

Continue reading Moving On: Fujifilm XPro2 to XT5

The Overlook

The Overlook
A person stands on a high point overlooking Death Valley and distant mountains.

The Overlook. © Copyright 2023 G Dan Mitchell.

A person stands on a high point overlooking Death Valley and distant mountains.

As I write this text, a few days before the photograph will post, it seems likely that this will be the final photograph in the series from my January visit to Death Valley National Park. I like to spend the better part of a week photographing there in the winter — the most pleasant and arguably the most beautiful time of the year there. (All bets are off if it is a good wildflower year!)

I shared a different photograph of this scene a few days ago. This one features a singe individual instead of a pair. Such a difference might seem small, but I think that the image of two people in such a place can evoke a different response than the image of a lone person in the immense landscape. I made this one in portrait (vertical) mode — partly because I think it works this way and partly because sometimes people are interested in a scene framed that way!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dunes and Shadows

Dunes and Shadows
Low angle light casts shadows across sand dunes, Death Valley.

Dunes and Shadows. © Copyright 2023 G Dan Mitchell.

Low angle light casts shadows across sand dunes, Death Valley.

Sand dunes provide a virtually infinite range of photographic subjects, from the shapes of the tallest dunes down to the footprints of tiny creatures. In many ways, they are canvas on which the light paints, creating changing patterns of light and shadow and changing colors throughout the day. Sometimes the changes are very slow and the scene can appear static, for example during the midday hours. At other times the light changes so fast that it is easy to miss.

I photographed this dune scene when the sun was low in the sky, casting long and deep shadows across the large and small patterns. Not all dunes are so extensive, but these stretched away into the far distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rocks, Playa, Desert Mountains

Rocks, Playa, Desert Mountains
Afternoon light on desert mountains beyond rocks and playa, Death Valley.

Rocks, Playa, Desert Mountains. © Copyright 2023 G Dan Mitchell.

Afternoon light on desert mountains beyond rocks and playa, Death Valley.

This spot has drawn my attention over many years of visits to Death Valley. It would be easy to miss — it is just a rock-covered hill next to a roadway, in a location where people are most likely looking in a different direction. But I stop here frequently and poke around, looking for photographs. It hasn’t been easy!

One of the challenges here is that, in my view, the best time to photograph here is in the late afternoon, just before the sun drops behind the far ridge. Not only does this bring the challenges of shooting almost directly into the sun, but the black rocks and easy turn into pure black shadows. It is also a bit of a challenge to find combinations of rocks that have some kind of compositional integrity. This photograph comes from an afternoon when some dust and haze highlighted light beams from the late-day sun.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.