Tag Archives: trees

Redwood Understory

Redwood Understory
Brush, rhododendrons, and small trees growing at the base of old coast redwood trees.

Redwood Understory. © Copyright 2021 G Dan Mitchell – all rights reserved.

Brush, rhododendrons, and small trees growing at the base of old coast redwood trees.

This photograph takes me back to early June, when we spent a few days photographing in far Northern California’s coast redwood country, mostly in the famous national and state redwood parks up there. The timing of visits to the redwoods always seems a bit tricky, and in my experience it seems that the dates for important things like the arrival of the rhododendron bloom can be pretty variable. On this trip we want back on more or less the same dates as our previous visit, but this time we saw far fewer rhododendron blooms. Of course, with the disrupted climate and drought in California, things seem to be off schedule generally.

I am somewhat notorious for being unable to encounter fog in this area, at least in the redwood forest. I regularly see foggy redwood forest photographs by others, but when I go the fog seems to flee the scene! On this morning there actually was a bit of fog though. A few minutes early some stray fog clouds had passed through the trees, and when I made this photograph higher clouds muted the light quite nicely. The lighter plant in the foreground is a tree-like rhododendron… with almost no flowers!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Fog, Big Sur Coast

Winter Fog, Big Sur Coast
Winter fog and ocean spray hugs the rugged Big Sur coast.

Winter Fog, Big Sur Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.

Winter fog and ocean spray hugs the rugged Big Sur coast.

It is possible that my writing about the Big Sur Coast could become a bit repetitious. After all, my visits to the place are… repetitive! It takes about an hour for me to drive to the upper boundary of the region, and I can (and do) make a down and back trip in less than a day, often leaving home before sunrise and returning for a late lunch. Proximity to this remarkable landscape is a big part of what induces me to continue to put up with San Francisco Bay Area traffic and costs. It is hard to imagine another place with access to so many remarkable things.

This photograph comes from a visit on a sunny early December day last year. The season from November through the first half of spring is my favorite along this coast. The surf is often impressive — especially when a Pacific weather front is approaching — and conditions are remarkably variable, including fog, brilliant sunshine, strong winds, beautiful clouds, intimidating storms, and more. This morning featured one of my favorite combinations of conditions: surf big enough to raise mist along the coastline, a bit of a marine layer, and brilliant sun overhead.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Eastern Sierra Stream, Smoky Light

Eastern Sierra Stream, Smoky Light
Smoky haze mutes the outlines of Eastern Sierra foothills above a small stream.

Eastern Sierra Stream, Smoky Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Smoky haze mutes the outlines of Eastern Sierra foothills above a small stream.

Recently I spent a few days in the Eastern Sierra, mainly to readapt to altitude before a potential backcountry trip. The plan was to car camp in some Forest Service campgrounds, take a few high-elevation hikes while laden with a full load of camera equipment, and to make some photographs. This photograph comes from a location that I’ve known for years, near the base of one of the trans-Sierra passes along the east side of the range. Late in the day I had noticed the interesting haze and remembered some meadows and stream side country a few miles away. So I headed that way just. before the sun dropped behind the Sierra crest and photographed straight into the late-day light.

Since I haven’t written about any recent Sierra trips lately, I’ll use this post as an excuse to share some observations about conditions. And, of course, this year “conditions” is hard to separate from the effects of heat and drought. On the positive side, some of the high country locations I visited were not (yet) as dry as I had feared. I saw green meadows, wildflowers, corn lily fields in full bloom, and some water. On the other hand, it is only the middle of July — the moisture levels looked more like what I’d expect to see in August. Aside from the early season wildfires and the smoke they spread, one of the most worrisome signs was in the foothills on the west side, where it looks like huge numbers of oak trees are turning brown and dying.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wall of Redwoods

Wall of Redwoods
A dense grove of closely-spaced coast redwood trees, Humboldt Redwoods State Park.

Wall of Redwoods. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dense grove of closely-spaced coast redwood trees, Humboldt Redwoods State Park.

This dense “wall”of redwood trees is part of a grove at Humboldt Redwoods State Park in Northern California. Our experience of arriving in the grove was quite striking. We had just spent hours driving a long loop of small country roads out to part of the “Lost Coast” area, and after a somewhat steep descent the road dropped into this deep, dark, and quiet grove. We stepped out of the car into the cathedral-like experience of these incredibly large trees and paused here on our drive for some time, wandering slowly among the trees and making photographs.

I’ve written before about how photographing in the redwood forest presents a number of challenges. Some of them are objective — it is very dark here, even in the middle of the day in many cases, and one ends up using very long exposures, sometimes adding up to several seconds. And despite the sense of stillness, it seems that there is always a tiny bit of air movement that affects branches and leaves. But a more complex question is how to render photographs of these places. What the camera records here is quite different than what the eye and the mind see. For some technical reasons I’ve written about previously, while the eye sees rich and deep colors, the camera records something that can appear flatter and dimmer. So the post-processing question always becomes how to move things back toward the light and colors that we remember experiencing. When doing that it is easy to get carried away and perhaps create something that is a bit too much of a fantasy — there’s nothing objectively wrong with that, but the question of how far to go is never far away. I chose here to stick with a rather dark rendition, since I remember that this is how the scene felt to me at the time.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.