Tag Archives: trees

Olympic Peninsula Forest

Olympic Peninsula Forest
Olympic Peninsula Forest

Olympic Peninsula Forest. Olympic National Park, Washington. August 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sunlight filters through dense forest in Olympic National Park, Washington

During mid-August we traveled to the Seattle area – not primarily for photography but mainly to see the Seattle Opera production of Richard Wagner’s Ring Cycle. The Seattle Ring is sometimes referred to as the “Green Ring,” largely because the production design draws heavily on the natural world of the Pacific Northwest, and especially on the forests. Even when photography is not the primary focus, it is never too far away, so on a day when there were no performances we decided to take the ferry across Puget Sound to the Olympic Peninsula and see what we could find. We left the Seattle area in heavy fog – the subject of at least one photograph that I’ll post later on – but when we got across the water it was relatively clear. That was a bit surprising since I’ve had seem some pretty cloudy and rainy weather out there in the past, including one memorable trip to Hurricane Ridge when we arrived to find visibility that must have approached, oh, about fifty feet.

One of my brothers, also a photographer, lives in the area and after seeing the positive weather forecast he had suggested that we start at Sol Duc Falls. In actually turned out that the weather was perhaps a bit too nice, as this heavily forested area ended up exhibiting that deadly combination of bright light beams coming through the trees and deep shadows down below, an effect sometimes called “pizza light.” It is about the most difficult thing to photograph, as the dynamic range of the scenes is just far too large for cameras. We hiked to the falls, a short and pleasant hike, and arrived to find that the base of the fall, which is in a deep gorge, was in dark shade while brilliant direct sunlight hit the top of the water. I decided to not try to photograph this – “been there, done that!” – and instead see what I could find in the surrounding forest itself. The light issue remained here, too, but I noticed that a few puffy clouds were blowing around and I figured that I could set up the shot and wait for the nice soft light to arrive in the shadow of one of the clouds. This photograph was made in exactly those conditions – a passing cloud momentarily obscured and softened the light. I think that seeing the beautiful forest-inspired set of Seattle’s Ring had put me in a frame of mind to find and photograph this sort of thing, and I feel like this photograph reflects that connection.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fisherman, Ellery Lake, Sierra Crest

Fisherman, Ellery Lake, Sierra Crest
Fisherman, Ellery Lake, Sierra Crest

Fisherman, Ellery Lake, Sierra Crest. Sierra Nevada, California. August 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A lone fisherman casts into Ellery Lake beneath ridges rising through haze toward the Sierra Nevada crest

This photograph includes a subject that I’ve stopped and looked at many time, thinking there must be a photograph in it somewhere – and even trying to photograph it a few times – but never quite figuring out how to see it. Ironically, it was the wildfire haze and smoke that made it work for me this time, as that haze muted some of the over-abundance of fine detail that I think can distract from the larger form in this scene, and which also muted the bright reflections on the water which can otherwise be hard to manage.

I thought of this as monochrome image when I made it. (I don’t always know that at the time of exposure, but with digital we have the luxury of making that decision later if necessary.) My first thought was to make it a “natural” landscape, but I noticed that a fisherman had appeared along the left end of the foreground peninsula. Often my first reaction to the appearance of a person in my landscapes is to wait for the person to move. But I have learned that sometimes a very small figure in the landscape can change the image in ways that seem oddly out of proportion to the size of the figure. Here, especially in a larger print, the little figure against the background of the shining water changes everything, I think. Place the tip of your finger over that person to cover him, and see if you see what I mean. I did also continue to make a few more exposures after he left, but I like this one the best.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Grazing Deer, Ragged Peak

Grazing Deer, Ragged Peak
Grazing Deer, Ragged Peak

Grazing Deer, Ragged Peak. Yosemite National Park, California. August 7, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A group of deer graze in Tuolumne Meadows near sunset beneath the summit of distant Ragged Peak

Perhaps I’ve simply missed this in the past, but on this early August trip to the Tuolumne Meadows area I saw a herd of deer grazing in the meadow in the evening that was larger than any I have encountered before. I’ve often seen small groups of perhaps a half-dozen or so there, but this group had at least two dozen individuals on the two evenings I was there. Many were bucks with antlers, but there were also some very young and very frisky critters among them, including one who seemed to be the ringleader of periodic high-speed races back and forth across the meadow. While waiting for interesting light for photographing other subjects (and that light is just beginning to appear on the dome behind the meadow) I spent some time with the long lens photographing them.

There are, of course, quite a few ways to photograph wildlife, ranging from what amount to intimate and close-up portraits to photographs that show the animals in their landscape – with the latter verging on “landscape with animals,” a different thing than much wildlife photography. I like doing both, but here I was thinking a lot more about photographing the animals in their world. This affected my approach in a couple of perhaps obvious ways. First, while I could have gotten quite a bit closer with the long lens I was using, I hung back so that I could include more than one deer in the frame, include more of the surrounding landscape, and not intrude to closely on the deer. Second, as soon as I had clicked of a first “insurance shot” of the animals, I stopped and looked at the landscape in order to find things that I could align with the deer. In this case, I was able to move some distance to one side and get a group to line up with the low dome (which, lucky for me, got hit with a bit of soft evening sunlight at the right moment!) and the distant ridge holding Ragged Peak, an area that I know quite well from many pack trips into nearby areas.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Forest, Dome, and Distant Mountain

Forest, Dome, and Distant Mountain
Forest, Dome, and Distant Mountain

Forest, Dome, and Distant Mountain. Yosemite National Park, California. August, 7, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A last beam of sunset light illuminates the granite slabs of Lembert Dome and the distant slopes of Mount Dana above Tuolumne Meadows

This afternoon of a day when I was in the area of the Sierra crest near the Tioga Pass entrance to Yosemite National Park had turned murky, with a combination of wildfire smoke and high clouds that largely killed the interesting light as the “golden hour” approached. I decided to drive along Tioga Pass Road as the day came to an end, and look for whatever interesting light might appear. There is a lighting condition that can sometimes turn a “blah” evening into something amazing in the Sierra – though I wasn’t too optimistic on this evening. On an evening when clouds overhead obscure the late-day light, the clouds sometimes end a bit to the west of the high country, and as the sun drops below those clouds to the west there may be a last-minute glow that must be seen to be believed. You most certainly cannot count on this happening – sometimes the sun simply drops behind clouds and the light goes out. But if it is a possibility I will often go to great lengths to be ready for it.

Even knowing about this light, I was surprised on this evening – twice! In the first instance I had thought I saw a very subtle lightening and intensification of color on the shoulder of one distant ridge far up in the distant Rafferty Creek drainage, so I quickly found a place to turn around and return to a roadside pull-out where I thought I could photograph it. As I quickly worked to set up my tripod and camera… the glow faded and disappeared. I looked around for evidence that it might return – a bit of light elsewhere in the landscape – but seeing none I got back in the car. I had driven no more than 30 seconds down the road when the entire landscape to my south and east lit up with glorious warm light! I quickly – again – turned around and drove back and managed to get a couple of shots before it disappeared again. I then went on down to Tuolumne Meadows with a vague plan to look for interesting light or to photograph an exceptionally large herd of deer that I had seen on an earlier evening. When I arrived, the light was not stunning, but the deer where there, so I put on my “wildlife photographer hat” and a long lens. As I photographed them in less than amazing light, I saw a bright spot in the clouds to the west that just might line up to send a beam or light across the meadow from west to east – and sure enough, a moment later the light began to gradually build. Since I had no time to move or change lenses at this point, I thought about what I could do with the long lens before this light disappeared, so I focused on Lembert Dome, bathed in this light at the far end of the meadow and with the more distant slopes of Mount Dana beyond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.