Tag Archives: trees

Calero Oaks, Fog

Calero Oaks, Fog
“Calero Oaks, Fog” — Morning fog clears around hilltop winter oak trees.

This is an older photograph that I sort of “rediscovered” while going through older files recently. It was due for a bit of additional work, reformatting to fit my current preferred 4:3 print ratio, and the updated web border and text that you see in the online versions of my photographs. (And, to answer the question that comes up from time to time, my fine art prints do not include the text found in the online photographs!)

Although I no longer visit there quite as often, this area became a favorite location of mine a few years ago, especially during the winter months when morning fog frequently burns off and reveals the newly-green winter landscape of the California grassland and oak forests. The photograph was made on one of these very mornings, as I had hiked the familiar trail along the top of this ridge, to find myself on the border between fog in the valleys and clearing on the ridge, with the edge of the fog drifting through these trees and the sun backlighting this misty atmosphere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Redwood Forest Light

Redwood Forest Light
Redwood Forest Light

Redwood Forest Light. Muir Woods National Monument, California. March 24, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Misty morning light shines through coast redwood forest, Northern California

On this late-March morning I headed north over the Golden Gate Bridge, hoping to photograph the trillium bloom at Muir Woods National Monument. Every year this event seems to sneak up on me, and I often just barely catch it before the bloom ends or even miss it. I had heard that the flowers were already in bloom a week earlier, so I wasn’t sure what I would find – but I did get the chance to photograph these flowers that seem to announce the arrival of spring in the redwood forest.

There is a particular trail at this National Monument where I usually go to find the trillium flowers. They seem to like the slightly more open light of this hillside trail, and as I ascend it I usually find quite a few of the flowers… if I arrive at the right time. Every so often I remind myself to look in the other direction, too, since there the hillside drops off steeply, running all the way down to the creek at the bottom of the canyon. The elevated perspective provides a somewhat unusual view into the forest. One challenge of shooting redwoods is that so often you are angling the camera/lens up, and consequently have to deal with various challenges including bright sky appearing in the scene and the effects of converging perspective line. But from this trail it is possible to point the camera horizontally and shoot right into the forest itself, far above the base of the trees down in the canyon below.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cottonwood Trees and Sandstone Towers, Morning

Cottonwood Trees and Sandstone Towers, Morning
Cottonwood Trees and Sandstone Towers, Morning

Cottonwood Trees and Sandstone Towers, Morning. Arches National Park, Utah. October 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Cottonwood trees grow in Courthouse Wash with sandstone towers in morning light, Arches National Park

This is not exactly an iconic spot at Arches National Park, a place that is overflowing with icons. Very early on this morning we had engaged in icon photography, from a location near the top of a hill that provided a truly panoramic perspective on huge swathes of the park and from which I had photographed beautiful sandstone structures in the first light and the backlit, haze-filled vista looking toward the La Sal Mountains. We finished there and started to move on, having only vague ideas about what to photograph next, but knowing that if we kept our eyes open we could hardly avoid finding other subjects.

Descending into a wash to cross a stream bed, we came upon a large number of cottonwood trees lining the waterway. These trees were just beginning to transition to their brilliant fall colors, so we stopped. At first I dropped into the wash and made some close up photographs of the leaves themselves, along with some close shots of trees against sky and the nearby sandstone cliffs. Finishing with that I climbed back up to the roadway and there in front of me was another row of colorful trees where the creek emerged from under a bridge, and beyond that some of the same towers that I had earlier photographed from their far side now appeared almost back-lit and with a rim of morning light along their left sides.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Pond, Winter Morning

Trees and Pond, Winter Morning
Trees and Pond, Winter Morning

Trees and Pond, Winter Morning. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A row of winter trees stands along a frost-rimmed San Joaquin Valley pond

To me, this photograph looks deceptively warm, perhaps due to the warm color of some of the light and the distant fields beyond the trees. The truth is that it was freezing cold! The temperature was in the upper 20’s (cold for Californians!) and the air was damp as it always is this time of year in these marshy valley lowlands and there was thick frost on the ground.

We were here to photograph migratory birds once again. At this location, an official wildlife refuge, a perimeter road circles the place, and it is pretty much our routine to circle it more than once on our visits. The first pass is typically right around dawn, as was the case this time, and often seems to be in thick or – if we are lucky – clearing fog. Later circuits often reveal changing light, thinning fog, different birds, and warmer temperatures – until a final trip around the loop usually concludes with us shooting into the dusk period until there is no longer enough light for photography. Near one corner of the loop there is a parking area, an observation deck, and nearby short trail. (Hiking is not permitted in most of the refuge, as people hidden in cars are apparently perceived to be less threatening by the birds.) When we stop here I almost always do at least a momentary transition from wildlife photographer to landscape photographer and make a few photographs that don’t include birds at all. This pond and the row of bare trees on a levee along one side have attracted my attention almost every time I visit here, and seem to suggest to me something about the vast flat agricultural terrain of this part of the valley.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.