A bed of ferns grows at a trail junction under deep redwood forest cover at Muir Woods National Monument.
This photograph was made in the late winter of 2009, during that time of the year when the redwood forest is still very wet and cool, but when flowers are blooming and spring is clearly on the way. The location is along the very popular (and often quite busy) main trail along the creek through the central part of the park. No doubt I had to wait a bit for the combination of these beams of light and no other visitors on the trail!
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Dew from morning fog collects on meadow grasses and lupine flowers, Santa Cruz Mountains.
It is a wonder that I even consider this photograph worth posting. (Hope I’m not wrong about this!) I made this photograph six years ago when I was doing my very first investigation of digital SLR shooting after having been a film photographer (at least apart from some earlier more or less point and shoot stuff) for many years. To “test the waters” I had picked up a very inexpensive and modest Canon “Digital Rebel” XT DSLR and a single zoom lens. The camera actually wasn’t a bad performer at all. While these models were small and lightweight and lacked some features of their more expensive brethren, they had essentially the same sensors and for those who shoot the way I generally did the other features were mostly superfluous. The first DSLR-sourced print I ever sold came from this camera. The lens was another story. For my “test” I simply picked up a reasonably inexpensive wide range 17-85mm variable aperture lens. This lens has its pluses and minuses (read more here), but for me the minuses were eventually deal-breakers. However, this little handheld photograph was made with that very modest lens, and as long as I don’t try to make it too big I think it works fine.
The scene is a typical one in the oak and grassland areas of Central California that surround the area where I live. This particular scene was at Castle Rock State Park, in the Santa Cruz Mountains between Silicon Valley and the coast. At this time of year the weather can evolve in any of several directions, including rain, fog, brilliant sun and heat, and more – but on this day I was shooting in very damp coastal fog along the top of the ridges.
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Morning light on shoreline trees and rocks at a back-country sub-alpine lake, Yosemite National Park.
I had the chance to shoot around this lake on three successive mornings. The first morning was, to some extent, more about wandering around and getting the feel of the place – though I did make photographs, too. But on the second and third mornings I had figured out what and when I wanted to photograph and I was able to more or less get right to work. Up before dawn, I walked to the far shore before the sun rose, where there was still frost on the shoreline meadows and I could shoot in the soft, early light. Soon, as the sun rose above the ridge to our east, the sun light began to make its way down to the lake, first hitting the tops of trees along the west shore, then lighting the shoreline itself, and eventually moving up the lake and lighting up trees, water, rocky islands, shoreline boulders, and the forest.
In situations like this there are several specific things that I look for and like to shoot. I love to photograph the backlit trees, pointing my camera almost directly toward the sun. The trees light up and their colors intensify. I also watch for forested slopes that climb to the east, like the one on the far side of the lake in this photograph. As the sun rises higher, the slanting beams of light begin to pick off the tops of the forest trees, and can still leave a darker background for those other backlit trees. Of course, such shooting does present a few challenges. Obviously, shooting straight into the light creates some serious flare issues, and I improvise all sorts of interesting ways to shield the lens from direct light: my hat, hands and arms held in the air, you name it. When shooting over the water it can be even trickier since you have “two suns” producing flare – the real sun in the sky, and the very intense reflected sun coming up from the water. Bugs can also be a problem! Just like the trees, shoreline mosquitos and flies also pick up that wonderful backlight… and when they are thick enough they can create little blurry stripes all over the frame. (This leads to loads of oh-so-fun work with the clone tool in post!)
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The last light of the day touches the top of Sheep Peak in the McCabe Lakes Basin, Yosemite National Park.
This was a beautiful and fun evening! We were camped at the lower lake in this basin for a few days. The routine, roughly speaking goes something like this: Up before dawn and off to photograph some morning subject until the light goes or the energy wears down; back to camp for breakfast; do camp chores and generally hang out and shoot the breeze into the afternoon; dinner sometime around 3:00 or 4:00; then off to whatever locations is on the agenda for the evening shoot; back to camp after dark. On this evening we all were on the same page and we all headed up to this lake, a few hundred feet higher and no more than a mile from our camp.
The walk was steep but mostly pleasant, at least as long as one went relatively slowly and stayed out of the creek with its willow thickets and instead found a route through the forest nearby. Eventually the route – there is no trail – began to level out at a meadowy area below the lake. This was gave a false sense that the climb was over, but at least the walk up the meadow was very enjoyable, as the small outlet stream twisted through grassy meadow and past the occasional boulder and some trees, with the higher peaks visible above. At the upper end of this meadow was the lake’s basin, with a tall peak on top of the headwall at the upper end, forest beyond the shoreline meadows to the left, and rugged talus slopes and rocky peaks along the right shoreline.
Here we split up and looked for our own shots. As I sometimes do, I found “the spot” and more or less worked it until the light went away. I walked along the thin shoreline meadow, resisting the temptation to just set up and start shooting, and eventually came to this little group of shoreline rocks and trees that I could use as the close element of photographs of the lake and the peaks beyond as the day came to an end.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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