Tag Archives: urban

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Power Plant Wall, Night

April 30, 2011 G Dan Mitchell 4 Comments

Night photograph of the exterior wall of the power plant at Mare Island Naval Ship Yard.

I have wandered past this building on many previous night photography sessions at Mare Island and have photographed quite a bit nearby, but this is the first time I have photographed it, at least from this perspective. (The iconic power plant smokestack above this building has been a subject of mine in the past.) The first thing that caught my interest about this building is that wonderful bundle of pipes that emerges near the upper left area and then heads off to who-knows-where in both directions. As I looked at the side of the building and imagined what it would look like in a long exposure under this artificial light, the rectangular shapes of the painted sections of the concrete wall seemed like they might also be interesting. And only after I made the photograph and looked at it in post did I realize that there was enough light in the scene – and perhaps inside the building – to faintly light some parts of the interior seen through the windows. The many shadows coming from different directions are produced by multiple overlapping light sources nearby.

To give you an idea of how dark it was on the scene, there was not enough light to focus. Usually I can get just enough by using the live view feature on my camera and finding an edge or a reflection somewhere that provides a line that has enough light, but not here. I finally ended up using one of the standard night photography tricks: I took a very small pocket LED light, walked over and set it against the wall, walked back to my camera to focus on this point of light, returned to the wall to retrieve the light, walked back to the camera and made my exposure.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Construction Lift, Building Interior

April 22, 2011 G Dan Mitchell 2 Comments

I suppose that posting this photograph is the web site equivalent of switching channels – this might be a bit jarring after weeks of Death Valley and other landscape/nature subjects.

I did not quite complete my end-of-year task of going through all of last year’s raw files back in December, so I have been returning to the task bit by bit over the past few weeks. I’m currently working with some photographs from San Francisco, made back in July 2010 when I did some street photography. In old-school style I stuck a 50mm prime on my full frame DSLR and headed out.

At one point I was exploring some waterfront areas of The City and poking my nose into windows of some buildings that were undergoing renovations. Among a few other scenes from this location, I found this one featuring… wait for it!… a piece of construction equipment, posing fetchingly in front of some nice, diffused light coming in from a window out of the frame to the left. I’m still not quite sure why, but I like this image. (Is it perhaps the R2D2-like quality of the orange lift?)

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Reflections in Curved Window

April 2, 2011 G Dan Mitchell Leave a comment

A curved window on the Portside Building reflects a street scene near the San Francisco waterfront.

And now for something quite different from recently posted photographs…

I made this photograph while walking in San Francisco last summer. I’m intrigued by reflections and by scenes holding multiple layers or even multiple layered sub-scenes, so when I found this curved window I had to try to shoot it. For me the first thing I see is the cross-shaped pattern of the metallic bars separating the panes of glass. Looking more closely at what first seems to be just shiny and silver, I see quite a few colors and patterns, especially in the horizontal bars. On the other side of the window is a bit of the interior of the building – a white wall with its own curved shape, the end of a curved cushioned seat, and a dark area opening further into the interior on the right, within which a few shining lights are visible. Then there is the world in the reflections in the glass. (I mostly managed to exclude myself from the reflections, though you might be able to find a bit of me if you look very carefully! ) A person is framed in the lower right quarter of the frame against a background of a warped and curving street and sidewalk. The upper right section features some clearing fog over the Bay and a bit of an overhang in front of the building. The reflections at lower left are faint, though a cross walk can be seen. At upper left is a typical city scene with a traffic signal, wires, and the front of an urban building.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Motorcycle Parking, Night

March 7, 2011 G Dan Mitchell Leave a comment

Night photograph of a covered area for motorcycle parking at the front of a clinic, Mare Island Naval Ship Yard.

This should be the final image in the recent run of night photography from Mare Island Naval Ship Yard, near Vallejo, California. To recap, near the end of February I joined my fellow night photographers from The Nocturnes for a “Mare Island Alumni” meetup and shoot. I’ve shot this location – virtually always at night – for something like five years now, and I still find new things to shoot on each visit.

Early on I mostly focused on what some call the “historic core” of the place – an area of dry docks, giant cranes, and old shops and factory buildings. Later I began to investigate areas around the periphery of this location and to poke my lens into odd little alleys and corners that I didn’t see at first. More recently I have begun to look at smaller and less obvious features of the place and I continue to expand the boundaries of the areas that I know and shoot. This shot and the companion shot I posted just before it are a bit of a departure from my usual Mare Island work in that the scene is a more modern sort of urban landscape illuminated by modern lighting that doesn’t have the warm glow of the security lights and other forms of illumination found elsewhere.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.