Tag Archives: urban

Graffiti, Bologna

We spent several very enjoyable days in Bologna, Italy last summer. There are many wonderful things about this city — its two famous towers, the activities in the central piazza, the food, and more. But the amount of graffiti in the central city is quite striking, to the point that it seems to be a real part of the city’s character. The street art is quite diverse, including the familiar large scrawls, bits of poetry, and more — in this area including a Madonna and Child image.

I remember this from our first visit years ago. We came into the city late in the day, dropped off the car in a garage staffed with questionable characters, had to hunt for our lodgings inside an unmarked building, and then found ourselves unable to enter. We got in, got settled, and went out to find dinner. In our area the streets were deserted, no streetlights were on, nothing was opened, the walls were covered with similar graffiti. The sensory effect was post-apocalyptic. (I can report that the Bologna experience is mostly much different than that!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Pausing At The Foto Automatica

This photograph of people pausing at the Foto Automatica in Florence took me back to a previous visit to this city. On that earlier trip we were barely there, stopping only briefly between time in Chianti and our flight home. We stayed in a hotel a few steps from this old-school photo booth, and I was surprised at its popularity. Even in an age of hand-held selfie cameras there seems to be something special about crowding into this little old-school booth.

I photographed it on that first visit, and I photographed it again when we spent a longer time in Florence, this time long enough to explore the place more extensively. We did not stay in the same hotel, but we walked past one day — and I was pleasantly surprised to see that the Foto Automatica was still there, in its odd little corner along the narrow street. As I watched a (family?) group paused to make pictures.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Curving Street, Lisbon

This photograph comes from our longish walk across Lisbon to climb up toward the St. George Castle. If you walk in Lisbon, get used to hills! We walked down a pretty good one from our lodgings, and before long we climbed the large hill topped by the castle. We didn’t go into the castle grounds, since we had some other ideas in mind, so we were soon ascending and descending the steep hills again.

I loved this little narrow street. Just about every thing about it is charming, The route gently curves, and you walk along pavement embedded with interesting patterns and colors. The buildings themselves are painted in striking colors, too. And, of course, it is so narrow that it isn’t really suited to vehicles larger than scooters.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Autumn Chairs, Whitney Museum

As each season passes, the sensations of the previous season fade. But only a short time ago it was about colorful leaves falling from trees, crunching underfoot, and blowing along sidewalks and trails. I made this photograph as we passed the Whitney Museum at the end of a very long Manhattan walk in late November on one of those beautiful autumn days.

Sometimes the question arises: What is this photograph about? It is hard to be too specific about that. But here the colors are pretty important — the bright yellow of the chairs, the warm orange of the leaves, and the overall cool blue tones of the light. I think it is also “about” the juxtaposition of the constructed urban world and the organic forms of the natural world.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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