Tag Archives: usa

Sierra Lake, Submerged Rocks

Sierra Lake, Submerged Rocks
By the shore of an Eastern Sierra backcountry lake with a ledge of submerged rocks.

Sierra Lake, Submerged Rocks. © Copyright 2021 G Dan Mitchell – all rights reserved.

By the shore of an Eastern Sierra backcountry lake with a ledge of submerged rocks.

Recently I have had more than one excuse to go back and revisit photographs from previous years. First, this has been an attractive way to find “new old” work during this time of restrictions on travel. Second, I’m involved in a project (about which I can’t say more at the moment) that required me to spend a lot of time during the past month reviewing photographs from a particular subset of my Sierra Nevada photographs. It has been wonderful to relive a set of wonderful backcountry trips I took since about 2008 and, in the process, “discover” a lot of images that I had somehow left behind.

This is one of those photographs. I’ve often wondered about how it is that certain photographs seem to need to “age” for months or years before they make sense. In this case, I think what happened is that when I considered photographs from this place made on this day that I selected another image, worked my way through it, and then moved on. In essence, this one was “left on the cutting room floor” during that editing process. The scene is a high country lake — which lake hardly matters — where rocks under shallow, shoreline water contrast with the intense aqua color of the deeper water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Slot Canyon

Desert Slot Canyon
Desert canyon narrows curve past sculpted rock walls, Death Valley National Park.

Desert Slot Canyon. © Copyright 2021 G Dan Mitchell – all rights reserved.

Desert canyon narrows curve past sculpted rock walls, Death Valley National Park.

No, I’m not quite done yet with the photographs from this year’s foray to Death Valley. Visiting the park is an annual tradition for me — sometimes more than once. I often go around the end of winter or beginning of spring, and I would have missed last year’s visit but for the lucky timing that took me there in January of 2020. Since then I had wondered whether the pandemic was going to force a break in the annual ritual, but after being vaccinated it seemed plenty safe to go there and stay (mostly) in uncrowded, out-of-the way places. I was wonderful to be back there!

This is another photograph made in one of the narrows of a canyon that is a bit off the beaten track. (Despite the prominence of some well-known icons in this park, the place is full of other wonders that are far enough from pavement to decrease the number of visitors.) I camped in complete solitude near the entrance to this canyon, and that gave me the chance to explore in in both late afternoon and early morning light. The the narrower sections of the canyon there can be wonderful contrasts between the warmer colors where the canyon walls get a bit of sun and the darker sections that remain in the cool-colored shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Silicon Valley

Silicon Valley
The words “Silicon Valley” on an industrial building in San Jose, California.

Silicon Valley. © Copyright 2021 G Dan Mitchell – all rights reserved.

The words “Silicon Valley” on an industrial building in San Jose, California.

This is probably not quite what comes to mind when you hear the words “Silicon Valley.” Although the photograph does indeed come from that place, the location is in a somewhat run-down area occupied by small light industrial tenants. This particular one has mystified me more than once — as far as I can tell the only signage is the two words painted on the wall, and I never seen anyone there. (I’m tempted here to make some pun about letting the chips fall where they may, but I won’t. Sort of.)

Aside from that mysterious sign, I like the simple geometry and the bright color of the building. (It has been sitting on my desktop for a while now, along with several other urban photographs that also feature a particular color.) In fact, I think it may be possible to view this simply as a sort of a color and form abstraction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rocky Shoreline, Reflections

Rocky Shoreline, Reflections
“Rocky Shoreline, Reflections” — Talus boulders and their reflection at the edge of a Sierra Nevada lake.

Three summers ago a group of us (yes, THAT group) spent a week camped at a little backcountry lake on the east side of the Sierra Nevada. The lake is a pretty one, with forest on one side, rocks on the other, and a few areas of meadow and granite slabs here and there. All in all, a fairly typical sort of scene in the range. Beyond the lake itself, the valley that holds in also contains many other small lakes and is surrounded by ridges and peaks, all of which gave us plenty to photograph.

This photograph comes from the rocky side of this lake. A common pattern with high country lakes is for there to be some flat area(s) along one side and perhaps at the inlet and outlet streams, and for one side to be close to some sort of slope. Anyone who tries to circumnavigate such lakes is familiar with the difficulties of finding a way along that rocky side. The rocky slope next to this lake was exceptionally rough, with large boulders extending right down to the shoreline. What it lacked in “walkability” it made up for in reflections. A much higher ridge above the rocks left this area in shadow late in the morning, producing a nice blue tonality to the light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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