Tag Archives: usa

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Cliff in Sun, Trees In Shadow

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Cliff in Sun, Trees In Shadow
The edge of a granite face caught in morning sun, with snow-covered trees in shadow

Cliff in Sun, Trees In Shadow. © Copyright 2018 G Dan Mitchell – all rights reserved.

The edge of a granite face caught in morning sun, with snow-covered trees in shadow

The little bit of sunlit granite cliff on the right side of this photograph has long intrigued me. When the light hits it a highlight is added to a scene that is often otherwise almost completely in shadow. The light only happens for a short period, since the sun has to rise above the thousands-of-feet-high cliff above and then find its way down at just the right angle. Basically, it is only going to happen in the morning at this time of year, and for a short time at that. On this day I photographed it just after new snow had fallen the night before, coating trees and granite with a thin layer of snow.

The color of this scene is perhaps also worth mentioning. I decided to “go with the blue” on this image. Deeply shaded areas that are illuminated by open sky are often far bluer than we might think, something that photographers soon learn to recognize. When we look at such a scene with our eyes and our brains visual processing system, our brain tells us that, for example, the snow in this scene is white. But objectively speaking it is very much NOT white — it is the blue of the sky. In many cases photographers — including me — will adjust the color of the blue shadows in post to make them a bit closer to how we recall the scene, but another option is to leave it just as blue as it actually is… which is what I’ve done here.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Night, Photographs: Structures and Objects, Photographs: Urban/Street

Alley, Night

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Alley, Night
“Alley, Night” — Interior lights spill into an alley between two industrial buildings

I photographed both familiar and new subjects at the Mare Island Naval Ship Yard again this past week. During the evening I gradually worked my way across the core of the place,eventually heading south from where I began. I had photographed the other side of the building on the right, which contained a large open interior space with many windows. When I came around the other side of the building I was surprised by the complex pattern of light between the two receding buildings. I had photographed here in the past when the building to the right was abandoned, and this alley had been a very dark place.

On this evening those of us who have photographed at Mare Island for a long time — some for several decades — lamented some of the changes that are coming to the place. It lay almost dormant for years, but now many of the old buildings are being refitted for modern users. On one hand this changes the lonely and forlorn character of the island. On the other hand, it means that once the buildings are rehabilitated they will likely stand for a long time. But right now construction is going on everywhere, some interesting places now are off-limits, and fences have been erected around the construction work. That posed a problem for this photograph. In the past I could walk right up this alley, but now a portable cyclone fence cuts off access. I solved the problem by extending my tripod as high as it would go — well above my head! — and photographing over the top of the fence.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Granite, Snow, And Clouds

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Granite, Snow, And Clouds
Clouds sweep across granite faces as winter snow falls above Yosemite Valley

Granite, Snow, And Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clouds sweep across granite faces as winter snow falls above Yosemite Valley

This morning brought what I consider almost perfect Yosemite Valley weather — cold, windy, light snow falling, and misty clouds floating among the cliffs, peaks, and turrets surrounding the Valley. I found a spot with a suitable view of several impressive sections of Valley wall, put a long lens on the camera, and began to photograph as the storm evolved.

This sort of photography is anything but static. With clouds in motion and snow falling, the scene was constantly changing. One moment everything would go gray and the rocky faces were almost completely obscured. Then a section of thinner clouds would arrive, the granite and trees would begin to emerge, and sometimes the sun would briefly light sections of the scene. And as I focused on one area, something interesting would begin to occur in another spot. I had eyed the foreground sloping granite for some time, waiting for it to clear and for the ridge extending beyond it to become somewhat visible as the clouds drifted and parted.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Mono Lake Basin, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Ship Yard Buildings, Crane

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Ship Yard Buildings, Crane,Mare Island Naval Ship Yard.
“Ship Yard Buildings, Crane” — Weathered ship yard buildings illuminated by saturated colors of artificial lighting

I recently had a chance to return to this ship yard facility near Vallejo, California to work on night photography. This is the place where I first tried that genre approximately fifteen years ago. It was more or less on a whim — I read that someone was inviting photographers to come up to Mare Island, in conjunction with the annual Flyway Festival, and find out about night photography. I knew almost nothing about it, but decided to give it a try. Since that time I’ve been hooked. I’ve returned to photograph here often during the intervening decade and a half, and my night photography expanded from that beginning to incorporate other subjects and places. (Recently I have focused on night street photography done with small handheld cameras.)

This photograph is an example of several things that intrigue me about photographing at night. Scenes that might seem mundane in daylight are transformed at night. Not only do many distractions simply disappear, but the light itself, especially in areas with varied artificial illumination, transforms these subjects. In many places LED lights have replaced the wild mix of tungsten, fluorescent, sodium vapor, and other sources today — an unfortunate development in the visual sense, as LED light is more or less like daylight. But in places like this one, the colors of the light become intense. Here the intense green of a large work light predominates. Another appeal of night photography is that it lets me make photographs of things that my eyes cannot see. In the ambient lighting I could only barely see the details of this scene. But with a long exposure there is enough light to reveal hidden features, a pure example of “seeing what the camera sees.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.