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Shadow and Line Study

Shadow and Line Study
Patterns of lines, curves, concrete and shadows

Shadow and Line Study. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Patterns of lines, curves, concrete and shadows

I have always been intrigued by and occasionally obsessed with patterns and juxtapositions and form. When I go back and look at my earliest photography from when I was in middle school or high school I can now see that even then I wasn’t just looking at things for what they “are,” but for the other things that they might also be — the aspects of them that are not immediately visible. This is simple (or so it seems) study of some lines and curves and perspective lines, made quickly while walking along the Embarcadero on San Francisco’s waterfront one morning.

Recently the discussion about realism and honesty and manipulation in photographs has crescendoed a bit, as it does from time to time. On one side are those who think that anything goes — not exactly my point of view, though I might be more “permissive” that you would expect. On the other side are members the “no manipulation” faction, who want to apply the supposed standards of photojournalism to all photographs — their job is to show truth and be completely objective and no “manipulation” is permitted. The problem with the extremes of the first position are obvious. The problems with the extremes of the second deserve a lot more thoughtful scrutiny then they have generally been receiving. All photographs lie, even those that tell truths. Some might imagine that a photograph like this one represents an objective truth, a straightforward (and straight photography) look at the true nature of a thing. But if you saw this subject, you would not likely see anything like this, and my choices (to make it black and white, to use a particular lens, to render the image in black and white, to look at this particular subset of the whole, and much more) are entirely subjective. In the end, this is still truth — but it is my very subjective truth about this subject and it most certainly is not an objective “record” of a thing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Meadow, Forest, Cloud-Shrouded Peak

Meadow, Forest, Cloud-Shrouded Peak
Cloud-shrouded Mount Conness towers above the domes and forest of Tuolumne Meadows

Meadow, Forest, Cloud-Shrouded Peak. Yosemite National Park, California. July 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Cloud-shrouded Mount Conness towers above the domes and forest of Tuolumne Meadows

I’ll take a break from the recent urban, night, and street photography and go back to the high country with a photograph from about this time a year ago. I spent a few days in the Tuolumne Meadows area, photography in the high elevation areas of the park. This was a particularly memorable evening that started without a specific plan, led to a surprise meeting with friends and photographs, including a hike down a river to a lovely area of granite slabs, and concluded with sunset back in the big meadow.

As we came back up the river we split up — some heading up onto a nearby high prominence and others (that would be me!) hanging out along the edge of the meadow, between the base of a granite dome and a large herd of grazing deer. As the final sun light touched the tops of the highest peaks, fog formed around the summit of Mt. Conness up along the Sierra crest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Alley, Approaching Car

Alley, Approaching Car
A police car approaches in a narrow San Francisco alley

Alley, Approaching Car. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A police car approaches in a narrow San Francisco alley

This photograph is pretty much what it appears to be — a narrow San Francisco downtown alley between two major streets, a police car entering the alley (soon to followed by others), a stop sign painted on the ground, and an unusual combination of artificial light coloration and reflections.

This is one of the many street photographs that simply happens, and happens quickly. I was crossing the outlet of this alley, when I looked into it and saw the interesting lighting effects. At that moment the car turned into the alley, providing a focus of brightness at its far end. I raised the camera and photographed, barely having time to carefully compose, and a moment later a couple of police cars approached my end of the alley and i had to get out of the way.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cafe de la Presse, Night

Cafe de la Presse, Night
Night at the Cafe de la Presse, San Francisco

Cafe de la Presse, Night. San Francisco, California. July 25, 2015© Copyright 2015 G Dan Mitchell – all rights reserved.

Night at the Cafe de la Presse, San Francisco

In San Francisco for an evening of night street photography, we first wound our way up into Chinatown from the northwest at twilight, then slowly worked our way along various streets, looking for interesting light, architecture, and people. Because the streets are so narrow, filled with people, and lit brightly, this is a very interesting place to photograph. We continued on, ending up in the busy and touristy areas just south of Chinatown, where we split up and went separate ways.

It was almost time for me to leave, so I headed back the way I cam, on streets that were now becoming a bit less busy and crowded. I passed this little restaurant, with its corner entrance, and paused long enough to make a handful of exposures, photographing the wood-paneled interior and exterior walls and columns and the people who seemed to be settled in for a slow and quiet evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.