Tag Archives: usa

Schnitzel Truck Line

Schnitzel Truck Line
Schnitzel Truck Line

Schnitzel Truck Line. New York City. August 7, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Workers line up at a Manhattan schnitzel truck

I had just stopped nearby to grab a quick coffee and some breakfast, but these downtown workers were apparently already lining up for schnitzel at this mid-morning hour. Food carts and food trucks are ubiquitous in this part of Manhattan, though most are the standard hot dog and pretzel (and more) places. This one offered something a bit different from the usual fare.

The truck itself caught my attention — it isn’t every day that you catch a schnitzel-selling food truck. But there were several other visual elements that seemed interesting to me as well. In a purely visual sense, the complex pattern of the tree shadow on the concrete was striking, almost as if the pattern was part of the sidewalk. (As I shot it I thought about how this “pizza light” might pose similar challenges when photographing in the forest.) The people, obviously, also were intriguing. Except for the second guy in line, who apparently doesn’t want to risk losing his place, each person keeps a rather large distance between himself and the others. The guys at the back of the line busy themselves with their smartphones, and all four of them are visually almost identical, except that one of them is not wearing a pink shirt.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Morning Musings: Secret Lives of Landscape Photographers (9/12/14)

Secret (Banjo) Lives of Landscape Photographers
“Secret (Banjo) Lives of Landscape Photographers” — A group on landscape photographers takes a musical break at the Sierra Nevada backcountry camp.

Landscape photographers relaxing with a little midday banjo music. (L-R: Scot Miller, Charles Cramer, Annette Bottaro-Walklet, Mike Osborne, Karl Kroeber, G Dan Mitchell)

I know the romantic notions about the daily lives of landscape photographers: days full of stunning golden hour light, incalculable beauties everywhere at every moment, the sublime life, rainbows, unicorns, etc. But the truth is more complex. Up before dawn and out into the cold without breakfast, shooting for hours until the light turns “blah,” then a long, boring midday period before the beautiful light returns hours later, then photographing into the frigid darkness.

It is often a struggle to find something useful to do in the backcountry during those midday hours. There are meals to eat, tents to tidy, and naps to take, but the hours are still long. We think we’ve found a solution. There’s nothing like a few hours of backcountry banjo ensemble music to make the time pass more quickly. Here the group nears the conclusion of the Adagietto movement of Mahler’s Symphony #5.

So, the next time you are in the Sierra Nevada backcountry and you pass a group of heavily laden photographers with tripods, folding chairs, and banjo cases on their backs, stop and say “hi.” ;-)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Urban Life, Manhattan

Urban Life, Manhattan
Urban Life, Manhattan

Urban Life, Manhattan. New York City. August 7, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A woman sits in the sun on a stone bench against the wall of an urban building and beneath the shadows of lights and a security camera

I often wonder at the urban environment and how some places seem completely disconnected from the natural world that is how home. (No, I’m not an anti-urban or anti-city person, and I really love visiting New York. But still…) The almost entirely constructed environment is, in many ways, a marvel. The noise, the people, the constant motion can all be energizing. But eventually, at least for me, I reach my limit and I need a quiet time out to recover. And from time to time I need to completely escape from places like this.

I was just below Central Park one morning, where I had gone with a plan in mind of walking the perimeter of the park and photographing. (I almost completed this goal before the day ended, but ran out of time just a bit short of where I had started, when I realized that I was to meet up with some other people.) Before starting up the east side of the park I first went south a bit looking for breakfast and coffee, and I found this small courtyard near when I ate. I saw several things here that drew me to make a photograph — the solitary figure on the bench looking out of the frame, how small the position of her body and her position within the frame makes here appear, the cold and lifeless nature of the space in which she sits, the slightly ominous lights and their shadows above, and the even more ominous small security camera at upper right, probably watching and recording everything… including me as I made my photograph.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Manhattan Bridge

Manhattan Bridge
Manhattan Bridge

Manhattan Bridge. Brooklyn, New York. August 8, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

The Brooklyn end of the Manhattan Bridge above the East River and the old Domino Sugar plant

I photographed this from the water taxi — not always an easy trick, and often resulting in a lot of skewed horizons! For those who wonder, it is possible to make sharp, handheld photographs from the deck of a bouncing water taxi… if your are careful, do lots of safety shots, have good light, and keep the ISO up. The real tricks are to put yourself in the right places on the boat, where you’ll have a good view of your subject and won’t be blocked by others, and then to be able to very quickly spot and respond to momentary juxtapositions of elements.

I knew I wanted to photograph the Manhattan Bridge as we went underneath it, so I had already found myself a place from which to get a good line of sight. The initial idea was to show the mass of this bridge as it stretches out over the water, but I quickly saw that the iconic (and abandoned) Domino Sugar plant was making an appearance beyond the bridge, so I watched for this conjunction of the two features.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.