Tag Archives: valley

Sub-Alpine Ponds in Afternoon Light, Artist Point

Sub-Alpine Ponds in Afternoon Light, Artist Point
Sub-Alpine Ponds in Afternoon Light, Artist Point

Sub-Alpine Ponds in Afternoon Light, Artist Point. Mt. Baker-Snoqualmie National Forest, Washington. August 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

A trail weaves through meadow and among sub-alpine ponds at Artist Point with the ridge of Mt. Shuksan beyond – Mt. Baker-Snoqualmie National Forest, Washington.

This is another photograph from my late-August afternoon exploration of the stunning ridgeline of Artist Point in the Mt. Baker-Snoqualmie National Forest near the Mt. Baker ski area. This ridge runs through an intimate landscape comprised of small rock fields, meadows with running streams, groves and isolated high elevation trees, and small ponds – and provides a truly stunning panorama that takes in Mount Baker on one side and Mount Shuksan on the other, with distant peaks all around. We could hardly have asked for better conditions for late-afternoon photography. Dramatic clouds ringed the peaks, sometimes obscuring them and sometimes clearing for a moment, and bright sun alternated with softer and diffused light as cloud shadows moved across the ridge.

A bit further along the ridge there is a series of small snow-melt lakes – what I usually refer to as “tarns” in the Sierra. Here a trail winds in front of a couple of them that sit in rocky hollows in front a few ridgeline trees, with the cloud-shrouded shoulder of glacier-covered Mount Shuksan beyond.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Artist Point Meadow, Mount Shuksan

Artist Point and Mt. Shuksan
“Artist Point Meadow, Mount Shuksan” — The view of cloud-shrouded Mount Shuksan from a heather-filled sub-alpine meadow at Artist Point, Mt. Baker-Snoqualmie National Forest, Washington.

As my brother and I came around the corner of this trail along the side of the Artist Point ridge, it took our breath away. I arrived a moment after he did, and found him already down among the heather flowers near the small run-off creek setting up his tilt-shift lens to make a close-up photograph of the flowers with the mountains in the distance. Once he finished, I went to work on this wider view of the scene, including the nearby foreground meadow and flowers, the trees along the edge of the drop-off, the pool of light in the valley beyond, and the shoulder of cloud-rimmed Mt. Shuksan with a dramatic sky beyond.

On a technical note, this was a very difficult exposure. When I looked down at the flowers and plants I saw what you see here, and when I looked up I saw the cloud-filled sky roughly as it appears in this photograph – but the dynamic range was so wide (ranging from parts of the foreground trees in deep shadow to distant snow fields in direct sun) that one exposure could not capture all of the scene data… so I used three which were then combined in post using masked layers and blended manually.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Half Dome and El Capitan, Morning

Half Dome and El Capitan, Morning
Half Dome and El Capitan, Morning

Half Dome and El Capitan, Morning. Yosemite National Park, California. June 5, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of backlit Half Dome framed by steep Yosemite Valley canyon walls including the face of El Capitan.

Allow me one more photograph in the recent sequence of black and white photographs of “Yosemite icons.” On most drives into and out of the Valley I stop and look at this scene and frequently try to photograph it if the conditions are special. In the morning there is often haze here, and this creates an effect of atmospheric recession from the half dozen or so layers in the scene. It is a tricky thing – a bit too much haze and the details of forest and rock can become almost invisible; too little haze and the contrast between brightly lit highlights (like the patch of snow on Half Dome) and the deep shadows can become quite stark. The image I have in mind includes the effect of atmosphere-highlighted distance, the effect of back-lighting on the trees (most obvious here perhaps at the lower left), and the abstract nature of the different intersecting slopes and faces.

A technical note: I used the Canon 5D2 with the EF 100-400mm zoom at 365mm to make this photograph. Some doubt that a zoom like this can produce enough resolution, but at full size I can just barely make out a couple people on the snow bank atop Half Dome. Sharp enough for me!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 365mm
ISO 200, f/11, 1/400 second

keywords: yosemite, national, park, sierra, nevada, mountain, spring, nature, valley, half, dome, el capitan, forest, ridge, mountain, cliff, face, back, light, trees, atmosphere, recession, distance, sky, snow, patch, field, summit, canyon, bright, landscape, scenic, travel, california, usa, north america, mariposa, county, haze, stock, black and white, monochrome, morning, highway, 120, icon

Bridalveil Fall and Merced River Canyon, Morning

Bridalveil Fall and Merced River Canyon, Morning
Bridalveil Fall and Merced River Canyon, Morning

Bridalveil Fall and Merced River Canyon, Morning. Yosemite National Park, California. June 5, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of Bridalveil Fall and the Merced River canyon in morning backlight – Yosemite Valley, California.

This is the classic view of Bridalveil Fall looking up the canyon of the Merced River as seen from highway 120 just below the longest tunnel on the road descending into the Valley. I can’t tell you how many times I’ve driven down this road into The Valley, but I seem unable to resist pulling over and at least having a look.

On this early June morning all of the waterfalls were in full flow and the Merced was only 24 hours away from cresting with spring melt-water. The Merced was full from bank to bank, and the sound of falling water was everywhere in the Valley. (Though I only stayed there a few hours before the crowds drove me to visit Tioga Pass instead.) I wasn’t certain quite how to photograph this as the backlit morning haze created a very low contrast effect in the atmosphere even though the areas where the sun hit the water (on the river and at the top of the fall) were very bright. I had a hunch that it might work best in black and white, and after working on it a bit in post that hunch seemed to be correct.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 360mm
ISO 200, f/4.9, 1/320 second

keywords: yosemite, national, park, sierra, nevada, mountain, spring, nature, bridalveil, fall, waterfall, merced, river, canyon, cliff, valley, black and white, monochrone, forest, morning, light, back, havze, atmosphere, recession, mist, slope, ridge, shadow, landscape, nature, travel, scenic, california, usa, north america, road, highway, 120, stock