Black and white photograph of a man in a suit walking past the entrance of the Portside building along the Embarcadero, San Francisco.
I think that the Portside building is one of the more intriguing structures along San Francisco’s The Embarcadero, which travels along the waterfront of the San Francisco Bay. The building almost looks, to me at least, as if it might be more at home in Miami. The front is filled with layers of windows and balconies and curves, and it often picks up light from the Bay as the fog clears in the morning.
A woman walks past red shop awnings and downtown building wall along a San Francisco Street.
This shot was made on a very shaded side street not too far from Union Square in San Francisco. The blurred figure is intentional – part of a series I’m working on – since this handheld shot was made at a slow shutter speed of 1/20 second using a 50mm lens on a full frame body. Part of the idea was to place the walker (or allow her to place herself!) in an interesting location relative to all of the other objects spread horizontally across the wide frame: the display windows with the red overhands, the green trash can, the tall black lamppost, and the two manhole covers in the street. The games for me on this type of image include finding the basic composition and then finding and timing the shot of the right passer-by.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A man with a cell phone walks along a San Francisco sidewalk past maroon wall.
For the first time, I went out and did street photography with my two sons in San Francisco during the first weekend in March. It was fun, though I’m not used to shooting street (or much else) with other people, and I think my work habits may have a tendency to drive others slightly crazy. (Sons, thanks for putting up with me! :-) When I shoot street and urban subjects I tend to wander about rather slowly, looking at everything, getting distracted while I stop to shoot something, and then heading off in an unpredictable direction when something else catches my attention!
We took BART to the downtown area of the City and wandered up toward Union Square along with the rest of the horde, finally heading out into some less traveled streets where there weren’t quite so many people. We photographed various back streets and then descended through the fringes of the Tenderloin to end up at the Civic Center.
One irony is that while I am fully digital these days – though I did go with the traditional approach and shoot with only a 50mm prime – both of my sons prefer to shoot film now! There is no explaining some things! :-)
When I shoot street I tend to approach it somewhat as a landscape photographer, first looking for interesting light, patterns, colors, and so forth. At that point I often square up a composition and then look for the right person or people to walk through the scene, and I try to time the exposure to put the figure in an interesting place in the composition. In this case I think it got quite lucky with the colors of the fellow’s clothing against the maroon wall!
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photograph of street scene in the Mission with man walking on sidewalk, Belmar Meat Market sign, and other urban elements – San Francisco, California.
Another Mission District street scene – a matter of spotting an interested set of urban storefronts, composing the shot, and then watching for the right person or persons to walk through the frame. I’m fascinated by the complexity of these urban scenes and by the individuality of the storefronts in this type of place – each one seems to reflect something about the surrounding community and the people who live there. In this one certain compositional elements and color relationships also caught my attention.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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