Tag Archives: walls

Photographs: France, Photographs: Travel, Photographs: Urban/Street

A Paris Corner

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A Paris Corner
A scene in a corner where two buildings meet along a Paris sidewalk

A Paris Corner. © Copyright 2019 G Dan Mitchell – all rights reserved.

A scene in a corner where two buildings meet along a Paris sidewalk.

No big Europe trip for us this summer — we’re staying much closer to home this time around. But last summer we spent close to seven weeks traveling, almost all of it in the UK and Europe. We spent the largest portion of the time in France, between a return to Paris, a week with family at a more rural location, and a final extremely brief pass through Paris on our way to flying back home.

During our Paris visit we stayed right on the edge of Le Marais this time. The hotel wasn’t anything special — a tiny place crammed between other buildings — but the location was excellent for us. As some of you may guess, we were within easy walking distance of pre-fire Notre Dame, the Left Bank, the Siene (obviously), museums, lots of places to eat (but of course, it is Paris!) and Le Marais itself. The latter is a wonderful area that was not rebuilt as part of the Parisian efforts to modernize the city, so there are many very narrow streets and lots of old buildings, especially once you get away from the most popular areas. There are little gems to be found almost everywhere, including the fun street art that is found all over the place.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Hikers, Desert Canyon

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Hikers, Desert Canyon
Two hikers entering the narrows of Titus Canyon

Hikers, Desert Canyon. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two hikers entering the narrows of Titus Canyon.

The stream beds of desert washes often seem to me to be the “freeways” of the desert. They can (but not always!) provide relatively easy walking through rougher terrain. The periodic flow of water, along with the mud and rocks caught in its flow, both clears the washes of vegetation and leaves a relatively flat surface of small stones and dried sediment. Over millennia the water flowing through the washes does the hard word of trail building, wearing down obstructions and leveling out the rough places. (OK, there are exceptions — those chock stones that fall into canyons and block them, along with the periodic “dry falls” that may be unsurmountable.)

This canyon is often used by motor vehicle traffic, but following heavy rains that made the route impassable to vehicles it turned into a much more pleasant place to hike, and a group of us walked up through the spectacular narrows in its lower reaches. Lower in the canyon it is sometimes quite narrow, though in this location it begins to broaden a bit. To understand the scale of the terrain look closely and you’ll be able to spot a couple of hikers.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

Marina Auto Body

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Marina Auto Body
Two women stand in in front to the painted walls of Marina Auto Body, San Francisco

Marina Auto Body. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two women stand in in front to the painted walls of Marina Auto Body, San Francisco

Marina Auto Body is not a place I had previously noticed on my San Francisco street photography walks. I’m a bit surprised, as it it is just a short distance down a side street that I almost always cross when walking from the train station toward the central downtown, and I have photographed other subjects near this intersection. Perhaps this time I missed the walk signal, looked around for a moment, and happened to see it.

I think that I perhaps first noticed the two figures standing in front of the show and set off against the mostly-blue paint of the building. I walked up the street so that I could be directly across the street to photograph — I might have wished to be a bit closer, but I had little choice given the wide and very busy street. I waited, and finally was able to photograph during a break in the traffic. The little building is visually remarkable, with vividly painted scenes on each of the large doors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Toward the Valley

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Toward the Valley
Reflected light in a twisting desert canyon as it approaches Death Valley

Toward the Valley. © Copyright 2018 G Dan Mitchell – all rights reserved.

Reflected light in a twisting desert canyon as it approaches Death Valley

To walk into a canyon like this one from a huge valley such as Death Valley is to walk from an overwhelming, immense space into a smaller, more intimate place. In the canyons distances are often measured in feet rather than miles, and long distance views are most often cut off entirely. This is especially true when entering such canyons where the route often begins in a wide wash above the Valley, then constrict through the mouth of the canyon, and soon begins to wind back and forth in a serpentine manner between hills or cliffs.

The trip back out often seems to have a different feeling. It usually takes less time, partly due to the downhill slope and even more because one is now retracing familiar terrain rather than discovering it for the first time. In many cases, the closer one gets to the outlet of the canyon the more that signs of the valley below appear. The canyon walls become shorter, and views over the nearer walls being to reveal blue sky and distant mountains instead of more canyon walls. Before long the light changes and the route leaves the canyon confines and is again back in the huge, open space.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.