“Marsh and Fog, Sunrise” — Fog envelopes a wetlands marsh at sunrise.
This was a morning of utmost stillness and quiet. We worked our way around the perimeter of a wetlands landscape filled with ponds. Geese and sandhill cranes were beginning to stir in the first light. There was thick tule fog before dawn, and it started to thin as the sky began to lighten as the sun rose.
These wetlands marshes can be a welcome antidote to the stresses of our current world. (No, I don’t believe in ignoring the causes of that stress, just in trying to find balance.) Here things move so slowly that sometimes they barely appear to change at all. In this scene a few ducks paddled by slowly, and tiny ripples appeared in the water, while fog moved almost imperceptibly.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
“Wetlands Birds, Dawn Fog” — Black-necked stilts and other wetland birds in a quiet pond as dawn fog begins to thin.
Believe it or not, I still have more photographs from our three days of photography around New Year’s Day. To recap, a group of friends and fellow photographers assembled before dawn to greet the first sunrise of the new year. We spent the rest of the day sharing food and good times and photographing this landscape and its wildlife.
The photograph was made quite early, well before the fog began to clear. This is shallow tule fog, which can be dense enough to hamper driving, but shallow enough that you can look up and see the sky directly overhead. The fog glowed with the colors of the overhead sunrise sky as a few black-necked stilts went about their morning business in the pond.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A goose swims past a solitary tree in a Central Park lake on a rainy day in Manhattan.
What you cannot “see” in this photograph is the sound of 58th Street traffic, along with all of the other nearby big city stimuli of Manhattan. This is a “landscape” photograph, of course, but the landscape is different than those I typically photograph in the American West. But on this rainy morning, when I escaped my hotel to walk and photograph for an hour or two, it presented a welcome slice of the natural world.
Those who know this park may wonder how I photographed it without any people, and even why I photographed it that way. As I walked along the near edge of this path, my view of this lake was unobstructed by anyone or anything besides a few branches. In a way, these little moments of silence and what passes here for solitude seem more precious given where they are found.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Migratory birds flly though the twillight winter sky above California’s Central Valley and the Coast Range.
I made this photograph when it was almost too dark to see clearly. In fact, when I packed up and drove away a few minutes later, it was so dark that I momentarily got mildly lost on my way out of the refuge! Long after the sun had set, and at the time when perhaps the most intense sky colors appear, the migratory birds were still in flight above the Central Valley, often silhouetted against the colorful dusk sky just above the horizon.
This photograph is going to get a bit more technical explanation than usual. I had a 100-400mm telephoto on the camera at this point since I had been photographing the birds in a variety of ways, including trying to fill the frame with one or a few birds. While some might say that shooting a prime lens of this length could have some image quality advantages, this photograph wouldn’t have happened if I had been shooting, say, a 400mm prime. Since I wanted to move quickly from targeting small sections of the surroundings or even individual birds to making photographs that attempt to portray the larger landscape within which the birds are found, I frequently found myself moving quickly to much shorter focal lengths. Here, I realized that I might be able to “zoom out” and include some of the birds in flight high above the valley and the distant mountains in the context of their surroundings. So I shot this at something like 130mm. In addition, because the scene includes subjects that are not that far away (like the trees) and those at much greater distances (like the hills), depth of field was an issue with the longer focal lengths. I couldn’t shoot wide open without some excessive focus issues, so I stopped down to f/11. Think about that for a moment: shooting in extremely low light, stopped down to try to maintain some depth of field… and needing use a shutter speed allowing me to get some definition out of birds flying through the scene. This is essentially being caught between a rock and a hard place… and another rock. With the camera on the tripod, but still aimed manually, I used a shutter speed of 1/13 second and turned image-stabilization on. With all of this stuff pushing boundaries of shutter speed and aperture… my only option was to increase the ISO to 1600. For landscape work. Here’s the thing… in the end, while there was more noise in this photograph than if ISO 100 were possible, it isn’t that bad and probably wouldn’t even be visible to viewers of a print. While I’m usually persistent in my view that little technical differences among cameras don’t amount to much, in this case it was because current cameras make it possible to shoot in ways that were essentially impossible a decade ago that I could get this photograph at all.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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