Tag Archives: wet

Rainy Evening, Amsterdam

Rainy Evening, Amsterdam
Pedestrians walk along a narrow Amsterdam brick street on a rainy evening

Rainy Evening, Amsterdam. © Copyright 2018 G Dan Mitchell – all rights reserved.

Pedestrians walk along a narrow Amsterdam brick street on a rainy evening

This was our first day in Amsterdam, on our first visit to this city. We arrived by train from London, got there in the afternoon, went to our hotel to get settled in, and then it was time to begin our explorations and to get something to eat. Our hotel was just outside of the very busy central area of Amsterdam, so we had to walk a few blocks first before we entered the familiar narrow and curving streets… and for the first time saw the busy crowds, scores of bicycles, and more.

It was a slightly wet evening — no hard rain, but enough to dampen the pavement and create reflections. The darkened, cloudy skies and the late hour limited the light, which always has the nice effect of making illuminated signs a bit more visible, but without blowing them out as can happen at night. Our first impression on entering this area was that we could just walk up the center of the street. That turned out to be sort of true, but there’s more to it than that in Amsterdam. Lots of different types of traffic share these streets — the ubiquitous bicycles, pedestrians, occasional scooters and cars — and it turns out that there are some rules and expectations about who goes where. If you haven’t been there before, I’ll just say, “Watch out for bicycles!”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Rain, Fallen Leaves, Reflections

Rain, Fallen Leaves, Reflections
A pedestrian walks post a small garden in the rain near the Tate Modern, London

Rain, Fallen Leaves, Reflections. London, England. August 2, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A pedestrian walks post a small garden in the rain near the Tate Modern, London

It may be a bit hard to see in this small version of the photograph, but the walkway, made dark and reflective by light rain, is covered by a universe of small leaves that have fallen from the row of trees that stretches to the right and out of the frame. I was also attracted by the complementary red and green colors of reflections and leaves.

The location is not far from the end of London’s Millennium Bridge and at the entrance to the Tate Modern, where we went to see a wonderful exhibit of Georgia O’Keeffe paintings. (And, yes, it did seem slightly strange to be visiting the exhibit of this American painter in a British museum.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Art, Photography, and “Manipulation”

Creosote Bush, Dunes, Morning
A creosote bush among sand dunes, morning

Imagining that a photograph that is “straight out of camera” is better than one that has been “manipulated” in post is equivalent to imagining that the words coming straight out of one’s mouth are better than those resulting from careful and thoughtful editing.

While there is an art to extemporaneous expression, there is at least as much art in carefully crafted work. Continuing to refine and perfect the content and its expression is not remotely unethical. The objective is to produce a pure, clear, concise, more powerful and direct expression of the artist’s truth.

This is true of essentially every mode of human expression: painting, sculpture, movie-making, writing, music, and on and on. Even the seemingly extemporaneous expressions (jazz, etc) are the result of long preparation and practice and planning and are ultimately not simply things that happen in the moment.

It is nonsensical to imagine that photography should be the one art that eschews careful refinement and thought and the distillation and perfection of expression that can make it truer and more powerful.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Silver Sandals

Silver Sandals
A person wearing silver sandals walks across wet concrete and stone, Trafalgar Square, London

Silver Sandals. London, England. July 8, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A person wearing silver sandals walks across wet concrete and stone, Trafalgar Square, London

We ended up in Trafalgar Square in the late afternoon. If I recall correctly, we were sort of between planned activities, so we just wandered around here a bit without any particular goal in mind —I think the plan was to meet up with others a bit later and head of to do something. Trafalgar is a busy place, surrounded by traffic and filled with tourists and others. This can make provide quite an opportunity for street photography, with the potential for just about anything to happen and for any sort of person to walk by.

Before long a cleaning crew showed up and went to work on a section of the square when lots of people had been congregating, using high pressure water to clean off the accumulated grime. Their method of clearing the area was fascinating. They blocked off a small section and then began spraying, gradually pushing out the boundaries, and spraying enough water to persuade those close by to move away. In the aftermath of some of this spraying, a person wearing silver sandals walked along this linear section of the square, with alternating stone, reflections, and shadows beyond.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.