Tag Archives: white

Photographs: Nature, Photographs: Pacific Northwest, Photographs: Wildlife

Snow Geese and Farm Buildings

March 19, 2012 G Dan Mitchell Leave a comment

Snow geese fly low past a Skagit Valley farm, Washington.

Back in February I was fortunate to be able to spend a day photographing migratory (and other) birds in the lower Skagit Valley area in the state of Washington. For me the primary draw was the snow geese, since I had just spent several days photographing Ross’s geese in California’s Central Valley, along with the beautiful trumpeter swans that hang out in the fields in this part of Washington. I had also been alerted to the presence of bald eagles in the area.

I drove up very early in the day from the Seattle area, arriving at just about the time that would have been sunrise… if it had not been a typical gray Washington day. I passed through a small town by the highway and then headed out into this farm country, immediately spotting scattered groups of trumpeter swans, whose large white bodies stand out clearly against the intense green of the new growth in the fields. However, all of these birds were too far from the roads, so I moved on, soon passing what looked like a country produce stand in front of a fallow field that where there were some geese. I stopped – and immediately heard that striking sound of the huge flocks of geese – and got out my camera gear to see what I could do. At this point I looked around a bit more and saw flock after flock of birds high in the sky to the west and heading this direction. Very soon all of these flocks began land on this very field where I had fortuitously stopped and in minutes there were tens of thousands of geese on the ground and many more flying routes above and around the field.

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Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Abandoned Turnstiles

March 17, 2012 G Dan Mitchell Leave a comment

Night photograph of abandoned turnstiles in the industrial area of the historic Mare Island Naval Ship Yard, Vallejo, California.

Early this month I had the opportunity to join my friends from The Nocturnes, the San Francisco Bay Area night photography group, for (yet another) return visit to the historic Mare Island Naval Ship Yard for an evening of nocturnal photography, along with a chance to share work and pizza! I have been photographing Mare Island at night for something like a half dozen years now, yet I still find new and interesting subjects every time I go there.

These turnstile structures are found throughout the facility, and they are a frequent topic of conversation and subject of photography among the night photographers I know. They are intriguing features and there is something compelling about them as potential subjects. Standing along at night they seem forlorn, perhaps in contrast to the knowledge that thousands of ship yard employees must have passed through them at one point. They also seem almost disconnected from the rest of the industrial landscape here. While it is obvious that they must have once been the only entry way to certain areas of the facility, not it is quite possible to simply walk around them. In addition, some mysterious electrical “stuff” has clearly been removed – time card readers? Something else?

It also turns out that they are a surprisingly difficult photographic subject, and I have had many discussions with other night photographers about this. Up close they present an amazing density of interlocking metal features… that are very difficult to assemble into a good composition. I’ve managed once or twice. Oddly, one of my favorite photographs of the turnstiles is almost the very first photograph I made at Mare Island, a black and white close-up photograph of a gate by the island’s museum. For this shot I decided to work from a bit of elevation, setting up on a raised landing in front of a nearby building so that I could look down on the structure and create a sort of surround out of the background area and further buildings.

Photographs: Abstract

Bouquet #1

March 16, 2012 G Dan Mitchell 2 Comments

Abstract photograph.

I think I generally prefer to not offer too much explanation about images like this one, and to let you take it for whatever it is.

Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California

Two Trillium Blossoms

March 15, 2012 G Dan Mitchell 2 Comments

Two trillium blossoms in the redwood forests of the Golden Gate National Recreation Area, California.

It is probably obvious by now that I’m a trillium fanatic. Early March is “trillium season” in the redwood forests around the San Francisco Bay Area, so I have been out photographing these flowers during the past couple of weeks. I was originally concerned that this might be a very poor year for them since we are in the midst of a serious drought in California, but some early March rain seems to have provided enough water to get them to sprout. In fact, this past weekend I saw lots of new plants just starting to emerge, so it seems to me that there may be some life left in the this year’s bloom. (And now we are looking hopefully at an upcoming week of much-needed rain.)

I photographed this pair along a trail that traverses a hillside above a valley filled with coast redwoods. I arrived in this spot just as morning light was beginning to filter down through the tall canopy of this forest and, in spots, hit the ground and the new plants. The trick is is to get some of the brighter color of this sunlight but to avoid the direct sun – the latter is far too harsh for photographing these flowers. So I worked in the shaded areas or, at times, in those spots that were right on the sun/shade boundary. I probably most often photograph single flowers, but when I can find a group I like to see how I can make a composition out of them. It is a bit trickier than it might seem, as there are a bunch of elements that must work together. First, the two flowers need to be fairly close together, and they both need to be at roughly the same point in their development – it isn’t so wonderful to get one beautiful flower and one half-dead, dried hulk. Then they must both be illuminated in roughly the same way – it won’t work so well if one is in brighter light than the other. The background is a tricky thing, too. If it is too bright or too busy (or too well focused) it can easily distract from the flowers themselves, so I usually look for something in shadow and without any very bright objects. While I may be able to find a camera position that accomplishes this, sometimes I need to move a small, bright leaf or twig. And once all of this is worked out, the flowers must be roughly in a plane parallel to the camera’s sensor so that both will be in focus – and this must happen while shooting at the large apertures necessary to throw the background out of focus. And last, but not least, exposure can be slightly tricky – it is very easy to over-expose the bright but delicate form of the flower’s petals, and end up losing detail.

G Dan Mitchell Photography

Tag Archives: white

Snow Geese and Farm Buildings

Abandoned Turnstiles

Bouquet #1

Two Trillium Blossoms

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.