Tag Archives: white

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Abandoned Turnstiles

March 17, 2012 G Dan Mitchell Leave a comment

Night photograph of abandoned turnstiles in the industrial area of the historic Mare Island Naval Ship Yard, Vallejo, California.

Early this month I had the opportunity to join my friends from The Nocturnes, the San Francisco Bay Area night photography group, for (yet another) return visit to the historic Mare Island Naval Ship Yard for an evening of nocturnal photography, along with a chance to share work and pizza! I have been photographing Mare Island at night for something like a half dozen years now, yet I still find new and interesting subjects every time I go there.

These turnstile structures are found throughout the facility, and they are a frequent topic of conversation and subject of photography among the night photographers I know. They are intriguing features and there is something compelling about them as potential subjects. Standing along at night they seem forlorn, perhaps in contrast to the knowledge that thousands of ship yard employees must have passed through them at one point. They also seem almost disconnected from the rest of the industrial landscape here. While it is obvious that they must have once been the only entry way to certain areas of the facility, not it is quite possible to simply walk around them. In addition, some mysterious electrical “stuff” has clearly been removed – time card readers? Something else?

It also turns out that they are a surprisingly difficult photographic subject, and I have had many discussions with other night photographers about this. Up close they present an amazing density of interlocking metal features… that are very difficult to assemble into a good composition. I’ve managed once or twice. Oddly, one of my favorite photographs of the turnstiles is almost the very first photograph I made at Mare Island, a black and white close-up photograph of a gate by the island’s museum. For this shot I decided to work from a bit of elevation, setting up on a raised landing in front of a nearby building so that I could look down on the structure and create a sort of surround out of the background area and further buildings.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Abstract

Bouquet #1

March 16, 2012 G Dan Mitchell 2 Comments

Abstract photograph.

I think I generally prefer to not offer too much explanation about images like this one, and to let you take it for whatever it is.

Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California

Two Trillium Blossoms

March 15, 2012 G Dan Mitchell 2 Comments

Two trillium blossoms in the redwood forests of the Golden Gate National Recreation Area, California.

It is probably obvious by now that I’m a trillium fanatic. Early March is “trillium season” in the redwood forests around the San Francisco Bay Area, so I have been out photographing these flowers during the past couple of weeks. I was originally concerned that this might be a very poor year for them since we are in the midst of a serious drought in California, but some early March rain seems to have provided enough water to get them to sprout. In fact, this past weekend I saw lots of new plants just starting to emerge, so it seems to me that there may be some life left in the this year’s bloom. (And now we are looking hopefully at an upcoming week of much-needed rain.)

I photographed this pair along a trail that traverses a hillside above a valley filled with coast redwoods. I arrived in this spot just as morning light was beginning to filter down through the tall canopy of this forest and, in spots, hit the ground and the new plants. The trick is is to get some of the brighter color of this sunlight but to avoid the direct sun – the latter is far too harsh for photographing these flowers. So I worked in the shaded areas or, at times, in those spots that were right on the sun/shade boundary. I probably most often photograph single flowers, but when I can find a group I like to see how I can make a composition out of them. It is a bit trickier than it might seem, as there are a bunch of elements that must work together. First, the two flowers need to be fairly close together, and they both need to be at roughly the same point in their development – it isn’t so wonderful to get one beautiful flower and one half-dead, dried hulk. Then they must both be illuminated in roughly the same way – it won’t work so well if one is in brighter light than the other. The background is a tricky thing, too. If it is too bright or too busy (or too well focused) it can easily distract from the flowers themselves, so I usually look for something in shadow and without any very bright objects. While I may be able to find a camera position that accomplishes this, sometimes I need to move a small, bright leaf or twig. And once all of this is worked out, the flowers must be roughly in a plane parallel to the camera’s sensor so that both will be in focus – and this must happen while shooting at the large apertures necessary to throw the background out of focus. And last, but not least, exposure can be slightly tricky – it is very easy to over-expose the bright but delicate form of the flower’s petals, and end up losing detail.

Events, Photographers, Photographs: People, Photographs: Photographers, Photographs: San Francisco

Arthur Tress, De Young Museum

March 11, 2012 G Dan Mitchell Leave a comment

: Photographer Arthur Tress speaks about his photography on March 9, 2012 at his exhibit at the De Young Museum, San Francisco.

Photographer Arthur Tress speaks about his photography on March 9, 2012 at his exhibit at the De Young Museum, San Francisco.

Last week I was fortunate to be among a small group of San Francisco Bay Area photographers invited by Adobe to attend an event at San Francisco’s De Young Museum in connection with the opening of “San Francisco 1964,” an exhibit of the photography of Arthur Tress. The exhibit includes a large selection of work which, as I understand it, Tress shot as a young man upon his arrival in San Francisco in 1964, the year when both the Republican Convention and the Beatles arrived in The City.

While Tress’s photographs are certainly interesting historically in that they capture many elements, both small and large, that characterize the visual nature of that time, they are also just plain wonderful photographs. Many capture odd and ironic juxtapositions of elements, others focus on the people watching the main events (civil rights demonstrations, etc) taking place in front of them – and some are simply touching recordings of individual people. (One of my favorites, among many, is a haunting but seemingly simple photograph of a young woman sitting at a table.)

If you are a Bay Area photographer or photography aficionado – or even a fan of the history of the Bay Area – I encourage you to visit the De Young to see this show. And, again, thanks to Adobe for giving me the opportunity to see the photographs and, even more, to hear Tress speak about his work. (This photograph of Tress is presented in black and white and in a square format – once you see his show you will understand why… ;-)

G Dan Mitchell Photography

Tag Archives: white

Abandoned Turnstiles

Bouquet #1

Two Trillium Blossoms

Arthur Tress, De Young Museum

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.