Tag Archives: wildflowers

Wildflowers, Rocks, and Grass

Wildflowers, Rocks, and Grass
Flowers and new grass at the beginning of the “green season” in the Sierra Nevada foothills

Wildflowers, Rocks, and Grass. Sierra Nevada Foothills, California. February 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Flowers and new grass at the beginning of the “green season” in the Sierra Nevada foothills

Today I went for a hike — not in the Sierra Nevada foothills but in a place where some of the same seasonal cycles are found. The hike took me up to a ridge, where I followed a trail along its crest. It was hot and dry, and the hills were covered by brittle, brown grasses. That’s how summer works in much of California. People who come here from the east or the north are often taken aback by what looks like a dead and dry landscape, and they may not be able to see the beauty in it.

But it isn’t that way all year. In fact, during winter, when many of those green-in-summer places are freezing or buried under snow, much of California erupts into what I call the “impossibly green season.” Believe it or not, this photograph was made in February in the Sierra Nevada foothills. Snow was still falling in the higher mountains, and it would continue to do so for several more months. But here in the low hills along the western edge of the range, winter rains had resurrected the grasslands and caused the wildflowers to bloom


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

An Informal (and Surprising!) Death Valley Wildflower Report

Gilia Buds
Gilia Buds

Gilia Buds. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Gilia buds opening on a rainy day, Death Valley National Park

This is going to be a sort of hybrid post, covering two subjects and out of phase with my normal daily photograph posts. Think of it as a bonus post—a photograph and an informal report on Death Valley National Park wildflowers. The description of this photograph follows the report on Death Valley wildflower conditions.

Wildflower Conditions

By now it is no longer news that California and other parts of the west are in the throes of a very serious drought. The situation is especially serious in California, which is now experiencing the worst in a series of three below-normal precipitation years. Many parts of the state are experiencing what have been described as historic drought conditions. The situation remains critical—and many of us are worried about the upcoming wildfire season—though recent March and early April rains brought a bit of relief.

All spring I have been hearing that the drought would make this a poor year for desert wildflowers in Death Valley. However, I knew that Death Valley had experienced some rain events in the past few months and that desert plants are quite opportunistic, often quickly blooming in response to moisture. I know Death Valley fairly well, though I’m no expert on wildflowers. However, I had a hunch that we might be surprised by how the wildflower season would play out.

We visited the park for several days right around the beginning of April. Even before we arrived, we saw a decent number of wildflowers as we drove across other desert areas on the way to the park. It seemed like plants were acting in the opportunistic manner I describe above and quickly sprouting up and blooming in response to recent rains. As we entered the park and crossed Towne Pass we (especially my wife, who is passionate about photographing the “small things”) began to notice a lot of wildflowers in many places, including whole beds of colorful flowers in many places along this drive. While we did not see the tremendous blooms on the Valley floor that can occasionally occur, once we got up into higher country we saw flowers everywhere, at least when we slowed down and looked. There was more rain and snow during our visit, and the additional moisture is bound to encourage other plants and flowers to grow.

I just saw a report at the Desert USA website (which names the flowers in ways that I cannot hope to do) confirming what we saw—that there is actually a substantial bloom of desert wildflowers in many places. If you have the opportunity to head out that way soon, do so!

About the Photograph

Believe it or not, it was snowing lightly when I made this photograph! We began our day by driving on gravel roads before sunrise to reach a high location in the Panamint Range from which we planned to photograph at sunrise. The sunrise photography turned out to be a challenge, as it was cloudy at first light and the clouds only increased as the sunrise progressed. Soon we began to notice snow falling on nearby peaks, though it did not fall where we were until after we moved on. Later, in a less exposed location but with temperatures in the low thirties, we encountered our first very light snowfall, and we could see that it was snowing more heavily on the peaks and ridges around us.

We moved on, heading up into Wildrose Canyon. My original plan had been to drive to the end of the road, but by the time we reached the Charcoal Kilns it was snowing hard enough that this no longer seemed like a great idea. In fact, other drivers with two-wheel drive vehicles were having problems ascending the last section of the road to the kilns. We photographed the snowy conditions here and back in Wildrose Canyon, and then as the snow abated a bit we drove on, heading back in the direction of Emigrant Pass. Not far from the pass we found a hillside covered with a spectacular display of flowers. At first it was some cacti that caught our attention, but as we got out and looked around we saw many, many flowers all around. These gilia buds had not yet opened into their more showy display.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Reader Question: One Lens for Landscape and Wildflowers on Hikes?

From time to time blog readers email me questions about photography subjects. When possible I like to answer them here so that I can share the answer with others who might be interested. Here is a recent question:

“If you were going on a hike to capture landscape and wildflowers, and you could only take one lens, which one and why?”

In some ways that is  a very simple question, but it other ways the answer can be quite involved. Since the question did begin with, “If you were…”, let me start out by literally saying a bit about my own photography – but reminding readers that my approach is individual and idiosyncratic and may not match up with your preferences at all.

If the goal was to cover as much ground as possible in a single lens, and accept some photographic limitations in exchange for carrying less gear, with my Canon full-frame DSLR system I would most likely use my Canon EF 24-105mm f/4 L. On full-frame, the 24mm focal length covers a pretty decent wide angle range, and 105mm is long enough for many subjects. The lens also focuses reasonably close – though not macro-close – and the image stabilization feature is useful in situations where I might want to hand-hold the camera. On a week-long backpacking trip through a high and remote section of the Sierra a few years ago, I used only this lens (and tripod, remote release, a few filters, etc) and came back with good results. To extend the usefulness of the lens for close-up flower photography I sometimes carry an extension tube, though others might just bring along a close-up “filter” or two.

There are things that I would miss with this single-lens setup. A personal preference in my shooting is to work with longer focal lengths, so for me having nothing longer than 105mm would seem like a bit of a restriction. And while this lens plus the extension tube works pretty well, it won’t be as good as a dedicated macro lens.

Another alternative that I’ve thought about but have not yet tried (since I haven’t had the gear long enough just yet) would be to use my small Fujifilm X-E1 (seen”Fujifilm X-E1: From DSLR to Mirrorless“) with the 60mm macro and perhaps the fine little 18-55mm zoom. I know that is more than one lens, but the total kit size is smaller/lighter than my full-frame DSLR. You could go with just the excellent little zoom plus a close up filter or two as an alternative. I use this particular brand/model and like it a lot, but there are alternatives from other manufacturers that also have a lot of fans.

Moving on from what I might use, let’s briefly consider some other options that might appeal to other photographers.

If you are primarily interested in the wildflowers and are a very serious photographer, you might prefer to simply carry a dedicated macro lens of whatever focal length seems best for you. This will be your best bet for close-up wildflower photography and, accepting the limitations of having only a single focal length, will produce excellent image quality for non-macro subjects as well.

Another option that would work well for a lot of people is one of the entry-level DSLRs (like the Canon t1i-t5i series or alternatives) with the “kit” lens in the 18-55mm range plus one or more close-up filters. These can produce quite decent image quality and the package is small, light, versatile, and not too costly.

This begins to lead to the question of what your primary goals are in your hiking photography. Are you a very serious photographer who regularly produces large and high quality prints? Or, at the opposite end of the spectrum, are you a much more casual photographer who wants to bring back some beautiful records of your experience and share them with friends and family, perhaps mostly online? More than likely, you might have to determine where you fit between the extreme ends of this spectrum. How important is the weight/bulk of the equipment? Are you going to grab shots handheld or stop and use a tripod?

For some who are more concerned with the weight/bulk issues and perhaps not likely to make 20″ x 30″ prints, there are lots of smaller, lighter and often less expensive options that can be very good choices. These include some of the smaller and lighter mirrorless cameras such as the Fujifilm model I mentioned above (at the high end), and also some of the point and shoot cameras, many of which can produce excellent photographs.

Good luck with your choice… and with your photography!

Articles in the “reader questions” series:


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Whalers Knoll, Point Lobos

Whalers Knoll, Point Lobos
Whalers Knoll, Point Lobos

Whalers Knoll, Point Lobos. Point Lobos State Reserve, California. July 10, 2010© Copyright G Dan Mitchell – all rights reserved.

View of foggy Pacific Ocean from Whalers Knoll, Point Lobos State Reserve, California.

Whalers Knoll is yet another feature of Point Lobos named after “whalers” – Whalers Cove is another. Sometimes when I hike the trails along the north shore of the park I detour up a trail to the top of the knoll, from which there is a view of a larger expanse of landscape and seascape. But still, given the rough and rugged landscape of Point Lobos, there is no clear and unobstructed view – instead you can see the ocean between ridges and peaks and then only by looking for a spot where the Monterey Cypress trees are not as thick.

Although Point Lobos is a very popular park, it is usually possible to find some solitude by walking away from the most popular shoreline areas and hiking a bit. Since this trail is a bit out of the way and involves a climb, it isn’t unusual to be alone on at this lookout, especially on a foggy day when many visitors find the view from their cars to be sufficient!

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.