Tag Archives: winter

Photographs: New York City, Photographs: Urban/Street

Pedestrians, Lexington Avenue

February 8, 2018 G Dan Mitchell Leave a comment

Pedestrians cast shadows as they walk past reflecting windows on a Lexington Avenue sidewalk, Manhattan

I think that so-called street photography (which might be termed “urban landscape” photography) can do many things. Some try to constrain it, offering limiting definitions that call for monochrome, handheld cameras, photographs featuring people, and a certain direct approach to dystopian unpleasantness. While it can be that, it can be other things, too. The focus can be the light, the geometry, the individual and collective people, oddities, visual beauty, the constructed environment, and much, much more. And (despite this example!) there is nothing requiring it to be black and white and look like it was created with the photographic technologies of any particular era.

In this case, my thoughts were mostly about shapes and light when I made this photograph. (That doesn’t mean that we aren’t free to make other associations.) On this date, close to the winter solstice, the light shines obliquely up streets like this one in Manhattan, and because this section of Lexington is relatively wide and in an area with few really tall buildings, quite a bit of that light finds its way down to the street and sidewalk. As I walked into this light, I was looking for certain effects that are mostly found in such urban environments, especially the multi-directional light produced when the direct sunlight combines with light reflected from buildings and windows.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Egret, Blue Hour Fog

February 5, 2018 G Dan Mitchell Leave a comment

An egret hunting in blue hour fog

For those who don’t know the term, “blue hour” is that twilight period when the light tends to become soft and blue, most likely because the primary illumination is from the blue sky itself, with no assistance from direct sunlight. You might not notice the depth of the blue color of the light if you don’t think about it carefully or look at a photograph. Our eyes adjust to the color and see things as being “normal,” but the camera records (more or less) “what is.” Most often when people refer to blue hour they are referencing that period of early twilight — just after the red sunset tones have faded, but before it becomes extremely dark. Of course, there are two “blue hours” every day – one before sunrise and one after sunset.

I usually start my bird photography before it becomes light, and I frequently have to wait a bit before starting to photograph. On this morning it was exceptionally murky — not only was it still dark, but the tule fog was very thick. Eventually I looked for subjects that I could photograph in this challenging light. You are never far away from an egret in places like this, and it wasn’t long before I came upon one that was hunting in the nearby vegetation. In many cases I might try to compensate for the blue tones and the darkness, but here I instead decided to “go with the blue” and produce a photograph that feels more like such mornings actually feel.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Winter Fields

February 4, 2018 G Dan Mitchell Leave a comment

A flock of sandhill cranes flies through an evening winter sky about the San Joaquin River

During winter I travel to California’s Central Valley somewhat frequently, ostensibly to photograph birds but, to be honest, also to photograph the landscape — one that often features fog, fields and trees on the trajectory between winter and spring, unusual effects of light, and those birds. In mid-January I was there one afternoon, on my way to an opening reception at the Carnegie Arts Center in Turlock. The drive would usually take me about two hours, but I left early to create some time to explore areas along the San Joaquin River as it approaches the delta and eventually San Francisco Bay.

It was an interesting weather day. It was range when I left the San Francisco Bay Area, but I got ahead of the front as I crossed into the valley, and it was partly sunny as I headed east on country roads towards this destination. Out here by the river it was hazy and foggy, as it so often is this time of year, and before long the clouds of that front caught up with me and produced an interesting and evocative “atmospheric soup” that was occasionally illuminated subtly when the clouds above the fog to the west thinned. The photograph looks across fallow and muddy fields where sandhill cranes were collecting and towards the scattered trees that grow nearer to the river, above which a flock of cranes flies past.

Photographs: Central California, Photographs: Nature

Island With Trees, Thinning Fog

February 2, 2018 G Dan Mitchell Leave a comment

Sunlight begins to illuminate a small wetland island as San Joaquin Valley tule fog thins

We all know that (apparently false) story about the number of words that Inuit people have for the myriad types of snow. I suspect that it would be possible to have a similarly diverse vocabulary of descriptions for fog, dependent upon its thickness, temperature, quality and color of light, tendency to move, effect on sound, time of day, season, persistence, and much more. Photographing in California is something of a laboratory in the nature of fog, in that we have so many types. Living in the San Francisco Bay Area I am very familiar with the type of fog created by the marine influence — often cold and gray and damp, and frequently a feature of the late-spring and summer months. Photographing Central Valley birds (and driving across the great valley while traveling to and from the Sierra Nevada) has given me ample opportunities to know the tule fog, mostly a winter phenomenon caused by cool and damp conditions over land.

On winter days when I photograph in the valley I experience transitions though many different types of fog and fog-light. I often start before dawn, when the fog and darkness can close the world down to what I can (barely) see in my headlights, or by the glow of commercial signs and streetlights as I pass through towns. Before sunrise the fog can glow in colors ranging from sky blue to the gaudy reds, oranges, yellows, and purples of first light on clouds above the fog. Eventually that color dissipates and the fog can simply become gray. Then, as it things (often from the top down), and light begins to filter down to the ground level, the colors of grasses and trees and water being to appear faintly.

G Dan Mitchell Photography

Tag Archives: winter

Pedestrians, Lexington Avenue

Egret, Blue Hour Fog

Winter Fields

Island With Trees, Thinning Fog

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.