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Ship Yard Structure, Night

Ship Yard Structure, Night

Ship Yard Structure, Night. Mare Island Naval Ship Yard, Vallejo, California. August 30, 2009. © Copyright G Dan Mitchell – all rights reserved.

A towering ship yard structure against fog lit by artificial lighting at the historic Mare Island Naval Ship Yard, Vallejo, California.

An explanation of the colors in this photograph is probably in order. If you had been there next to me, looking up at the sky past this tall steel structure, you would not have seen colors that looked like this. It was, of course, dark out! You would have noticed a glow coming from the base of the fog clouds that were overhead, but it would not have seemed to have much of a color beyond a certain “warm” effect.

However, once I extend the exposure time so that I get a “normal” exposure in the camera (a bit more than three minutes in this case) light and color that are not visible to the human eye become visible to the camera. During RAW conversion I did not significantly alter the colors – these are what ACR refers to as “as shot” color balance. So we get this wild, luminous effect in the fog clouds and the brightness of the light on the structure becomes similar to that of daytime light… except the colors are different and many of the shadows come from sources that would be impossible in a daytime exposure.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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keywords: mare, island, naval, ship, yard, minsy, vallejo, california, night, nocturnal, photography, historic, structure, scaffold, steel, wire, industrial, equipment, beam, steps, ladder, rust, yellow, fog, sky, illumination, artificial, light, usa, tower, overhead, equpment, cage, platform, bolt, rivet, stock

Pipes at Base of Ship Yard Tower, Night

Pipes at Base of Ship Yard Tower, Night

Pipes at Base of Ship Yard Tower, Night. Mare Island Naval Ship Yard, Vallejo, California. August 30, 2009. © Copyright G Dan Mitchell – all rights reserved.

Night photography of a convoluted assemblage of pipes at the base of a ship yard construction tower at Mare Island Naval Ship Yard, Vallejo, California.

This is a closer view of some of the old and somewhat mysterious industrial equipment and structures at the Mare Island Naval Shipyard in Vallejo, California – again shot at night during my visit to this historic location on August 30. This mass of pipes and valves and wires and what not is at the base of one of the tall structures that cross the roadways around the center of the shipyard along Nimitz Avenue.

When I made this exposure I was not sure whether it would end up as black and white or color, but when I saw the intensely yellow color of the light on the painted surfaces of the metal it was, well, too much – so I have gone with the black and white rendition.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

Web: G Dan Mitchell Photography
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keywords: mare, island, naval, ship, yard, minsy, vallejo, california, night, nocturnal, photography, historic, night, nocturnal, photography, black and white, monochrome, pipe, valve, wire, hose, bolt, nut, steel, tower, support, cement, concrete, block, metal, corrugated, building, wall, roof, vent, truss, base, tower, mechanical, industrial, historic, old, usa, shadwo, door, stock

Shipbuilding Yard Towers, Night

Shipbuilding Yard Towers, Night

Shipbuilding Yard Towers, Night. Mare Island Naval Shipyard, Vallejo, California. August 31, 2009. © Copyright G Dan Mitchell – all rights reserved.

High fog across the night sky above towers at the Mare Island Naval Shipyard, Vallejo, California.

I’ve had the good fortune to be able to do night photography at the historic Mare Island Naval Shipyard in Vallejo, California on a number of occasions over the past few years – largely because I discovered The Nocturnes, the SF Bay Area night photography group run by Tim Baskerville. (If you are looking for night photography events, workshops, and general information – you would do well to visit their web site.) The Nocturnes photograph regularly at Mare Island (also known as “MINSY”) and I got my first, ahem, exposure to night photography via one of their events.

This visit, on the final night of August, was the first time I’ve shot there when it wasn’t an event sponsored by The Nocturnes, and it seemed a bit odd to be the person most experienced at shooting here. This event was more or less organized by SF Bay Area photographer Ivan Makarov who contacted me ahead of time for some information about shooting at MINSY and invited me to join his group if I could. I could, so I did.

After shooting there a half dozen times or so, it starts to seem a bit too easy to keep shooting the same Mare Island icons in the same way, so this time I decided to try to shoot a few things that I had not shot before and to shoot some of the familiar subjects in somewhat different ways. One decision I made was to – for the most part – avoid the usual super-wide-angle shots that seem so obvious in this environment. I started out using a 70-200mm zoom instead and later moved to shooting with normal to slightly long primes. (I did fall back on the UWA approach for a few shots – heck, if it works I’m going to do it!) Another factor was that we did not have the totally clear full-moon skies that I’m more familiar with from previous MINSY shoots. We had a softer but earlier 3/4 moon, and at times there was quite dense high fog. The fog obviously obscures the sky and reduces/eliminates the star trail photographs, but it also picks up and then spreads a wonderful diffuse light from the many natural and artificial light sources found at MINSY.

The photograph shown here was made with the long zoom and includes nearly complete fog coverage of the sky. The lighting is a crazy combination of light from nearby Vallejo reflected in the clouds, garish sodium vapor lighting coming from beyond the scaffolding, and some “natural” light from the moon on the front of the metal building. (One of the things I enjoy about night photography in a location like this is that with so many wildly different light sources there is no correct color balance – so I get to pick!

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

Web: G Dan Mitchell Photography
Twitter: http://twitter.com/gdanmitchell
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keywords: minsy, mare, island, naval, ship, yard, historic, vallejo, california, tower, steel, truss, equipment, industrial, bridge, star, trail, fog, light, building, shack, loading, dock, door, window, stairs, steps, asphalt, wire, rust, worn, abandoned, stock, tall, shadow, night, photography, nocturnal, metal, concrete, cement, glow, yellow

Abandoned Building, Night

Abandoned Building, Night

Abandoned Building, Night. Mare Island Naval Shipyard, California. March 8, 2009. © Copyright G Dan Mitchell – all rights reserved.

An abandoned building photographed under artificial light at the Mare Island Naval Shipyard, Vallejo, California.

This is another photograph from the early March visit to historic Mare Island Naval Shipyard with The Nocturnes for a round of (almost) full moon night photography. I’m not actually sure what this building is or was. I just happened to look up a deserted alley while walking down Nimitz Avenue, and I saw  it lit up by lurid sodium vapor lighting. For that reason the colors of the original photograph are a bit much. I had to make some subjective decisions about how to best tone them down. The brightly lit area at the lower left of the building was almost blown out in the red channel from this wild light. I decided to keep a bit of the yellowish tone but reduce it to a more “normal” looking level.

This highlights one thing I enjoy about working with night photography images made in the presence of artificial light. The whole notion of “accurate” is fairly meaningless. First, you almost never make a final photograph that is as dark as the scene actually was – in truth, you cannot “see” a scene like this at night in the way a camera can. Once you realize this, concerns about coming up with  “accurate” color rendition seem sort of pointless – and I just use my judgment and work toward a rendition that seems right to me.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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