Pilings, piers, and other docking facilities for the Staten Island Ferry.
This is another of my Staten Island Ferry photographs from last summer. Although it may be a bit hard to see in this small jpg, I was impressed by the extensive wooden structures at the Staten Island end of the route at the ferry terminal. Pilings are placed about as close together as possible, and in densely packed rows. Beyond them, a walkway and wooden fence rises, and beyond that more similar structures. In front of all of that are several very dilapidated looking wooden structures that seem to me falling apart and almost useless… for whatever it is that they were designed for.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A weathered blue building with fences and plants in evening light, Mendocino, California.
I had been thinking that I really should photograph some of the old, weathered buildings in Mendocino while we were there, but it just seemed like I was never quite in the right spot in the right light with the right amount of time – so, for the most part, while we were there recently I mostly just talked about how “sometime I should really photograph some of these old buildings.” Sound familiar? The village is full of various kinds of interesting places: severe-looking old churches, badly weathered older buildings, neatly restored and updated homes and businesses, old shops, and vignettes of old windows, fences, gates, and more.
In the evening we decided to walk out toward the coastal bluffs southwest of the village, with the plan of photographing the bluffs, coastal rocks, surf, and ocean in golden hour light. As we walked along a boardwalk toward the water I looked to my right and saw this very weathered old building, with its surrealistic garden of very strange shaped, well, what exactly? Trees? Bushes? Whatever they are, with their conical shapes, their twisting trunks, and odd angles they seem like they could be the model for some of the plants in a Dr. Seuss book. I was a block away when I spotted the scene, and the low angle side light was about to be cut off, so I simply set up where I was and made a few photographs – using a very unusual architecture lens, a 100-400mm zoom! This actually turned out to be a good choice – and not just because I would have lost the light if I had switched to a shorter lens and run toward the building. The long focal length flattens the depth of the elements of the image and draws them together. It also eliminated the perspective convergence that often causes walls and other vertical elements to slant inward. Do I worked quickly, and managed to get this shot while the side light was still illuminating one of the odd plants and highlighting parts of the worn fences in the foreground.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A very worn and peeling wall with pipes, conduit, a fire extinguisher sign, and shadows – The Embarcadero, San Francisco.
This is a more or less random bit of wall in a small alley leading from the Embarcadero to some old buildings on one of the old piers along the east shoreline of San Francisco. (I need to get back up there soon. There was a recent fire in the area and now I’m wondering if it affected any of these little spots I photograph.)
I am a bit of a sucker – and who isn’t? – for old worn walls, especially when they are crisscrossed by pipes and conduit and when they hold various valves and meters of the sort that in more modern structures might be hidden from view. In this case, I made the photograph in relatively “harsh” light – it was still morning, but no longer the very early soft, warm light. In fact, it was that very light that created another element of this scene that attracted me, namely the very wide shadows from the very narrow pipes. I liked other small details too – the “FIRE EXT” sign, worn and now covered by conduit, with no fire extinguisher to be seen; what must be a much older “sign” about a third of the way in from the right, which now seems to be completely blank; that interesting interruption of the wall near its base but a chunk of steel covered with rivets.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A wooden door in a concrete wall in an alley along The Embarcadero, San Francisco.
I’ll keep this description short since the photograph was taken in a location and circumstances that I have already described more fully. While walking along the Embarcadero on the waterfront of San Francisco I came across some alleys that had been locked up in the past and this time found them open. So I wandered down the alleys toward the water and discovered some old industrial buildings with worn doorways and walls and decided to make some photographs.
Much of this area is undergoing renovation or else being reclaimed by firms that find the slightly old-fashioned and dilapidated buildings to be picturesque and perhaps a bit trendy. Side by side with modern companies and offices there are remnants of a much different and rougher past.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.