“Alcove With Flowers” — Freshly-picked daffodils in a pot in a garden alcove.
This was a rather serendipitous photograph. We had been photographing in this large garden for an hour or two. The sun was getting higher in the sky, making the light less appealing for photographing foliage, and we decided it was time to move on. We were on our way toward the exit of the garden when I passed through a gate in a brick wall and just happen to look back… and see this little scene built into the wall.
Those of you who know us realize that I’m not really the flower photographer in our household — that would be Patricia Emerson Mitchell. But sometimes she lets me tag along and try my hand at this subject. Recently we visited a local garden together on wet, post-rain morning, where we found that tulips and other bulbs were starting to bloom.
Sometimes tulips can have an almost-artificial perfection. That’s appealing, but I also like photographing flowers that are not quite perfect. (Sometimes I even seek out flowers that are staring to decay a bit, and I’ll even photograph flowers that have fallen to the ground.) The fascinating color gradations of this flower caught my attention.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Migratory geese in pre-sunrise sky above the Central Valley and the Sierra Nevada crest.
On these days photographing migratory birds I arrive in darkness thirty to forty-five minutes before dawn. After driving several hours in the dark, the first thing I do is get out of the car. The first impression I always have is the sound of the birds as they get ready for morning fly-out. It is a wild, raucous thing and it always makes me smile. Before long more and more of the birds take to the air as the first light arrives. The birds flying across this brilliant early morning sky are geese.
This photograph would not have been possible on most days photographing in California’s Great Central Valley, and it depended on a particular conjunction of weather conditions. On the foggy days when I prefer to visit, of course, none of this would have been visible at all. On other clearer days the sky color is much more muted. On this visit a thin dome of clouds covered much of the sky, stretching far to the east beyond the crest of the Sierra Nevada. The first dawn light lit these clouds in a display of intense color.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Trees with autumn leaves along a road winding along a levee in Central Valley wetlands.
It just occurred to me that this sequence of photographs roughly narrates the course of a typical day here at this time of year. The ideal day starts before sunrise in thick fog. Then the fog becomes lighter and takes on the colors of dawn if things work just right. Eventually the fog thins more and the light becomes brighter and more directional. Before too long the fog dissipates and I’m left with the winter atmospheric haze, which softens the landscape even as the colors intensify.
I was hours into photographing this location when I came to these trees. Although it was still cold, the sun was shining confidently through the midday haze. The atmosphere was still a bit soft, but the fall colors were stronger. I initially stopped to photograph a bird perched at the top of one of the trees, but soon the bird left and I went into landscape photography mode.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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