Tag Archives: yosemite

Shoreline Forest

Shoreline Forest
“Shoreline Forest” — Trees grow along the shoreline of a Yosemite high country lake.

When I plan to spend a morning photographing in an area like this in Yosemite, I figure I have perhaps 3-4 hours of interesting light for morning photography. I typically start with a subject that works well in predawn light, move to one that focuses on the actual sunrise, then move around to find other subjects when their best morning light arrives. A subject like this one typically comes later and is often the final one of the morning.

I made the photograph in full sunlight, though it was slightly muted by some thin haze. I was interested in the interplay between the shapes of the trees and their shadows. In order to create this composition I had to photograph essentially directly into the morning sun light, though I positioned myself so that the shadow of one of the trees blocked the direct light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Scot Miller’s ‘First Light’ Videos

A bit more than two decades ago (I believe it was 2001), the Yosemite Fund (now the Yosemite Conservancy) initiated a project to put groups of landscape photographers into the Yosemite backcountry for a week or more at a time. With pack animal support, the photographers were able to bring the range of equipment required to do this work, and to remain “out there” long enough to become deeply acquainted with these places and produce an extensive body of photographic work.

The initial group was comprised of Charles Cramer, Karl Kroeber, Scot Miller, Mike Osborne, and Keith S. Walklet. I started tagging along in about 2008 and eventually became one of the gang. Over the years the group — will occasional others join us — continued to photograph in the Yosemite backcountry and eventually branched out to work in other locations in the high country.

There have been few projects like this one, supporting serious photography in the High Sierra over a period of many years and producing an exception body of work.

Scot Miller is not only a fine still photographer, but also a very accomplished videographer. In addition to making his own beautiful photographs on these trips, from the very beginning he was documenting the group’s work in video form. More recently Scot managed to do a series of interviews with each of us, and he has begun releasing them on YouTube.

Below are links to some of the videos that are currently available. First the “origin story” of the group.

Then pieces on three of the photographers:

Charles Cramer

Karl Kroeber

Mike Osborne.

And a bonus: The Longest Ride

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Fog at Forest’s Edge

Fog at Forest Edge
“Fog at Forest’s Edge” — Morning fog drifts among forest trees after rain, Yosemite National Park.

There is enough of a story behind this photograph that I will eventually post an article about it in my “A Photograph Exposed” series. It involved an afternoon and evening of heavy rain, a subsequent morning of fog and mist, moisture-enhanced colors, and a subject that I have almost intentionally chosen not to photograph much at all for decades. It is, obviously, a scene where a forest meets a wet meadow, photographed on a morning when fog drifted from that meadow and through the trees.

I was up early — likely around 4:00AM — since I suspected that there might be fog and mist on this morning after heavy rain. As I drove over a pass to get here there were piles of hail everywhere from the previous evening’s storm. Soon I came to a familiar small lake — the one that I almost never photograph — and I saw fog rising from the lake and drifting into the trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Trees and Smoke

Trees and Smoke
“Trees and Smoke” — Smoke from a managed fire drifts among Yosemite Valley autumn trees.

I have told the story of this series of photographs before, but here is a reminder in case you missed it. I was in Yosemite for a day of autumn color photography, but when I arrived I found the Valley full of smoke from a managed fire, set to burn off accumulated undergrowth. The Park Service does this regularly these days in autumn. It isn’t pleasant for visitors, but it makes for a healthy forest that is less likely to be destroyed by wildfires in the future. But it does pose some challenges for photographers!

Fortunately, with the right subjects and light it is possible to make photographs in smoky conditions. This isn’t the first time I’ve photographed in smoke, and I have shot actual wildfires in the past. I decided that here the drifting smoke was actually kind of moody, almost like fog except with bright sunlight streaming down from above. Here I centered a tree with autumn leaves inside and arch of thicker trunks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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