Images

Lisbon Graffiti #1

Lisbon Graffiti #1
“Lisbon Graffiti #1” — Colorful graffiti on a door in the Alfama district of Lisbon, Portugal.

Here is one more photograph of Lisbon graffiti, this one from a wall next to a sidewalk in the lower Alfama neighborhood. The colors and patterns are so vivid that you might not even notice the doorway in the wall behind the paint. The colors of this street anrt are were perhaps the most intense that I recall seeing.

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Stick in the Mud

Stick in the Mud
“Stick in the Mud” — Dead branches on a bed of dried and fractured mud, Death Valley.

As always, cracked desert mud turns out to be an irresistible subject. I photographed this little patch in the northern portion of Death Valley. We arrived as broken clouds were developing, and that gave us varied light as shadows moved across the landscape. I made this photograph in the “in between” light — not full sun, but strong enough to be directional. The mud patterns are interrupted by the pieces of old wood, but that’s not all to notice in this little scene. Look closely and you’ll see a variety of spring plants beginning to grow in this seemingly-barren terrain.

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Travessa de Sâo Miguel

Travessa de Sâo Miguel
“Travessa de Sâo Miguel” — Narrow streets and tall buildings in Lisbon’s Alfama district.

This is another photograph from the Alfama district of Lisbon. The neighborhood is the original center of historic Lisbon, though it later became home to lower income people. It escaped the destruction from the 18th-century earthquake that leveled large portions of the city, so it retains the narrow lanes, steep hills, and older buildings of an earlier era.

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Corkscrew Peak and Desert Hills

Corkscrew Peak and Desert Hills
“Corkscrew Peak and Desert Hills” — Corkscrew Peak and rugged, eroded desert hills at sunser.

This is not the first time that I have photographed this same subject, more or less, in evening light. Corkscrew Peak stands out in this scene of rugged, furrowed desert mountains. Because the location is on the eastern side of Death Valley, late light angles across the landscape just before the sun drops behinds mountains far to the west, and this light emphasizes the textures of the eroded landscape.

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