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Photographs: Coastal Redwoods, Photographs: Nature

Redwood Forest Flowers

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Redwood Forest Flowers
“Redwood Forest Flowers” — White flowers growing amongst redwood sorrel in Redwood National Park. (Possibly columbia windflower?)

As I frequently report, I’m fairly weak when it comes to identifying wildflowers. I know a few obvious ones instantly, at least by their common names. (Latin names? Let’s not go there!) But there are many more that simply cannot name. In many cases I “know” the flowers, and I’m familiar with when and where they appear and how they grow. It is the naming that has always challenged me.

All of that is a preface to the experience of photographing these lowers. I know that I’ve seen them before in the redwood forests, deep beneath the shadows of the big trees. In fact, I recognized them from a previous visit when we photographed at this location. But when I wanted to go behind “white flower on forest floor” I had to start searching. I finally came up with “Columbia windflower,” and my family botanist (thanks, Ruth Ann!) confirms that identification. What attracted me was their white blossoms standing above the bed of darker greenery, including some redwood sorrel.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Photographs: Northern California, Photographs: Urban/Street

World Headquarters

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World Headquarters
An abandoned building at the location of a future high tech center, San Jose, California.

World Headquarters. © Copyright 2021 G Dan Mitchell – all rights reserved.

An abandoned building at the location of a future high tech center, San Jose, California.

You might have to look a bit past the superficial visual constituents of this image to see the world headquarters, but something close to that is coming to this location. Far enough from where I live that it is a very long walk, a major “tech giant” is beginning a long-term project to create a major urban campus. At this point about all one sees is a whole lot of empty lots and abandoned buildings, structures from a much earlier period in the history of this city — homes, small businesses, warehouses, and more. The plan is that a decade from now this will be some sort of ultra-modern, thriving technology center with access to transit and more. We’ll see.

For now though it can be a bit of a photographic playground if your interest includes old, abandoned places and things. I did not investigate closely enough to know what actually went on in this building, but it has the appearance of a small shop or light industrial facility — perhaps automobile repair, some kind of fabrication, or similar. Beyond these associations with an earlier time in this region, it also has the appeal of a nicely weathered look, and some interesting paint colors. On this day the light also proved interesting. In fact, if you look at this the right way, there are — or at least it seems to me — two structures on the scene. One comes from the square angles of the building itself and the other comes from the oblique and curving lines of light and shadow.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Ocean & Coast, Photographs: Pacific Northwest

Surf, Sand, and Rocks

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Surf, Sand, and Rocks
Rocky islands and peninsulas surround a small bay at a southern oregon beach.

Surf, Sand, and Rocks. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocky islands and peninsulas surround a small bay at a southern oregon beach.

This photograph is the partner of another from the same location that I posted recently. This spot is along the lower coast of Oregon, not too far above the northern California border. We had been visiting the California coastal redwoods in the upper part of the state, and we decided to make a day trip across the border and up that coast. We had no specific goal in mind — well, not beyond finding a place for breakfast along the way — so we just headed north to see what we would find.

We were not expecting to find any particular “icons,” we were freed to stop at whatever seemed interesting. I don’t know that name of these formation, and my only way of identifying them was to record a mileage marker along the route. The large stone features here stand in shallow water — in some places literally on the beach. I chose the vertical format for this photograph to emphasize the view across the beach and the little bay between the rocks, leading the eye to the distant horizon and fog bank.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California, Photographs: Redwood National & State Parks

Wall of Redwoods

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Wall of Redwoods
A dense grove of closely-spaced coast redwood trees, Humboldt Redwoods State Park.

Wall of Redwoods. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dense grove of closely-spaced coast redwood trees, Humboldt Redwoods State Park.

This dense “wall”of redwood trees is part of a grove at Humboldt Redwoods State Park in Northern California. Our experience of arriving in the grove was quite striking. We had just spent hours driving a long loop of small country roads out to part of the “Lost Coast” area, and after a somewhat steep descent the road dropped into this deep, dark, and quiet grove. We stepped out of the car into the cathedral-like experience of these incredibly large trees and paused here on our drive for some time, wandering slowly among the trees and making photographs.

I’ve written before about how photographing in the redwood forest presents a number of challenges. Some of them are objective — it is very dark here, even in the middle of the day in many cases, and one ends up using very long exposures, sometimes adding up to several seconds. And despite the sense of stillness, it seems that there is always a tiny bit of air movement that affects branches and leaves. But a more complex question is how to render photographs of these places. What the camera records here is quite different than what the eye and the mind see. For some technical reasons I’ve written about previously, while the eye sees rich and deep colors, the camera records something that can appear flatter and dimmer. So the post-processing question always becomes how to move things back toward the light and colors that we remember experiencing. When doing that it is easy to get carried away and perhaps create something that is a bit too much of a fantasy — there’s nothing objectively wrong with that, but the question of how far to go is never far away. I chose here to stick with a rather dark rendition, since I remember that this is how the scene felt to me at the time.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.