Images

Bicycles and Red Door

Bicycles and Red Door, Montpellier, France
“Bicycles and Red Door” — Parked bicycles in front of a hotel with a red door and a flowering bush, Montpellier.

What is it about bicycles? They turn up as photographic subjects all the time, on their own and as characters in street photography. (One for my favorite photographs by Henri Cartier-Bresson features a bicycle.) It probably has something to do with things they represent or are associated with: a slower pace, the sensations of wind as you ride, closer contact with our surroundings. That is all preamble to this “bicycle photo” of mine, made on a street in Montpellier, France.

If I recall correctly, this may have been our last morning in this charming city before we left France and moved on to Zaragoza, Spain. While the title mentions the bicycles and they are prominent in the frame, I think that photograph is more about the lovely, soft light and the colors of the red door and the fascinating green plant growing next to it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Edge of the Salt Flats

Edge of the Salt Flats, Death Valley
“Edge of the Salt Flats” — Saltgrass grows around a winding, salt-encrusted desert gully at the edge of Death Valley salt flats.

This was almost the last photograph I made on this early morning shoot at the Death Valley salt flats. I had gone to a spot I had picked earlier, arriving in the pre-dawn darkness and hiking out across a shallow alluvial fan to reach the salt flats before sunrise. I had a couple of compositions in mind, and I wanted to start working with them as the very first light touched the peaks across the valley.

I began that work and continued as the light worked its way down the face of the desert mountains and finally arrived on the flats. Suddenly the sun topped a ridge to my east and the light became harsher and brighter… and I was done with my subject. I started back to my vehicle, and as I followed a shallow wash through the salty terrain next to the flats, I looked back and saw this little salt-lined waterway at the end of the playa in the morning light

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Two Towers, Aljafería Palace

Two Towers, Aljafería Palace
“Two Towers, Aljafería Palace” — Two round towers along the walls of the Aljafería Palace, Zaragoza, Spain.

When we were in Zaragoza, Spain last December, we understood that the Aljafería Palace was not to be missed. Its history is complicated and long, so I won’t make an attempt to relate the details, but it was originally established close to 1000 years ago, and it remains one of Spain’s most important examples of Islamic architecture. Over the centuries it was adapted by successive users, including royalty and later for more mundane purposes. It fell into disrepair, but was restored in the 1900s.

We walked over — a slightly long walk — from our accommodations in the old part of Zaragoza. This impressive structure sits on expansive grounds and is surrounded by a deep moat. Because much of it was reconstructed it doesn’t have the same worn look of many other old palaces. The photograph shows two towers along the outer walls.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Just a Cloud

Just a Cloud
“Just a Cloud” — Sunset clouds over Death Valley, February 2025.

I spotted this cloud at the end of a very long day that began in the San Francisco Bay Area. I was on the road before sunrise, heading for Death Valley National Park. I crossed the Diablo Range, continued south on Interstate 5, then crossed the Great Central Valley through Bakersfield to climb Tehachapi Pass. From there I dropped into high desert, took route 14 north along the “baby Sierra,” then followed backroads up past Trona, eventually entering the park and crossing Towne Pass. It was after 3:00 when I finally got a campsite and started setting up.

Once I had established my camp, it was time for photography. On one hand I was excited to get started. On the other hand, after that long day it would have been easier to just enjoy a quiet evening in camp. But off I went, to an elevated position from which I could photograph sunset light on desert mountains. After the light left those peaks, it still produced some color on a few dissipating lenticular clouds high above the Panamint Mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)